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The Reckless Age is a american film of genre Drama directed by Harry A. Pollard released in USA on 16 august 1924 with Reginald Denny

The Reckless Age (1924)

The Reckless Age
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Released in USA 16 august 1924
Directed by
OriginUSA
Genres Drama,    Comedy,    Romance
Rating60% 3.044753.044753.044753.044753.04475

The Reckless Age is a 1924 silent film comedy-drama directed by Harry A. Pollard and starring Reginald Denny. It was produced and distributed by Universal Pictures. It is based on the novel Love Insurance by Earl Derr Biggers and is a remake of an earlier Paramount film Love Insurance(1919) now lost.

This film is preserved at Filmmuseum Amsterdam.

Actors

Reginald Denny

(Dick Minot)
Ruth Dwyer

(Cecilia Meyrick)
John Steppling

(Spencer Meyrick)
May Wallace

(Tante Meyrick)
William Austin

(Lord Allan Harrowby)
Trailer of The Reckless Age

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Streaming / VOD

Source : Wikidata

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Suggestions of similar film to The Reckless Age

There are 135 films with the same actors, 16 films with the same director, 87895 with the same cinematographic genres (including 3805 with exactly the same 3 genres than The Reckless Age), to have finally 70 suggestions of similar films.

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As articulated in the Nichols case, The Cohens and The [sic] Kellys presents two families, Jewish and Irish, living side by side in the poorer quarters of New York in a state of perpetual enmity. The wives in both cases are still living, and share in the mutual animosity, as do two small sons, and even the respective dogs. The Jews have a daughter, the Irish a son; the Jewish father is in the clothing business; the Irishman is a policeman. The children are in love with each other, and secretly marry, apparently after the play opens. The Jew, being in great financial straits, learns from a lawyer that he has fallen heir to a large fortune from a great-aunt, and moves into a great house, fitted luxuriously. Here he and his family live in vulgar ostentation, and here the Irish boy seeks out his Jewish bride, and is chased away by the angry father. The Jew then abuses the Irishman over the telephone, and both become hysterically excited. The extremity of his feelings makes the Jew sick, so that he must go to Florida for a rest, just before which the daughter discloses her marriage to her mother. On his return, the Jew finds that his daughter has borne a child; at first he suspects the lawyer, but eventually learns the truth and is overcome with anger at such a low alliance. Meanwhile, the Irish family who have been forbidden to see the grandchild, go to the Jew's house, and after a violent scene between the two fathers in which the Jew disowns his daughter, who decides to go back with her husband, the Irishman takes her back with her baby to his own poor lodgings. The lawyer, who had hoped to marry the Jew's daughter, seeing his plan foiled, tells the Jew that his fortune really belongs to the Irishman, who was also related to the dead woman, but offers to conceal his knowledge, if the Jew will share the loot. This the Jew repudiates, and, leaving the astonished lawyer, walks through the rain to his enemy's house to surrender the property. He arrives in great dejection, tells the truth, and abjectly turns to leave. A reconciliation ensues, the Irishman agreeing to share with him equally. The Jew shows some interest in his grandchild, though this is at most a minor motive in the reconciliation, and the curtain falls while the two are in their cups, the Jew insisting that in the firm name for the business, which they are to carry on jointly, his name shall stand first.