Search a film or person :

The Danger Game is a american film of genre Comedy directed by Harry A. Pollard released in USA on 21 april 1918 with Madge Kennedy

The Danger Game (1918)

If you like this film, let us know!

Infos
Casting
Technical infos
Photos
Videos
Film quotes
Characters
Music
Awards

Already seen ?

Want to see ?

Yes

Add to a movie list

Released in USA 21 april 1918

Length 50minutes

Directed by Harry A. Pollard

OriginUSA

Genres Comedy

Rating65%

The Danger Game est un film muet américain de Harry Pollard, sorti en 1918.

Actors

Madge Kennedy
(Clytie Rogers)

Tom Moore

Joseph Schildkraut
(Jimmy Gilpin)

Mabel Ballin
(May Wentworth)

Trailer of The Danger Game

Close video

Bluray, DVD

Streaming / VOD

Source : Wikidata

Comments

Leave comment :

Suggestions of similar film to The Danger Game

There are 95 films with the same actors, 16 films with the same director, 36633 with the same cinematographic genres, to have finally 70 suggestions of similar films.

If you liked The Danger Game, you will probably like those similar films :

Results 1 to 10 of 70
123457Next page >

Already seen ?

Want to see ?

Yes

Add to a movie list

Fast Life (1932)

, 1h22
Directed by Harry A. Pollard
Origin USA
Genres Comedy, Romantic comedy, Action, Romance
Themes Seafaring films, Sports films, Transport films
Actors William Haines, Madge Evans, Conrad Nagel, Arthur Byron, Cliff Edwards, Warburton Gamble
Rating59%

Two people leave the US Navy after having served ten years as a sailor. Sandy is one of them and later invents a carburetor that should increase the speed that powered boats will run. When testing it, he accidentally sinks a boat and has to pay for it. Now he is broke and enters a boat contest. To win, he has to invent the fastest boat in the world.

Already seen ?

Want to see ?

Yes

Add to a movie list

Oh, Doctor! (1925)

Directed by Harry A. Pollard
Origin USA
Genres Comedy
Actors Reginald Denny, Mary Astor, Otis Harlan, William V. Mong, Tom Ricketts, Lucille Ward
Rating60%

Rufus Billops, son of wealthy parents, has been reared to manhood in the belief that he is delicate and ill. He inherits a huge fortune which is tied up so that for some years he will have only a small income. Needing coin, he borrows from three elderly loan-sharks who wish him to live long enough to obtain his principal. They supply inspiration in the form of a beautiful nurse. Rufus falls in love with her and finding that she admires daring men, he does some reckless stunts that cause his creditors to almost die from anxiety. Dolores, the nurse, schemes out a plan to gain the release of his fortune from the lenders, and Rufus finally wins her affection.

Already seen ?

Want to see ?

Yes

Add to a movie list

The Cohens and Kellys (1926)

, 1h20
Directed by Harry A. Pollard
Origin USA
Genres Comedy
Actors Charles Murray, Kate Price, Jason Robards Sr., Olive Hasbrouck, Nat Carr
Rating62%

As articulated in the Nichols case, The Cohens and The [sic] Kellys presents two families, Jewish and Irish, living side by side in the poorer quarters of New York in a state of perpetual enmity. The wives in both cases are still living, and share in the mutual animosity, as do two small sons, and even the respective dogs. The Jews have a daughter, the Irish a son; the Jewish father is in the clothing business; the Irishman is a policeman. The children are in love with each other, and secretly marry, apparently after the play opens. The Jew, being in great financial straits, learns from a lawyer that he has fallen heir to a large fortune from a great-aunt, and moves into a great house, fitted luxuriously. Here he and his family live in vulgar ostentation, and here the Irish boy seeks out his Jewish bride, and is chased away by the angry father. The Jew then abuses the Irishman over the telephone, and both become hysterically excited. The extremity of his feelings makes the Jew sick, so that he must go to Florida for a rest, just before which the daughter discloses her marriage to her mother. On his return, the Jew finds that his daughter has borne a child; at first he suspects the lawyer, but eventually learns the truth and is overcome with anger at such a low alliance. Meanwhile, the Irish family who have been forbidden to see the grandchild, go to the Jew's house, and after a violent scene between the two fathers in which the Jew disowns his daughter, who decides to go back with her husband, the Irishman takes her back with her baby to his own poor lodgings. The lawyer, who had hoped to marry the Jew's daughter, seeing his plan foiled, tells the Jew that his fortune really belongs to the Irishman, who was also related to the dead woman, but offers to conceal his knowledge, if the Jew will share the loot. This the Jew repudiates, and, leaving the astonished lawyer, walks through the rain to his enemy's house to surrender the property. He arrives in great dejection, tells the truth, and abjectly turns to leave. A reconciliation ensues, the Irishman agreeing to share with him equally. The Jew shows some interest in his grandchild, though this is at most a minor motive in the reconciliation, and the curtain falls while the two are in their cups, the Jew insisting that in the firm name for the business, which they are to carry on jointly, his name shall stand first.

Already seen ?