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A Countess from Hong Kong is a British film of genre Comedy directed by Charlie Chaplin released in USA on 5 january 1967 with Marlon Brando

A Countess from Hong Kong (1967)

A Countess from Hong Kong
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Released in USA 5 january 1967
Length 2h
Directed by
Genres Comedy,    Romantic comedy,    Romance
Rating60% 3.001153.001153.001153.001153.00115

A Countess from Hong Kong is a 1966 British comedy film and the last film directed, written, produced and scored by Charlie Chaplin. It was one of two films Chaplin directed in which he did not play a major role (the other was 1923's A Woman of Paris), and his only color film. Chaplin's cameo marked his final screen appearance. The movie starred Marlon Brando, Sophia Loren, Tippi Hedren, and Sydney Earle Chaplin, Chaplin's third son.

The story is based loosely on the life of a woman Chaplin met in France, named Moussia Sodskaya, or "Skaya" as he calls her in his 1922 book, My Trip Abroad. She was a Russian singer and dancer that "was a stateless person marooned in France without a passport". The idea, according to a press release written by Chaplin after the movie received a negative reception, "resulted from a visit I made to Shanghai in 1931 where I came across a number of titled aristocrats who had escaped the Russian Revolution. They were destitute and without a country, their status was of the lowest grade. The men ran rickshaws and the women worked in ten-cent dance halls. When the second World War broke out many of the old aristocrats had died and the younger generation migrated to Hong Kong where their plight was even worse, for Hong Kong was overcrowded with refugees."

It was originally started as a film called Stowaway in the 1930s, planned for Paulette Goddard, but production was never completed. This resulting film, created nearly 30 years after its inception, was a critical failure and grossed US$2,000,000 from a US$3,500,000 budget. However, it did prove to be extremely successful in Europe and Japan. In addition, the success of the music score was able to cover the budget.

Critics such as Tim Hunter and Andrew Sarris, as well as the poet John Betjeman and the director François Truffaut viewed the film as being among Chaplin's best works. Actor Jack Nicholson is also a big fan of the film.

The film's theme music, written by Chaplin, became the hit song "This Is My Song" for Petula Clark—a UK no. 1 and US no.

Synopsis

Ambassador-designate to Saudi Arabia Ogden Mears (Marlon Brando) sails back to America after touring the world. He meets Natasha, a Russian countess (Sophia Loren, in Hong Kong after she sneaks aboard in evening dress to escape her life at a dance hall for sailors. A refugee, she has no passport and is forced to stay in his cabin during the voyage.

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Trailer of A Countess from Hong Kong

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Charlie Chaplin filmography

The Face on the Barroom Floor (1914) The New Janitor (1914) His Musical Career (1914) Laughing Gas (1914) The Rounders (1914) Twenty Minutes of Love (1914) Mabel's Married Life (1914) Gentlemen of Nerve (1914) Getting Acquainted (1914) His New Profession (1914) The Property Man (1914) The Masquerader (1914) Dough and Dynamite (1914) His Prehistoric Past (1914) His Trysting Places (1914) Those Love Pangs (1914) Recreation (1914) Her Friend the Bandit (1914) A Busy Day (1914) Caught in the Rain (1914) A Night Out (1915) By the Sea (1915) Work (1915) A Night in the Show (1915) The Champion (1915) In the Park (1915) His New Job (1915) The Bank (1915) Shanghaied (1915) His Regeneration (1915) A Woman (1915) A Jitney Elopement (1915) The Tramp (1915) One A.M. (1916) The Pawnshop (1916) The Rink (1916) Behind the Screen (1916) A Burlesque on Carmen (1916) Police (1916) The Count (1916) The Fireman (1916) The Vagabond (1916) The Floorwalker (1916) The Adventurer (1917) The Cure (1917) Easy Street (1917) The Immigrant (1917) The Bond (1918) Shoulder Arms (1918) A Dog's Life (1918) Triple Trouble (1918) A Day's Pleasure (1919) The Professor (1919) Sunnyside (1919) The Idle Class (1921) The Kid (1921) Pay Day (1922) The Pilgrim (1923) A Woman of Paris: A Drama of Fate (1923) The Gold Rush (1925) The Circus (1928) City Lights (1931) Modern Times (1936) The Great Dictator (1940) Monsieur Verdoux (1947) Limelight (1952) A King in New York (1957) The Chaplin Revue (1959) A Countess from Hong Kong (1967)

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Suggestions of similar film to A Countess from Hong Kong

There are 208 films with the same actors, 72 films with the same director, 48434 with the same cinematographic genres (including 2650 with exactly the same 3 genres than A Countess from Hong Kong), to have finally 70 suggestions of similar films.

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, 2h17
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Origin USA
Genres Drama, Comedy, Comedy-drama, Musical, Romance
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The movie is set in London in 1914, on the eve of World War I (and the year Chaplin made his first film). Calvero (Chaplin), once a famous stage clown but now a washed-up drunk, saves a young dancer, Thereza "Terry" Ambrose, (Claire Bloom), from suicide. Nursing her back to health, Calvero helps Terry regain her self-esteem and resume her dancing career. In doing so he regains his own self-confidence, but his attempts to make a comeback meet with failure. Terry says she wants to marry Calvero despite their age difference, although she has befriended Neville (Sydney Earl Chaplin), a young composer Calvero believes would be better suited to her. In order to give them a chance, Calvero leaves home and becomes a street entertainer. Terry, now starring in her own show, eventually finds Calvero and persuades him to return to the stage for a benefit concert. Reunited with an old partner (Keaton), Calvero gives a triumphant comeback performance. He suffers a heart attack during a routine, however, and dies in the wings while watching Terry, the second act on the bill, dance on stage.
The Tramp
The Tramp (1915)
, 32minutes
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The Tramp (Charlie Chaplin) finds the girl of his dreams and works on a family farm. He helps defend the farm against criminals, and all seems well, until he discovers the girl of his dreams already has a boyfriend. Unwilling to be a problem in their lives, he takes to the road, though he is seen skipping and swinging his cane as if happy to be back on the road where he knows he belongs.
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Modern Times portrays Chaplin as a factory worker employed on an assembly line. There, he is subjected to such indignities as being force-fed by a "modern" feeding machine and an accelerating assembly line where he screws nuts at an ever-increasing rate onto pieces of machinery. He finally suffers a nervous breakdown and runs amok, throwing the factory into chaos. He is sent to a hospital. Following his recovery, the now unemployed factory worker is mistakenly arrested as an instigator in a Communist demonstration. In jail, he accidentally ingests smuggled cocaine, mistaking it for salt. In his subsequent delirium, he gets out of the jail. When he returns, he stumbles upon a jailbreak and knocks the convicts unconscious. He is hailed a hero and is released.
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The film begins aboard a steamer crossing the Atlantic Ocean, and initially showcases the misadventures of an unnamed immigrant, the Tramp (Chaplin) who finds himself in assorted mischief while, among other things, playing cards, eating in a mess hall, and avoiding seasick passengers. Along the way, he befriends another unnamed immigrant (Purviance) who is traveling to America with her ailing mother. The two are robbed by a pickpocket who is losing in gambling. The Tramp, feeling sorry for the two penniless women, attempts to secretly place his winnings from his card game in the woman's pocket, but ends up being mistakenly accused of being a pickpocket. The woman manages to clear the Tramp's name. Upon arrival in America, the Tramp and the woman part company.
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Charlie works on a farm from 4am to late at night. He gets his food on the run (milking a cow into his coffee, holding an chicken over the frying pan to get fried eggs). His love interest in the village is the girl played by Edna Purviance. He loves her, but is disliked by her father. He rides a cow into a stream and is kicked off. Unconscious, he dreams of a nymph dance. Back in reality a city slicker is hurt in a car crash and is being cared for by Edna. He appears to have an eye for Edna too. Chaplin tries to win her back. When Charlie is rejected after attempting to imitate the slicker, the result is ambiguous—either tragic or a happy ending. Critics have long argued as to whether the final scene is real or a dream.
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