In the back country of South Africa, black minister Stephen Kumalo (Canada Lee) journeys to the city to search for his missing son Absolom, only to find his people living in squalor and Absolom a criminal after committing murder. Kumalo's friend and fellow minister, Reverend Misimangu (Sidney Poitier) is a young South African clergyman who helps find Kumalo's sons and sister-turned-prostitute in the slums of Johannesburg. Both work together to confront the harsh reality of apartheid and what it is doing to both white and black South Africans.
The film begins with Robinson as a boy. He is given a worn-out baseball glove by a stranger impressed by his fielding skills. As a young man, he becomes a multi-sport star at the University of California, Los Angeles, but as he nears graduation, he worries about his future. His older brother Mack was also an outstanding college athlete and graduate, but the only job he could get was that of a lowly street cleaner.
Dr. Luther Brooks (Sidney Poitier), an intern who has just passed the state board examination to qualify for his license to practice, is the first African-American doctor at the urban county hospital at which he trained. Because he lacks self-confidence, Luther requests to work as a junior resident at the hospital for another year. Johnny (Dick Paxton) and Ray Biddle (Richard Widmark), brothers who were both shot in the leg by a policeman as they attempted a robbery, are brought to the hospital's prison ward. As Luther tends to the disoriented Johnny, he is bombarded with racist slurs by Ray, who grew up in Beaver Canal, the white working class section of the city. Believing that Johnny has a brain tumor, Luther administers a spinal tap, but Johnny dies during the procedure. Wondering if Ray's antagonism may have caused him to be careless, Luther consults his mentor, chief medical resident Dr. Daniel Wharton (Stephen McNally), and Wharton concedes that a brain tumor was only one possibility. Feeling that he must prove the accuracy of his diagnosis, Luther requests an autopsy, but Wharton informs him that according to state law, they cannot proceed without the permission of the deceased's family. When Ray refuses, as he does not want his brother's body to be cut up, Wharton confers with the head of the hospital, Dr. Sam Moreland (Stanley Ridges), about requisitioning an autopsy.
Pinky Johnson (Jeanne Crain) returns to the South to visit Dicey (Ethel Waters), the illiterate black laundress grandmother who raised her. Pinky confesses to Dicey that she passed for white while studying to be a nurse in the North. She had also fallen in love with white Dr. Thomas Adams (William Lundigan), who knows nothing about her black heritage.
Hongrie en 1882. Dans un village, Esther, une servante adolescente, disparaît. Personne ne sait qu'elle s'est enfuie parce que sa maîtresse la maltraite. La rumeur accuse bientôt les Juifs de sa disparition, qu'elle aurait été la victime d'un assassinat rituel. Un témoin affirme avoir vu Esther se réfugier chez le chef de la communauté juive, Peczely Scharf. C'était le jour de shabbat, où tout geste non religieux est interdit, or la fille chrétienne a pris un chandelier sur la table. Depuis, personne ne l'a revue.
Finding a curiously silent young runaway boy (Stockwell) whose head has been completely shaved, small-town police call in a psychologist (Ryan) and discover that he is a war orphan named Peter Fry. Moving in with an understanding retired actor named Gramps (O'Brien), Peter starts attending school and generally begins living the life of a normal boy until his class gets involved with trying to help war orphans in Europe and Asia.
Une ville allemande de taille moyenne dans les années 1920. Un fabricant juif est accusé du meurtre de son comptable. Le juge d'instruction, nationaliste allemand, qui croit que le meurtrier est un juif, veut que Blum soit l'auteur du meurtre alors que l'assassin est un ancien membre d'un corps franc. Le président de la cour, social-démocrate, nomme un officier de la police criminelle qui invalide les preuves du juge.
Philip Schuyler Green (Gregory Peck) is a widowed journalist who has just moved to New York City with his son Tommy (Dean Stockwell) and mother (Anne Revere). Green meets with magazine publisher John Minify (Albert Dekker), who asks Green, a gentile, to write an article on antisemitism ("some people don't like other people just because they're Jews"). He is not very enthusiastic at first, but after initially struggling with how to approach the topic in a fresh way, Green is inspired to adopt a Jewish identity ("Phil Greenberg") and writes about his first-hand experiences.
The film opens with a note that the following is "a reminder that behind the curtain of Nazi pageants and parades was millions of men, women and children who were tortured to death - the greatest mass murder in human history," then fades into German civilians at Gardelegen carrying crosses to the local concentration camp.
The film's central footage and themes "relied heavily" on the work of German film maker Leni Riefenstahl, in particular the 1935 movie Triumph des Willens (Triumph of the Will).
Part 1
On the eve of the American Civil War in 1861, Scarlett O'Hara lives at Tara, her family's cotton plantation in Georgia, with her parents and two sisters. Scarlett learns that Ashley Wilkes—whom she secretly loves—is to be married to his cousin, Melanie Hamilton, and the engagement is to be announced the next day at a barbecue at Ashley's home, the nearby plantation Twelve Oaks.