In the fictional country of Moronika, three munitions manufacturers—Messrs. Ixnay (Richard Fiske), Onay (Dick Curtis) and Amscray (Don Beddoe)—decide their country is in need of a change. They decide to implement a dictatorship, oust the king, and go about finding someone stupid enough to be a figurehead leader. Ixnay volunteers the three wallpaper hangers simultaneously working in his dining room—the Stooges.
The film begins with a father and worker (Cagney) working at an armaments factory, until he finally gets off and goes home. When he is at home, he is interrupted from listening to his daughter's recitation of Abraham Lincoln's Gettysburg Address to go out for the Civil Defense on an air-raid patrol. When he is out at his post he feels a little silly being there, as no air raids have hit America, though they have hit America's allies.
Il avait été conçu pour préparer les troupes américaines entrées en Allemagne après le débarquement à la mise en place de la dénazification. Le commentaire du film, volontiers schématique et virulent, était tout entier préoccupé par le danger que pouvaient courir les jeunes soldats au contact d’un pays dont toute l’histoire prouvait le bellicisme et l’immaturité politique : en chaque Allemand ordinaire sommeillait un ancien ou futur nazi, d’où la nécessité d’être constamment sur ses gardes et de ne pas entretenir avec la population des liens de trop grande proximité. Repris au cours de l’année 1945 par les frères Warner sous le titre Hitler Lives ?, le film remporta l’Oscar du meilleur documentaire de court métrage.
The film reports on controversies concerning and within the animal rights movement. These include external conflicts between animal rights advocates and medical researchers and restaurant operators, and internal disagreements within the animal rights movement between the animal shelter operators and the confrontationalists who demonstrate outside homes of corporate opponents. The film also discusses the comparison between animal liberation activists and political terrorists, including the FBI's ranking of animal-rights activists as the nation's No. 1 domestic terrorism threat.
The film starts with animated visualizations, film segments and stock footage, a cartoon and audio quotes about spirituality by Chögyam Trungpa Rinpoche, then shots of war, explosions, and the September 11 attacks. Then the film's title screen is given. The introduction ends with a portion of a George Carlin monologue on religion accompanied by an animated cartoon. The rest of the film is in three parts with narration by Peter Joseph.
Les documentaires sur la Première Guerre mondiale sont assez rares, et ceux qui concernent la période de reconstruction plus encore. Gérard Rougeron y utilise comme fil conducteur les souvenirs de Gilberte Rougeron qui évoque la guerre non pas vue par les poilus, mais du côté des civils dans la vie de tous les jours. Le film débute avec des images d'archives de la foule en liesse à l'occasion de l'armistice.
Paths of lives are crossed in one village in the West Bank. Along the broken water pipelines, villagers walk on their courses towards an indefinite future. Israel that controls the water, supplies only a small amount of water, and when the water streams are not certain nothing can evolve. The control over the water pressure not only dominates every aspect of life but also dominates the spirit. Bil-in, without spring water, is one of the first villages of the West Bank where a modern water infrastructure was set up. Many villagers took it as a sign of progress, others as a source of bitterness. The pipe-water was used to influence the people so they would co-operate with Israel’s intelligence. The rip tore down the village. Returning to the ancient technique of collecting rainwater-using pits could be the villagers’ way to express independence but the relations between people will doubtfully be healed.
Twenty-five years have passed since Valeriy Starodumov worked as a dosimeter scout in September 1986. Valeriy worked at the epicenter of the explosion, the reactor's operation area, which was the most radioactive part of the site. The protagonist, a direct participant in the operation, went to the roof himself and brought people there after a failed attempt to clear the area with robots. At the government level, it was decided to assign soldiers and cadets of military schools to the task of cleaning the roofs. Unique pictures of the events of 1986 are widely used in the film. "Chernobyl.3828" is dedicated to people who saved the world from the radioactive contamination at the cost of their health and life.
The film was composed of several interviews with different Palestinian refugees including children, women, old people, and militants from the refugee camps in Lebanon. In the interviews Malas questions his subjects about their dreams at night. Through their answers, the film attempts to reveal the underlying subconsciousness of the Palestinian refugee. The dreams always converge on Palestine; a woman recounts her dreams about winning the war; a fedai of bombardment and martyrdom; and one man tells of a dream where he meets and is ignored by Gulf emirs. According to Rebecca Porteous, the film constructs "the psychology of dispossession; the daily reality behind those slogans of nationhood, freedom, land and resistance, for people who have lost all of these things, except their recourse to the last.