Grace (Julia Roberts) discovers that her husband Eddie (Dennis Quaid) is having an affair with another woman. To her surprise, she also discovers that people around her advise her to forgive and forget instead of making an issue out of it. Her father (Robert Duvall) owns a hunter/jumper horse farm and thinks that the whole family should instead concentrate on an upcoming competition.
Un village montagnard en Norvège au XVII siècle. An-Magritt est née d'un viol. Attachée au pilori, sa mère se suicide en se jetant dans la rivière. Il revient au grand-père de prendre soin de l'enfant. Conçue dans la violence, c'est grâce à la charité qu'An-Magritt doit son salut. Elle n'a pourtant d'autre alternative que de travailler durement tout en subissant le froid et la faim au risque de sa vie. Dès son adolescence, la jeune femme acquiert une personnalité bien trempée, s'acquittant de tâches ordinairement dévolues aux hommes - convoyer du minerai et du charbon entre la mine et la fonderie, labourer pour assurer sa subsistance - et apprenant à lire. Sa beauté et son farouche caractère attirent l'attention d'un ingénieur allemand dont elle finit par s'éprendre. Alors que les conditions de vie et de travail sont déjà extrêmement pénibles pour les villageois, le chambellan Jochum, prétextant de graves difficultés, annonce de terribles restrictions.
Teetering on the edge of overwhelming ennui, a lonely and dejected woman pays a gay man to join her for a daring, four-day exploration of sexuality in which both reject all convention and smash all boundaries while locked away from society in an isolated estate. Only when the man and woman confront the most unspeakable aspects of their sexuality will they have a pure understanding of how the sexes view one another.
Meena Kumar, a 12-year-old Sikh girl, lives with her family in the predominantly white, working-class, fictional mining village of Tollington in the Black Country in 1972. Meena meets Anita, a white, 14-year-old girl whom Meena comes to idolise. However, Meena finds it harder and harder to fit in as her Indian heritage keeps on resurfacing, and Anita's new boyfriend proves to hold strong racist attitudes toward those he regards as "darkies".
Following World War II, the widow Antonia and her daughter Danielle arrive at Antonia's home town where her mother is dying. Antonia turns down an offer of marriage from Farmer Bas, but develops a romance with him anyway. Danielle becomes an artist and expresses interest in raising a child, while rejecting the idea of having a husband. Antonia and Danielle visit the city to find a man to impregnate Danielle, resulting in the birth of Therèse, an unusually intelligent girl. Danielle also develops a lesbian relationship with Therèse's tutor.
Best friends Hailey Rogers (JoJo) and Claire Brown (Emma Roberts) are upset to know that they will be separated in five days as Hailey has to move to Australia because of her mother's (Claudia Karvan) job. Claire, senisible and slightly naive, looks up to Hailey as a mother figure in some ways, since her parents drowned in a boat accident years before. She now lives with her grandparents by the beach near Hailey, who is more daring and adventurous, in a small Florida town.
Une femme battue (Sophie Marceau) pousse son mari par la fenêtre. Après dix ans, elle décide de se rendre à la police, où elle est entendue par la lieutenant Pontoise (Miou-Miou) qui refuse de l'arrêter. Le film est un huis clos entre les deux femmes, illustré de flash-backs en caméra subjective.
A boy named Sho/Shawn tells the audience he still remembers the week in summer he spent at his mother's childhood home with his maternal great aunt, Sadako/Jessica, and the house maid, Haru/Hara. When Sho/Shawn arrives at the house on the first day, he sees a cat, Niya, trying to attack something in the bushes but it gives up after it is attacked by a crow. Sho/Shawn gets a glimpse of Arrietty, a young Borrower girl, returning to her home through an underground air vent.
Pooja (Shabana Azmi), who grew up as an orphan girl and always dreamt of owning a house, becomes insecure when she finds out that she and her husband, Inder (Kulbhushan Kharbanda), have to leave the apartment they rent. The twist that occurred when Inder gives her the keys of a new house proves to be double-edged, when it is revealed that he is in love with another woman, Kavita (Smita Patil), with whom he earned the money (in the film industry) for the new apartment. While previously giving advice to her maid (Rohini Hattangadi) cheated by her husband, now Pooja becomes herself involved in a similar situation. When Inder deserts Pooja for Kavita, she chooses to leave the apartment for a women's hostel with only 7px2000 that she had when she got married. She is helped by Raj (Raj Kiran) to surpass the difficulties of life as a single person, to find a job and to rely morally on herself. Raj and Pooja become good friends. Gradually, Kavita's mental instability deepens her fears of insecurity, even after Inder requests Pooja to sign the divorce papers.
Lillian « Lily » Colson et sa bande sont en terminale au lycée de la ville de Salem dans le Massachusetts. Comme une grande partie de leurs camarades de classe, elles partagent leur temps entre les cours, les réseaux sociaux et les fêtes dans cette société qu'elles considèrent comme misogyne, transphobe et remplie de masculinité toxique.
This film is about the issues like male chauvinist protagonism, extramarital affairs, and spousal abuse. It is about a woman trying to find a separate identity outside her marriage.
Une mère et sa fille, arrivées à l'âge ou la différence d'âge devient presque invisible, entament une marche le long d'une rivière. La conversation évolue vers l'éternelle question de la jeunesse...
The story of two friends from different backgrounds, whose friendship spans more than 30 years through childhood, love, and tragedy: Cecilia Carol "C.C." Bloom (Bette Midler), a New York actress and singer, and Hillary Whitney (Barbara Hershey), a San Francisco heiress and lawyer. The film begins with middle-aged C.C. receiving a note during a rehearsal for her upcoming Los Angeles concert. She leaves the rehearsal in a panic and tries frantically to travel to her friend's side. Unable to get a flight to San Francisco because of fog, she rents a car and drives overnight, reflecting on her life with Hillary.
Après des années de coups et de terreur, Francine Hughes a mis le feu au lit de son agresseur pendant qu'il dormait. Ses aveux et le procès pour meurtre qui a suivi ont enthousiasmé la nation. Une histoire dramatique d'une femme poussée à bout.
Manju (Sripriya) was raised in a dysfunctional family that consisted of a timid father and a philandering mother; she hurtles from one disastrous affair to another, leading to her degenerating into a cynical woman. Into her life enter two radically different men. One of them is her boss, Thyagu (Rajinikanth), who owns the advertising agency she works for. He is a stereotype of the successful man: money-minded, opinionated, arrogant, and a male chauvinist. In sharp contrast is Arun (Kamal Haasan), who has come to Chennai from Coimbatore to make a documentary on women. Sensitive and sincere, he believes his job has a purpose and is both shocked and amused at the cynical attitudes of Manju and Thyagu.