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Clínica con música is a film of genre Comedy with Antonio Gasalla

Clínica con música (1974)

Clínica con música
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Genres Comedy
Rating50% 2.5150252.5150252.5150252.5150252.515025

Clínica con música is a 1974 Argentine film.

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Trailer of Clínica con música

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Suggestions of similar film to Clínica con música

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Musicardi's octogenarian widow, Ana María de los Dolores Buscaroli, called Mamá Cora by everybody (Antonio Gasalla), has four children: Antonio (Luis Brandoni), Sergio (Juan Manuel Tenuta), Emilia (Lidia Catalano) and Jorge Musicardi (Julio De Grazia) with whom she lives and goes through financial troubles. This situation, plus lack of space and constant generational conflicts, makes Susana (Jorge's wife) ask desperately for the siblings to take their mother with any of them for a while.
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À Turin, le minable architecte Garrone, mondain et obsédé sexuel, est assassiné à l'aide d'un gros phallus de pierre. Le commissaire Santamaria, originaire de Rome et peu familier avec la capitale du Piémont, est diligenté sur l'affaire. Il soupçonne d'abord Anna Carla Dosio, riche bourgeoise qui s'ennuie auprès de son industriel de mari : deux domestiques qu'elle venait de renvoyer ont en effet livré à la police un brouillon de lettre où elle semblait souhaiter la mort de Garrone. Le destinataire de la lettre, Massimo Campi, issu d'une grande famille, devient dès lors suspect aussi, d'autant qu'il cache avoir passé le soir du crime avec son petit ami, Lello Riviera, jeune fonctionnaire municipal qui décide de mener sa propre enquête pour le sauver. Santamaria, aidé par son collègue De Palma et à l'occasion par une Anna Carla réjouie de cet intermède pimenté, découvre les différents aspects et quartiers de la ville : snobisme et futilité charmante de certains oisifs, vaste trafic de phallus sculptés, somptueuses villas anciennes sur les collines, jardins de l'austère veuve Inès Tabusso — champ de prostitution nocturne qu'elle voudrait bien lotir —, marché aux puces pittoresque du Balôn... où Lello est tué à son tour. Mis sur la piste par la possibilité dans le dialecte turinois d'un jeu de mots entre « poire » et « pierre », et par les complicités de Garrone avec un employé, voyeur comme lui, du service d'urbanisme de la ville, Santamaria finit par démasquer la coupable : Inès Tabusso, que l'architecte faisait chanter en la menaçant de bloquer son projet de lotissement. Le modeste commissaire et la séduisante Anna Carla peuvent désormais céder à leur attirance mutuelle.
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