Together is set in one of the communes that sprang up around Stockholm in the 1970s. Loosely led by the sweet-natured Göran, who will do anything to avoid a conflict, the group spend their time arguing about left-wing politics and other questions such as whether doing the dishes is bourgeois. The commune's dynamics are significantly shaken when Göran's sister, Elizabeth, leaves her violent husband Rolf and moves in, bringing her two children Eva and Stefan.
The film is a biography of anarchist Sakae Ōsugi, who was assassinated by the Japanese military in 1923. The story tells of his relationship with three women: Hori Yasuko, his wife; Noe Itō, his third lover, who was to die with him; and his jealous, second lover, Masaoka Itsuko, a militant feminist who attempts to kill him in a tea house in 1916. Parallel to the telling of Ōsugi’s life, two students (Eiko and Wada) do research on the political theories and ideas of free love that he upheld. Some of the characters from the past and from the present meet and engage the themes of the movie.
A group of four misfits, Argyris, Andreas, Marina, and Sofia, live together in a house. Argyris just got out of jail. All four have become disillusioned with life and have lost any reason to live or die. They try all criminal experiences with each member of the group choosing a different activity to experiment in: frequenting expansive restaurants and leaving without paying, shoplifting, starring in pornographic films, and creating an anti-state organization. The authorities put them under surveillance, waiting for the slightest false step from any of them before acting violently. The first such misstep occurs when Sofia kills the police chief who monitors their home.
The film covers the life of John Reed and Louise Bryant from their first meeting to Reed's final days in 1920 Russia. Interspersed throughout the narrative, several surviving witnesses from the time period give their recollections of Reed, Bryant, their colleagues and friends, and the era itself. A number of them have mixed views of Bryant and her relationship with Reed.
Imbued with the spirit of the left-wing political movement, Popular Front, which would have a major political victory that year, the film chronicles the story of M. Lange (René Lefèvre), a mild-mannered clerk at a publishing company who dreams of writing Western stories. He gets his chance when Batala (Jules Berry), the salacious head of the company, fakes his own death and the abandoned workers decide to form a cooperative. They have great success with Lange's stories about the cowboy, Arizona Jim — whose stories parallel the real-life experiences of the cooperative. At the same time, Lange and his neighbor, Valentine (Florelle), fall in love.
En Grèce et en Espagne, le film fait un tour d'horizon des luttes qui soufflent en Europe contre la résignation et les politiques d'austérité. Il s'agit d'un voyage en musique, d’un bout à l’autre de la Méditerranée, à la rencontre de résistances, de terres en luttes et d’utopie.
On the Green Beautiful, a utopian planet much smaller than Earth, Mila, a rather young woman - by the reckoning of her people, at any rate - volunteers to go on planet Earth at the yearly planet reunion. It has been two hundred years since they had last sent Osam (an old sage) and Mila's father there, and they had come back with what they believed were nasty tidings: the people of Earth lived in a generally bad condition. Osam mentions Napoleon and stresses the fact that at that point in the development on earth, there was still money - a notion that baffles even the wisest folk of the Green Beautiful. Apparently, it seems that without money, you have nothing. In time, we find out that important historical figures such as Jesus and Johann Sebastian Bach had come from this very planet.
Manor Farm is a formerly prosperous farm that has fallen on hard times, and suffers under the now-ineffective leadership of its drunken and aggressive owner, Mr. Jones. One night, Old Major, the prize boar and the second-oldest on the farm, calls the animals on the farm for a meeting, where he compares the humans to parasites and encourages the animals to break free from their tyrant's influence, while reminding them that they must hold true to their convictions after they have gained freedom. With that, he teaches the animals a revolutionary song, before collapsing dead mid-song to the animals' horror.
Le 2 mars 1974, sous le régime de Franco, Salvador Puig i Antich, militant espagnol anarchiste, a été le dernier exécuté par « garrot vil ». Le film retrace la vie de Salvador depuis son engagement politique au sein du MIL jusqu'à son exécution.
Guy Debord y développe une théorie de la spectacularisation de la société qui se trouve par là-même vidée de tout contenu, où « le spectacle est une guerre de l'opium permanente pour faire accepter l'identification des biens aux marchandises et de la satisfaction à la survie augmentant selon ses propres lois » (citation du film).
In Budapest in 1880 two twin daughters, Dóra and Lili are born. After their mother dies the twins support themselves by selling matches in the street. When they fall asleep one night two men take their matches and, after a coin flip, each takes a girl and go their separate ways.
À la fin du XIX siècle, des anarchistes italiens, dix hommes, une femme, libertaires, collectivistes, émigrent au Brésil pour y fonder une communauté sans chef, sans hiérarchie, sans patron, sans police, mais pas sans conflit, ni passion.
Ce film a pour titre un slogan qui a fait le tour de la Grèce en crise depuis 2010 et qui commence à voyager au-delà : « Ne vivons plus comme des esclaves », qui se prononce « Na min zisoumé san douli » en grec. Un slogan qu'on peut lire en Grèce sur les murs des villes et sur les rochers des campagnes, sur les panneaux publicitaires vides ou détournés, dans les journaux alternatifs et qu'on peut entendre sur certaines stations de radio et dans les lieux d’autogestion qui se multiplient. Un slogan diffusé jour après jour, et que les intervenants grecs du film invitent les spectateurs à reprendre en chœur, sur les mélodies du film réalisé en coopération avec eux.