There are five cameras — each with its own story. When his fourth son, Gibreel, is born in 2005, self-taught cameraman Emad Burnat, a Palestinian villager, gets his first camera. At the same time in his village of Bil’in, the Israelis begin bulldozing village olive groves to build a barrier to separate Bil'in from the Jewish Settlement Modi'in Illit. The barrier's route cuts off 60% of Bil'in farmland and the villagers resist this seizure of more of their land by the settlers.
En Israël, Hanna, une kibboutznik de 80 ans, refuse la déchéance de la communauté qu'elle a contribué à créer il y a très longtemps, avec notamment son vieil ami Shimon, et dont la directrice n'est autre que Yaël, la propre fille de Hanna.
Klein plays Yaron the head of a counter terrorist organization. There is a hostage drama near the end of the film. Yaron's wife is pregnant. The film explores Yaron's difficulties in compartmentalizing his professional and domestic lives.
Joe (Veronica Kedar) is a drug dealer who was born in New York but lives in Israel. She travels from Bangkok to Tel Aviv smuggling drugs. Joe delivers the drugs to Abigail (Romi Aboulafia) who tells her to meet at the club 'Dark Eighties' later that night in order to sell the drugs. Belle (Sivan Levy) a patient staying at Tel Aviv Psychiatric Hospital is released into the care of her mother (Florence Bloch), yet after learning that her parents got rid of her pet 'Fred' she runs away. She climbs onto the roof of a building and strips off her clothes to commit suicide. Before jumping she notices an open window and decides to go inside. After getting close to the window she finds it is in fact closed but she smashes it and goes inside anyway.
Eliezer Shkolnik (Shlomo Bar Aba) is a philologist who researches the different versions and phrasings of the Jerusalem Talmud. He and his son Uriel (Lior Ashkenazi) are both professors at the Talmudic Research department of the Hebrew University of Jerusalem.
Paths of lives are crossed in one village in the West Bank. Along the broken water pipelines, villagers walk on their courses towards an indefinite future. Israel that controls the water, supplies only a small amount of water, and when the water streams are not certain nothing can evolve. The control over the water pressure not only dominates every aspect of life but also dominates the spirit. Bil-in, without spring water, is one of the first villages of the West Bank where a modern water infrastructure was set up. Many villagers took it as a sign of progress, others as a source of bitterness. The pipe-water was used to influence the people so they would co-operate with Israel’s intelligence. The rip tore down the village. Returning to the ancient technique of collecting rainwater-using pits could be the villagers’ way to express independence but the relations between people will doubtfully be healed.
Plusieurs protagonistes se croisent dans la partie interdite d'un parc naturel, on rencontrera une jeune femme tombé dans un piège, des joueurs et joueuses de tennis tombé en panne d'essence, un garde forestier, son chien et sa compagne, un duo de policier pas très clair et un vrai sérial-killer. leurs rencontres et leur relations basés sur des quiproquos, des abus de situations dominantes, du stress et de l'angoisse va se conclure par une boucherie.
The film starts with God (Eyal Kitzis) meeting Abraham (Moti Kirschenbaum) to sell monotheism. After Abraham declines, God promises to end Abraham's theft problem by destroying the city of Sodom, where the thieves are coming from, within three days. Abraham asks God to get his nephew Lot (Dov Navon) out of the city before he destroys it. God replays the command to his subordinates Raphael (Yuval Semo) and Michael (Maor Cohen).
Rien ne va plus pour le Directeur des Ressources Humaines de la plus grande boulangerie de Jérusalem : il s’est séparé de sa femme, sa fille le boude et il est empêtré dans un boulot qu’il déteste. Suite à la mort accidentelle d’une de ses employées, la boulangerie est accusée d’inhumanité et d’indifférence par un quotidien local. Le DRH est alors envoyé en mission pour redorer l’image de l’entreprise. C’est le début d’un périple qui l'entraîne des rues mystiques de Jérusalem à la glaciale Roumanie, à la recherche du village de Yulia, cette femme qu’il ne connaissait pas mais qu’il apprend petit à petit à admirer. A la tête d’un convoi chaotique, entre le fils de la défunte, en révolte contre tous, un exaspérant journaliste, une consule excentrique et un encombrant cercueil, le DRH retrouve son humanité et sa vraie capacité à s’occuper des « ressources humaines ».
Ce sont des séries de bobines de films de 35 mm allemandes, anonymes, sans générique, portant la seule inscription : Das Ghetto, retrouvées dans les années 1950 qui sont à l'origine du film de Yahel Hersonski. Ces bobines constituent un « documentaire » allemand sur le ghetto de Varsovie durant la Seconde Guerre mondiale. Dans les années 1990, la découverte d'une bobine manquante viendra éclairer la propagande qui se cachait dans les premières images retrouvées et le véritable but des Allemands qui réalisèrent ces images.
When the bank forecloses on the property of an isolated and financially troubled kibbutz in Galilee, Israel, most of the residents gather their belongings and abandon the community before the bailiffs arrive. In their haste to depart, however, they neglect to bring with them a dozen senior citizens who now are forced to fend for themselves as they attempt to oppose the construction of a luxury spa and casino and save their kibbutz single-handedly. In the process, they rediscover the pioneering spirit they felt when the kibbutz was first established.
The Little Traitor is set in 1947 Palestine, when the area still was ruled by the British, tells how 12-year-old Proffi (Ido Port) befriends the hated enemy, in the form of English Sgt. Dunlop (Alfred Molina), and sticks with him despite the suspicions of friends and family.
Dans une famille dysfonctionnelle habitant une ville non précisée d'Israël, Zion, 14 ans, cherche à se libérer de l'emprise de son frère aîné, dont la violence l'entraîne dans un accident et le secret.