Night and Fog is a documentary that alternates between past and present and features both black-and-white and color footage. The first part of Night and Fog shows remnants of Auschwitz while the narrator Michel Bouquet describes the rise of Nazi ideology. The film continues with comparisons of the life of the Schutzstaffel to the starving prisoners in the camps. Bouquet then addresses the sadism inflicted upon the doomed inmates, including torture, scientific and medical "experiments", executions, and prostitution. The next section is shown completely in black-and-white, and depicts images of gas chambers and piles of bodies. The final topic of the film depicts the liberation of the country, the discovery of the horror of the camps, and the questioning of who was responsible for them.
Avec Pierre Patry, le spectateur pénètre dans l'intimité d'un couvent, chose exceptionnelle au cinéma. En suivant les pas et l'expérience d'une novice, nous découvrons les usages, les règles et le rythme du monastère de le communauté des Servantes de Jésus-Marie, à Hull.
Two days in the life of Reverend Fred Stadtmueller, a Catholic missionary whose New Mexico parish covers 400 square miles. For six years, he has been piloting his Piper Cub, called 'The Spirit of St. Joseph'. The reverend attends the funeral of a farmer, reconciles some children, breeds canaries, practices rifle shooting, then takes his airplane to fly a sick baby and its mother 40 miles away and transport them to an airport where an ambulance is waiting.
The film opens with a note that the following is "a reminder that behind the curtain of Nazi pageants and parades was millions of men, women and children who were tortured to death - the greatest mass murder in human history," then fades into German civilians at Gardelegen carrying crosses to the local concentration camp.
The film's central footage and themes "relied heavily" on the work of German film maker Leni Riefenstahl, in particular the 1935 movie Triumph des Willens (Triumph of the Will).
Jocelyne Khoueiry était une combattante active des milices phalangistes durant la guerre civile libanaise. A la fin de la guerre, elle se repent et se tourne vers Dieu. Jocelyne Saab rentre au Liban pour faire son portrait.