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Pattanapravesham is a film of genre Comedy directed by Sathyan Anthikad with Mohanlal
Pattanapravesham (1988)
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Add to a movie listPattanapravesham (Malayalam: പട്ടണപ്രവേശം) is a 1988 Malayalam screwball comedy film directed by Sathyan Anthikkad and written by Sreenivasan. It is the sequel to Nadodikkattu and follows the story of Dasan (Mohanlal) and Vijayan (Sreenivasan) who are now CIDs and are investigating a homicide case. The film was produced by Siyad Koker under the banner of Kokers Films.
Just six months after the events of the prequel, C.I.D. Ramdas (Mohanlal) and C.I.D. Vijayan (Sreenivasan) are called to Kerala to solve the murder of a police officer. The two incompetent and clueless men find themselves facing a dangerous crime syndicate led by Prabhakaran Thampi (Karamana Janardanan Nair) that deals in drug trafficking. In addition, Anandan Nambiar (Thilakan) who is the man they put behind bars in Nadodikkattu escapes from jail. The film was a critical and commercial success at the box office. In 1990, Priyadarshan made a sequel titled Akkare Akkare Akkare.
Synopsis
The film starts with Ashoka Varma (Prathapachandran) a police officer, trying to prevent smuggling and drugs exporters. On the night he found the crucial evidence needed, he was murdered in his house. To find the murderer Kerala Home Minister (Oduvil Unnikrishnan) invites C.I.D. Ramdas aka Dasan (Mohanlal) and C.I.D. Vijayan (Sreenivasan) to Kerala.Actors
Mohanlal
(Ramdas / Dasan)
Sreenivasan
(Vijayan)
Karamana Janardanan Nair
(Prabhakaran Thampi)
Ambika
(Shobha)
Thilakan
(Ananthan Nambiar)
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Suggestions of similar film to Pattanapravesham
There are 821 films with the same actors, 55 films with the same director, 36646 with the same cinematographic genres, to have finally 70 suggestions of similar films.If you liked Pattanapravesham, you will probably like those similar films :
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The story revolves around a house owner, Gopalakrishna Panikkar, who is struggling with debt incurred during the wedding of his two sisters. He needs to force his tenants to vacate, so that the house can be sold and the debt repaid. The tenants do not want to leave for reasons of their own. How the various situations unfold and what happens to Gopalakrishna Panikker and the tenants is what the movie is all about.
Gandhinagar 2nd Street (1986)
, 2h20Directed by Sathyan Anthikad
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Madhavan (Sreenivasan) is trying to get a job for his unemployed friend Sethu (Mohanlal). When a spate of robberies takes place in a middle-class neighbourhood, Madhavan has Sethu pose as Raam Singh, a Nepali émigré, to fulfill the residents' need for a Gorkha security guard. A police officer (Thilakan) and his daughter (Karthika) move into the neighbourhood, bringing back memories from the past for Sethu.
Nadodikkattu (1987)
, 2h38Directed by Sathyan Anthikad
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Actors Mohanlal, Sreenivasan, Thilakan, Innocent, Shobana, Mamukkoya
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Nadodikattu opens by introducing the two protagonists, Ramdas/Dasan (Mohanlal) and Vijayan (Sreenivasan), who are employed as ill-paid peons. A commerce graduate, and proud of that, Dasan frequently vents his frustration in having to serve lesser qualified superiors and having to settle with lesser than what he feels he deserves in life. Vijayan is his less educated roommate and sole friend. Their relationship is one full of tension, with Dasan adopting a superior stance on the account of his education and good looks, which fiercely rattles Vijayan. Several comic situations later in the film borrow from this aspect of their characters. Dasan frequently bosses over Vijayan to do all the household chores.
Kudumbapuranam (1988)
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The film revolves around a middle class Malayalee family. Problems arise when the eldest son alienates his father and gets thrown out of home. The film portrays the other members struggling between the two.
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, 2hDirected by Sathyan Anthikad
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Directed by Sathyan Anthikad
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Themes Political films
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After his retirement from Indian Railways, as station master, Raghavan Nair (Thilakan) is back at his home. His long cherished dream to spend his retired life along with his family consisting of wife (Kaviyoor Ponnamma), three sons and two daughters gets a blow after seeing his two sons brawling each other over their political differences. Prabhakaran (Sreenivasan), the elder one is a staunch leftist, and an active worker of the Revolutionary Democratic Party (RDP) which has just lost the Kerala state Assembly elections and relinquished office. Prakashan (Jayaram), popularly known as KRP, his younger brother is involved with the Indian National Secular Party (INSP) which has now come to power. Though they are both educated, neither has any plans to earn a living on their own and are fully immersed in petty politics, sponging off their parents for their needs. Raghavan Nair becomes deeply worried about their future, and tries to advise his sons, but of his admonitions fall on deaf ears. Anandan (Mala Aravindan), his son-in-law is a police sub-inspector but is now on suspension. When the RDP was in power, he arrested and beat up several of the opposition party workers on instruction from the ruling party officials. Now that the previous opposition is in power, they exact their revenge, first by transferring him repeatedly to stations as far away from civilisation as is possible, and then by suspending him. As part of his retired life, Raghavan Nair decides to focus his attention on his agricultural activities and meets the new young agricultural officer (Siddique) and, with his wife's approval, wants their younger daughter to get married to him, but his elder sons oppose it on flimsy and petty reasons. Prakashan, whose party is in power, pulls strings and get him transferred immediately to a remote location in order to prevent the marriage but Nair gets them married at the registrar's office. In the meantime, Anandan and his wife, Raghavan Nair's eldest daughter, demand partition of the property and their share, which Raghavan Nair objects to. The last straw is when their mother falls ill and is hospitalised for a day or so, and none of her children bother to show up at the hospital - in particular, the two older sons. Raghavan Nair, when he sees all of them milling around his house on returning from the hospital, loses his temper. He throws out all his children and orders them never to enter his house again. But to his surprise he finds both Prakasan and Prabhakaran at the gate, fully repented. He calls them in and they begin a new life. The film ends by showing Prabhakaran going to court as a lawyer and Prakashan for a job interview.
, 2h30Directed by Sathyan Anthikad
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The story is about Jayakanthan (Kunchacko Boban) who comes to claim his father Narendran's property in their native village. There he meets Vinodini (Samyuktha Varma) who is the panchayat president and a strict follower of the rules. Swathi (Asin) is Jayakanthan's cousin and her father Balakrishnan Nambiar (Janardhanan) is worried that Jayakanthan has come to marry her and inherit their property. Bhargavan (Sreenivasan) has usurped Narendran's land, but Jayakanthan is unaware of this and becomes his good friend. The remaining of the plot is about how things fall into place.
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Shekhara Menon (Thilakan) is retired income tax officer from Mumbai and has now settled in a remote village in Kerala. He owns some land and a house where he and his three daughters live together and leads a calm, silent and happy life. Menon owns a smaller house adjacent to his own which is given for rent, and his source of income other that agricultural income. Mr. Menon's Pension from service has been blocked due to some unclear issues. Hareendran (Mammootty) is a struggling small time contractor and comes in as a new tenant to the rented house. Hareendran is constantly put under unwanted troubles by his aide Balachandran (Sudheesh), who convinces Hareendran to help people in trouble. His experience with Balachandran has made Hareendran a selfish man and he presently is least concerned about other peoples problems around him.
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