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Fragments of Conversations with Jean-Luc Godard is a french film directed by Alain Fleischer with Jean-Luc Godard

Fragments of Conversations with Jean-Luc Godard (2007)

Fragments of Conversations with Jean-Luc Godard
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Length 2h5
Directed by
OriginFrance
Rating67% 3.3693653.3693653.3693653.3693653.369365

Morceaux de conversations avec Jean-Luc Godard est un film français réalisé en 2007 par Alain Fleischer, sorti en 2009.

Synopsis

Propos de Jean-Luc Godard sur le cinéma, l'histoire, l'engagement politique, à l'occasion d'entretiens avec des historiens, critiques et réalisateurs.

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Trailer of Fragments of Conversations with Jean-Luc Godard

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Suggestions of similar film to Fragments of Conversations with Jean-Luc Godard

There are 46 films with the same actors, 3 films with the same director, to have finally 49 suggestions of similar films.

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The film does not tell a story so much as present an essay-like study of Godard's view of contemporary life; Godard wrote that "I wanted to include everything: sports, politics, even groceries. Everything should be put in a film". Godard himself narrates the film in a whispered voice-over that discusses his fears to the audience about the contemporary world, including the Vietnam War. The film often cuts to various still shots of bright consumer products and ongoing construction.
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Soft and Hard brings to light questions regarding images and language, in film and television, but does not necessarily set out to answer the questions. Soft and Hard is one of many video projects Godard experimented with during this time of his career. There are several key scenes during Soft and Hard that directly correlate with the questions being asked about TV compared to film. The video starts with the words Soft and Hard appearing in text on the screen. Godard and Miéville then use voiceover of them speaking while random images appear on the screen. A slow motion shot of Godard swinging a tennis racquet follows.
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Carmen, in voice over paired with shots of the city and the sea, introduces herself as "the girl who should not be called Carmen." Somewhere a string quartet is rehearsing the late string quartets of Beethoven. The eccentric Jeannot (Godard himself) is living in a sanitarium where the doctor threatens to throw him out if he doesn't start to show signs of real illness. Carmen comes to visit him, and it is revealed he is a washed up filmmaker and her lecherous uncle. After getting her Uncle Jeannot to loan her his seaside apartment, Carmen and some others attempt to rob a bank. During the mayhem of the robbery, Carmen comes face to face with Joseph, a comically inept bank guard, and the two immediately fall in love. The string quartet continues to rehearse, inflecting the scenes of the robbery, and vice versa. The narrative link is that one of the members of the quartet is Claire, who is established earlier in the film as a potential love interest for Joseph.
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Durant le festival de Cannes en 1982, Wim Wenders a invité les cinéastes présents à se rendre tour à tour dans la chambre 666 de l'hôtel Martinez et à mettre en marche la caméra et le magnétophone qu'il y avait placés pour répondre à une seule question : «le cinéma est-il un langage en train de se perdre, un art qui va mourir ? ».
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