A zombie horde overtakes the Mall of America. Meanwhile, we see a man named Tom feverishly barricading the inside of his house, only to have his not-too-bright girlfriend open a window to let some fresh air in.
During the 2012 Summer Olympics in London, a virus was released which causes a zombie uprising which decimates humanity. In the year 2018, six years after civilization is destroyed and with few humans left, the King of the Zombies (Noel Fielding) organizes a music festival to keep the zombie horde entertained after the zombie apocalypse.
Frederick Douglass and the White Negro is a documentary telling the story of ex-slave, abolitionist, writer and politician Frederick Douglass and his escape to Ireland from America in the 1840s. The film follows Douglass' life from slavery as a young man through to his time in Ireland where he befriended Daniel O'Connell, toured the country spreading the message of abolition and was treated as a human being for the first time by white people. His arrival in Ireland coincided with the Great Famine and he witnessed white people in what he considered to be a worse state than his fellow African Americans back in the US. The film follows Douglass back to America where he buys his freedom with funds raised in Ireland and Britain. Fellow passengers on his return journey include the Irish escaping the famine who arrive in their millions and would go on to play a major role in the New York Draft Riot of 1863 which Douglass could only despair over. The film examines (with contributions from the author of How The Irish Became White Noel Ignatiev amongst others) the turbulent relationship between African Americans and Irish Americans during the American Civil War, what drew them together and what drove them apart and how this would shape the America of the twentieth century and beyond.
Compiling over seven years and 1,000 hours of filming and footage, respectively, the verite-style documentary Land of Opportunity captures the early years of post-catastrophe New Orleans through the eyes of those most affected by its devastation. From the urban planner to the immigrant worker, the activist to the pragmatist, the protagonists represent the fundamental diversity of New Orleans. Through their eyes, viewers experience the emotional trajectory of an unprecedented urban reconstruction process. The people in the film are examples in urban paradox: marginalized, multi-racial, moneyed or not and, often, contradictory. Contained in their stories is a paradigm that is universally applicable: the story of ordinary people in cities and towns across the world, grappling with extraordinary circumstances much larger than themselves.