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Tamas is a film of genre Drama directed by Govind Nihalani with Om Puri
Tamas (1987)
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Add to a movie listTamas (lit. Darkness) is a 1988 period television film written and directed by Govind Nihalani. It is based on the Hindi novel of the same name by Bhisham Sahni (1974), which won the author the Sahitya Akademi Award in 1975. Set in the backdrop of riot-stricken Pakistan at the time of Partition of India in 1947, the film deals with the plight of emigrant Sikh and Hindu families to India as a consequence of the partition. It was first shown on India's national broadcaster Doordarshan as a mini-series and later as a one-off four-hour-long feature film. At the 35th National Film Awards, it won three awards including the Nargis Dutt Award for Best Feature Film on National Integration. In August 2013, it was shown on History TV18 as a series.
Synopsis
Nathu (Om Puri), a Chamar, is finishing his work in his shop when the thekedar (Pankaj Kapur) walks in and asks him to entice a pig from a nearby piggery into his shop and kill it for the Veterinary doctor who needs it for medical purposes. Nathu tries to decline saying he has never killed a pig before and doesn't have the necessary skill for it, offering instead to tan the hide if required provided the people from the piggery kill it. Thekedar insists that he wants Nathu to do it and gives him 5 rupees for it and leaves the shop saying that the work must be done by morning when the jamadar will come to take the carcass.Actors
Om Puri
(Nathu)
Bhisham Sahni
(Harnam Singh)
Amrish Puri
(Sardar Teja Singh)
Deepa Sahi
(Kammo)
Manohar Singh
(Hayat Baksh)
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Suggestions of similar film to Tamas
There are 395 films with the same actors, 14 films with the same director, 60598 with the same cinematographic genres, 10121 films with the same themes (including 989 films with the same 2 themes than Tamas), to have finally 70 suggestions of similar films.If you liked Tamas, you will probably like those similar films :
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Allegedly based on a true incident reported on page 7 of a local newspaper, the film was a scathing satire on the corruption in the judicial system and the victimization of the underprivileged by the able and the powerful.
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Dibyanath Chatterji, his bank-employed wife, Sujata, and youngest son, Brati, live an affluent existence in Calcutta, West Bengal, India, circa early 1970s. Sujata is a quiet, devout Hindu, religious, and compassionate woman, and Brati has finished his school and is now attending college. His parents are proud of him, and keep track of his progress. Then their world is shattered during the early hours, when they are informed by the police that Brati has been killed. Dibyanath and Sujata go to identify Brati's body, mourn, lament inconsolably. They know now that their lives will never be the same again - for by the police they will be called the mother and father of corpse No. 1084. Sujata struggles to understand Brati's passing, meets his friends one by one, comes to know that Brati had a girlfriend, Nandini Mitra, and that's when she finds out that Brati was part of a rebel group often referred to as "Naxalbari", a militant leftist group. As she delves deeper and deeper into Brati's former life, she begins to understand her son's struggle, and decides to continue to further this. What Sujata does not know is her and Dibyanath's lives are in danger, and they well turn up dead and end up as numbered corpses in a police morgue.
Ardh Satya (1983)
, 2h10Directed by Govind Nihalani
Genres Drama, Crime
Actors Om Puri, Smita Patil, Amrish Puri, Shafi Ali Inamdar, Naseeruddin Shah, Sadashiv Amarapurkar
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The film opens at a party where Anant Welankar (Om Puri), a police officer, meets Jyotsna Gokhale (Smita Patil), a lecturer in literature at a local college. Anant is a sub-inspector with Bombay police. They seem to hit it off despite some initial skirmishing about ideology, and the friendship blossoms into a relationship.
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, 1h58Directed by Govind Nihalani
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Drohkaal (1994)
Directed by Govind Nihalani
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Indian cities are being terrorized by a group of people who want the government to give in to their demands and are willing to go to any extent for that purpose. Honest, experienced and diligent cops Abhay Singh (Om Puri) and Abbas Lodhi (Naseeruddin Shah) are part of the anti terrorism task force set up by the government to eliminate the menace.
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Joint Commissioner of Police Dev Pratap Singh, a duty-bound, self-righteous officer, and Special Commissioner Tejinder Khosla, the balancing force between the political interests of Chief Minister Bhandarker and Dev's commitment to the law, are lifelong friends, each with his own ideals. Farhaan, a law graduate, was brought up with ideals of non-violence and patriotism. Dev unwittingly gives Farhaan the wound that plunges him into rage and violence after witnessing the death of his father during a peace demonstration. Taking advantage of the situation, corrupt politician Latif sets the vulnerable young man on a path of violence and destruction that threatens to ignite the city. Aaliya is the light in Farhaan's life. Beautiful and innocent, the young woman also gets caught in extraordinary circumstances that transform her life and she dares to stand up for the truth. Dev is the saga of Dev and Tej's friendship, a bond stronger than blood ties in which Farhaan emerges as the wedge driving them apart. The story unfolds against the vitiated atmosphere of present times where innocent lives become fodder for political expediency. The spark of terrorist violence unknowingly set off by Farhaan under the aegis of the corrupt politician Latif engulfs the whole city in its flames. Tej transgresses beyond the boundaries of law in his passion to eliminate anti-national crime. Dev is faced with the spectre of the tragic human cost and a moral compulsion to act. The stakes rise beyond self-interest. Dev and Tej are set on a path of dramatic collision. Even as Dev and Farhaan's fate gets irreversibly linked, two soldiers whose allegiance may be to different causes but admiration for each other's courage and integrity brings them together.
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, 2h30Directed by Govind Nihalani
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