Wanda is a dominatrix who runs a gallery in Hamburg. She lures men and women of all types into her sadomasochistic world where audiences pay for the privilege of seeing her humiliate her slaves. The end is an ultimate mix of eros and thanatos.
An arrogant wealthy capitalist named Raffaella (Mariangela Melato) is vacationing on a yacht in the Mediterranean Sea with friends—swimming, sunbathing, and talking incessantly about the virtues of her class and the worthlessness of the political left. Her nonstop political monologue infuriates one of the underclass deckhands on her yacht, Gennarino (Giancarlo Giannini), a dedicated Communist who manages to restrain his opinions to avoid upsetting his boss and losing his good job. Despite her humiliating insults, Gennarino agrees to take her out on a dinghy late in the evening to see the rest of her friends who have gone ahead without her. On their way, the outboard motor gives out, leaving them stranded in the middle of the sea with no land in sight.
Max Renn (Woods) is the president of CIVIC-TV, a UHF television station in Toronto that specializes in sensationalistic programming. Displeased with his station's current lineup, Max is looking for something that will break through to a new audience. One morning, he is summoned to the clandestine office of Harlan (Peter Dvorsky), who operates CIVIC-TV's pirate satellite dish which can intercept international broadcasts. Harlan shows him Videodrome, a plotless show apparently being broadcast out of Malaysia which depicts the brutal torture and murder of anonymous victims in a reddish-orange chamber. Believing this to be the future of television (seemingly staged snuff TV), Max orders Harlan to begin pirating the program.
Alberta leaves her small hometown to move to the city, and she moves in with her former babysitter, Celene, who wears thigh high boots and is now a professional dominatrix. Out of money, Alberta decides to impersonate her roommate's identity, lured by the $300 per hour pay rate. While working with her first client, Paul, three men break into the house, believing that Paul stole half a million dollars from them. Paul defends himself, saying that whatever money he has, he had won at the casino. Alberta flees the scene, grabbing Paul's money on her way out, which leads the robbers to believe that she is involved with the theft as well. For the rest of the movie, Alberta and Celene try to deal with the three robbers, and rescue Paul from them.
Yes, We Fuck! présente la sexualité de plusieurs personnes handicapées (le terme employé est personnes dotées de « diversité fonctionnelle », pour mettre en avant des modes de fonctionnement corporel différents plutôt que le handicap). À travers six récits, différentes thématiques sont traitées, notamment l'expérience de sa propre sexualité, la vie en couple, la prostitution, ou encore l'assistance sexuelle.