On Vila Brasilândia, a favela (shanty town) of São Paulo, four Afro-Brazilian girls battle to fulfill their dream of making a living off their music. Friends since the childhood, Preta (Negra Li), Bárbarah (Leilah Moreno), Mayah (Quelynah) and Lena (Cindy Mendes, a.k.a. Maria Madalena, as Cindy) quit singing the backing vocals for a male rap group and form Antônia, their own group. Discovered by the smooth-talking manager Marcelo Diamante (Thaíde), they begin to sing rap, MPB, pop and soul in bars and in middle-class parties.
After the World War II, in the Brazilian sertão. A group of impoverished peasant mystics (beatos) gathered around Dona Santa (Rosa Maria Penna), a female spiritual figure, join in veneration of Saint George with an obscure figure named Coirana (Lorival Pariz). Coirana claims to have restarted the cangaço and seeks to take the revenge of Lampião and other cangaceiro martyrs, presenting the tale of Saint George and the Dragon in a contemporary class conflict context. They threaten the town of Jardim de Piranhas governed by Coronel Horácio (Joffre Soares) a blind and old cattle owner married to younger and attractive Laura (Odete Lara). Dr. Mattos (Hugo Carvana), the corrupt police chief of the town, hires Antônio das Mortes as a jagunço against Coirana and Antônio fatally wounds Coirana in a duel. However, Antônio is changed by his experiences with the poor, and so he then demands that the coronel distribute the food stored in a warehouse to the remaining cangaceiros. The colonel raged and sent Mata Vaca (Vinícius Salvatori) to kill Antônio das Mortes. But Antônio das Mortes with the help of his friend "Professor" (Othon Bastos) kills Mata Vaca and his jagunços. The coronel is killed by Antão (Mário Gusmão), the helper and possibly lover of Dona Santa in a scene reminiscent of Saint George slaying the Dragon iconography. The movie ends with Antônio das Mortes walking by the roadside, carrying on the struggle - in some ways hopeless or unending - which extends beyond the killing of the colonel and the expropriation of his land.
A girl decides to run away from her ordinary life leaving her parents, friends and her boyfriend Antonio. But before leaving, she resolves to spend the last hour with him, having a long conversation while walking in college. They speak about their relationship remembering the past, imagining the future and discussing a number of fears and issues involving their generation.
La vraie histoire de Quilombo Olho d'Água da Serra do Talhado, dans l'État de Paraíba, au Brésil, qui est devenue institutionnellement isolée du reste du pays. Les Quilombos étaient des communautés d'esclaves fugitifs au Brésil colonial.
Lauro (João Gabriel Vasconcellos) is a young painter taken by an existential malaise. By dawn in the city of Vitoria, he walks and find some friends to say that those are his last hours of life.
The film is set in a middle-class school in São Paulo, and tells the one-month period in the life of Hermano, "Mano". Mano and his brother Pedro lead fun-loving lives until they learn their parents are getting a divorce. The anguish of their parents’ separation becomes more difficult when they discover their father is gay. Deeply affected by the changes at home, Mano must also deal with the challenge of being popular at school, having sex for the first time, the discovery of love and a snooping classmate’s destructive gossip blog. The arrival of adulthood brings with it overwhelming difficulties and a major transformation in the way Mano sees the world.