L'histoire se déroule en 1770, sur une île bretonne. Marianne, une artiste peintre, se voit chargée par une comtesse de réaliser le portrait de sa fille Héloïse. Cette dernière est fiancée à un Milanais, et ce portrait doit permettre de conclure l'union. Héloïse, qui ne désire pas se marier, refuse de poser. L'artiste se fait donc passer pour une dame de compagnie pour observer discrètement son modèle, et la peint de mémoire le soir.
Edvard Munch, la danse de la vie, présenté comme un documentaire d'époque, retrace les débuts de la carrière artistique du peintre expressioniste norvégien Edvard Munch (1887-1901). De ses recherches picturales à la réception de son œuvre par le public et les critiques, des drames amoureux à la peur de la maladie qui s'abat sur sa famille telle une malédiction, de son rejet de la société bourgeoise à son accueil par des groupes anarchistes ou d’artistes révolutionnaires, le film brosse un portrait subjectif et intime de Munch tout en liant l’artiste à son époque et aux grands mouvements culturels et sociaux qui agitent cette fin du XIX siècle.
En 1891, à Arles, le facteur Joseph Roulin demande à son fils Armand de remettre une lettre à Théodorus van Gogh, le frère du peintre Vincent van Gogh qui s'est donné la mort. Armand est très récalcitrant : même si Van Gogh avait peint son portrait quelque temps plus tôt, Armand reste persuadé, comme la plupart des gens, que Vincent Van Gogh était un fou plus ou moins dangereux. Armand accepte à contrecœur pour faire plaisir à son père. Mais il apprend que le frère de l'artiste est mort quelques mois plus tard. La mission d'Armand semble ne plus avoir de sens, mais, dans l'intervalle, les premiers éléments qu'il a appris sur la mort du peintre lui ont donné envie d'en savoir plus. Dès lors, Armand se rend à Auvers-sur-Oise pour enquêter sur la vie intime et artistique de Vincent van Gogh.
The film tells a story of love and deceit, set in Europe (Trieste, Bolzano, Fidenza, Rome, Milan, Merano, Vienna, Prague) in the world of high-end art auctions and antiques. The story revolves around Virgil Oldman (Geoffrey Rush), an aging and esteemed, but somewhat eccentric, managing director of an auction house. Oldman is hired by a reclusive young heiress, Claire Ibbetson (Sylvia Hoeks), to auction off the large collection of art and antiques left to her by her parents. Claire always refuses to be seen in person, obviously suffering from severe agoraphobia and never leaving her room. Soon enough Virgil, a life-long bachelor, understands that he has fallen in love with her.
In 1918, the young Jiro Horikoshi longs to become a pilot, but his nearsightedness prevents it. He reads about the famous Italian aircraft designer Giovanni Battista Caproni, and dreams about him that night. In the dream, Caproni tells him that building planes is better than flying them.
The film opens with Christy Brown, who has cerebral palsy, being taken to a charity event, where he meets his handler, a nurse named Mary Carr. She begins reading his autobiography. Christy could not walk or talk, but still received love and support from his family, especially his mother. One day, while Christy was still a young boy, he is the only person home to see his mother fall down a flight of stairs while in labor. He is able to get the attention of some neighbors, who come to his mother's rescue. His father, who had never really believed in Christy, becomes a supporter when, one day, when he is about ten, Christy uses his left foot (the only part of his body he can fully control) to write the word "mother" on the floor with a piece of yellow chalk.
En 1939, à Dresde, un jeune garçon, Kurt Barnert, découvre avec sa tante une exposition de tableaux « dégénérés ». Sa tante, prétendument atteinte de schizophrénie, sera internée puis assassinée par les nazis. Kurt, voulant devenir peintre, apprend le réalisme socialiste en République démocratique allemande, avant de passer en République fédérale d'Allemagne.
The film does not have a single narrative, but is rather episodic in nature, following the adventures of a "surrogate Kurosawa" (often recognizable by his wearing Kurosawa's trademark hat) through eight different segments, or "dreams", each one titled.
Christopher "Chris" Cross (Edward G. Robinson), a meek amateur painter and cashier for clothing retailer, J.J. Hogarth & Company, is fêted by his employer, honoring him for twenty-five years of dull, repetitive service. Hogarth presents him with a watch and kind words, then leaves getting into a car with a beautiful young blonde. Walking home through Greenwich Village, Chris muses to an associate, "I wonder what it's like to be loved by a young girl." He helps Kitty (Joan Bennett), an amoral fast-talking femme fatale, apparently being attacked by a man, stunning the assailant with his umbrella. Chris is unaware that the attacker was Johnny (Dan Duryea), Kitty's brutish boyfriend, and sees her safely to her apartment building. Out of gratitude and bemusement, she accepts his offer for a cup of coffee at a nearby bar. From Chris's comments about art, Kitty believes him to be a wealthy painter.
The film begins by showing Antonio López García as a very meticulous painter. He drives in pegs to mark his stance, hangs a weight and uses strings to determine the symmetry and center of his painting. His first attempt starts out peacefully but he soon encounters problems due to the weather and the size of his canvas. As García and a friend discuss Michelangelo's The Last Judgement, painted when Michelangelo was in his 60s, which García is fast approaching, the film's subject takes shape as the relationship between the artist's work and his own mortality. García's future attempts are much more rushed and frantic as he struggles to compete with the weather, the fleeting sun and the rotting and weighed down fruit in maintaining his vision.
Fin du XIX siècle. Après avoir distribué ses maigres biens aux miséreux, le peintre naïf géorgien Niko Pirosmanichvili (1862-1918) erre dans les rues de Tiflis (Tbilissi), troquant son talent pour le prix d'un repas. Ses tableaux sont remarqués par deux artistes de passage qui organisent une exposition de ses œuvres. Mais la critique officielle les boude ou les raille. Seuls de très rares connaisseurs auront détecté son génie. Pirosmani meurt dans le dénuement et fort incompris.
L'histoire vraie du peintre Maud Lewis, une femme de ménage qui, un jour, devient célèbre en Nouvelle-Écosse pour ses peintures et se marie avec Everett Lewis, un vendeur de poissons qui n'est autre que le grand amour de sa vie.
A somewhat artificial looking young dandy goes to an ornate dance hall, where he finds a young woman to be his dance partner. When he faints from the exertion, a doctor is called. He discovers that the dandy is in fact an old man wearing a mask to hide his aged appearance. The doctor takes the old man home to his patient wife. She explains that her husband Ambroise used to attract the ladies who frequented the hairdresser salon where he worked, but in the space of two years, he lost his looks. He goes out in disguise in an attempt to recapture his youth.