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Meetings with Remarkable Men is a american film of genre Drama directed by Peter Brook released in USA on 5 august 1979 with Dragan Maksimović
Meetings with Remarkable Men (1979)
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Add to a movie listMeetings with Remarkable Men is a 1979 British film directed by Peter Brook and based on the book of the same name by Greek-Armenian mystic, G. I. Gurdjieff, first published in English in 1963. Shot on location in Afghanistan (except for dance sequences, which were filmed in England), it starred Terence Stamp, and Dragan Maksimović as the adult Gurdjieff. The film was entered into the 29th Berlin International Film Festival and nominated for the Golden Bear.
The plot involves Gurdjieff and his companions' search for truth in a series of dialogues and vignettes, much as in the book. Unlike the book, these result in a definite climax—Gurdjieff's initiation into the mysterious Sarmoung Brotherhood. The film is noteworthy for making public some glimpses of the Gurdjieff movements.
Synopsis
La vie de Georges Gurdjieff, de sa jeunesse jusqu'à ses voyages initiatiques à la recherche de la Sagesse. On suit sa quête spirituelle en Asie centrale, notamment à Boukhara, et dans le désert de Gobi, où il découvre différentes disciplines comme la musique et la danse lui permettant encore de progresser.Actors
Dragan Maksimović
(G.I. Gurdjieff)
Terence Stamp
(Prince Lubovedsky)
Martin Benson
(Dr. Ivanov)
Athol Fugard
(Professor Skridlov)
Colin Blakely
(Tamil)
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Suggestions of similar film to Meetings with Remarkable Men
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, 1h34Directed by Peter Brook
Origin United-kingdom
Genres Historical, Musical, Crime
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In the 1700s, a beggar is tossed into London's Newgate jail, along with a pile of papers upon which his unfinished opera is scribbled. The beggar boasts to the other prisoners that his opera, unlike others of the day, is about a real person, the dashing highwayman Captain Macheath, who, dressed in a red coat, holds off the world with a pistol in each hand, seduces women with five notes of a tune, and generally leaps from misfortune. To the beggar's disappointment, the other prisoners point out that his hero Macheath is among them, in irons and behind bars, and Macheath, who is scheduled to be executed the next morning, admits that there is "no arguing with reality." Taking the first page of the opera, Macheath begins singing, and the beggar, encouraged by Macheath's good voice, urges him to continue, until the following story, the beggar's opera, is sung for the prison inmates: While riding to London, feeling merry and free, Macheath robs a carriage, and steals a kiss and a locket from a maiden. Later, in London, Macheath's wife, Polly Peachum, pines for him. Polly's parents, shopkeepers Mr. Peachum and his wife, are scandalized to learn from their employee Filch that Polly has secretly married the highwayman. To make the best of the situation, as they are always eager to make money, they urge her to lure Macheath into a trap and collect the reward for his capture. Meanwhile, outside of town, Macheath encounters a carriage ridden by Newgate's jailor Mr. Lockit, Lockit's daughter Lucy and Mrs. Trapes, whom Lockit is wooing. Lucy, who met Macheath when he was once imprisoned, scolds him for taking her virtue without making good on his promise to wed. When Macheath rides off, Mrs. Trapes suggests that Lucy betray him for the reward and give the money to her father. Later, during a tryst in a hayloft, Polly warns Macheath that her parents are mounting an ambush. Macheath escapes with Polly's help after a swashbuckling fight, then hides in a back room of a tavern, where he is unable to resist socializing with the prostitutes, whom he considers friends. However, prostitute Jenny Diver has been bribed by Peachum and Lockit to betray him, and with the help of her colleagues, Macheath is soon captured. From his jail cell, Macheath urges Lucy to steal the jail keys and set him free, promising to marry her in return, but then Polly shows up and he is forced to introduce the women to each other. During the night, Lucy steals the keys and releases him, but later Polly sneaks back and, finding Macheath gone from the cell, screams in anguish without thinking, thus drawing attention to his escape. Meanwhile, Macheath disguises himself in the stolen cape and gloves of a lord and slips into a gaming house to avoid making good his promise to unite with Lucy. However, the proprietor recognizes the cape and alerts Lockit and Peachum about the impostor wearing it. Back at the jail, Polly is accused of freeing Macheath and is locked in Lucy's room, where Lucy, after losing track of Macheath, attempts to drug her. When they hear the recaptured Macheath being returned to prison, Lucy and Polly proceed to Macheath's cell and demand that he choose between them. He refuses, as he will soon be hanged and sees no reason to disappoint either of them. The next morning, riding atop his coffin as it is carted through the streets to the gallows, Macheath waves farewell to the friendly crowd that has gathered to see him off. At the gallows, after kissing both Lucy and Polly goodbye, Macheath is blindfolded and awaits his fate, and the opera comes to its incomplete end. The real Macheath, who is still in the jail, protests that he should not have to hang twice. After pondering the complaint, the beggar agrees and yells for Macheath's reprieve. The rest of the prisoners join in the chant and mob the turnkey, who comes to investigate the ruckus, allowing Macheath to escape. The highwayman steals a horse from the cart containing his coffin and when safely out of London, sings that his freedom has been returned because of a beggar's opera.
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