A group of lazy, ignorant highschool students, in no rush to graduate, have settled into life at their private school, paid by aloof parents, where they have bonded as a family and are cared for by school attendant Hafize Ana who has accepted them as her real sons. Their kingdom over the school is challenged by a new principal who, despite his warm hearted nature, takes on the role of tough disciplinarian and becomes the butt of their tricks and jokes as he prepares them for life.
The film starts with events that led to the overthrow of Slobodan Milošević on 5 October 2000. It analyzes the National Endowment for Democracy's financing of the Otpor! resistance movement, together with the West's training of Serbian activists and politicians in Budapest and discusses the row between the government and the opposition concerning electoral fraud accusations. The film continues to assess Serbia's economy after the fall of Milošević.
The film is set in Ottoman-ruled Egypt in the 19th century. Two noble families are fighting for a lucrative parcel of land called the Green Valley. One family, led by Lütfü (Şener Şen) after his father becomes insane after receiving a harsh blow at the head, fears that they are falling behind in the bidding after the local governor's daughter (Müjde Ar) chooses to wed someone from the rival family, so they get their butler, Şaban (Kemal Sunal), to pretend to be the general-governor Tosun Paşa and turn the tide. Şaban, acting as Tosun Paşa tries to influence the governor into giving the Green Valley to Lütfü's family and have his daughter, Leyla, marry Lütfü. However, after seeing Leyla for the first time Şaban tries to woo Leyla, and after a quarrel with Lütfü, it is agreed that Lütfü keeps the Green Valley and Şaban gets Leyla. Meanwhile, the real Tosun Paşa arrives disguised as his brother Ibrahim Paşa to find out why someone has usurped his name. When all is discovered at the wedding, there is a large and iconic fight between the rival families, guests, and locals.
The story takes place in an unnamed small Serbian town in 1935, and focuses on the Topalović family consisting of six generations of undertakers: gravely ill Pantelija, wheelchair-bound Maksimilijan who's also mute and nearly deaf, rheumatic Aksentije, sober-minded Milutin, impulsive and narcissistic Laki, and young and naive Mirko. Constantly bickering amongst each other, the latest family arguments arise from the youngest son, Mirko, not wanting to continue the family business of coffin-making. Deeply in love with a local girl Kristina, the daughter of a local hoodlum Bili Piton, he's looking to avoid the career path of his father, grandfather, great grandfather, etc.
Born with the plain name Gencho Gunchev and with the soul of an adventurer, he cannot settle with the daily grind of a clerk. Using his charm, Gunchev begins relationships with rich women and after that disappears with their money.
Ilija Čvorović (Bata Stojković), a former Stalinist who spent several years in a prison on Goli otok, is contacted by the police to routinely answer questions about his sub-tenant, Petar Markov Jakovljević (Bora Todorović), a businessman, who spent twenty years living in Paris, and now has returned to Belgrade to open a tailor shop. After only several minutes, Ilija is free to go, however, he is starting to suspect that his sub-tenant might be a spy. As time passes, he becomes convinced that Petar, a modern man from a capitalist country, represents a great threat to national security and the socialist system, and starts spying on Petar, to a great surprise of his wife Danica (Mira Banjac), who is more concerned for the future of their daughter Sonja (Sonja Savić), who, although holding a degree in dentistry, is unable to find a job. Ilija phones inspector Dražić (Milan Štrljić), claiming that Petar was meeting "suspicious people" (which are actually his intellectual friends, but Dražić does not take him seriously. Ilija decides to take matters into his own hands. He begins his own surveillance operation against the innocent man and his friends. Eventually, he bars his house, buys a guard dog, arms himself with munition, and even gets help from his brother Đura (Zvonko Lepetić), both of them becoming convinced that Petar is a foreign agent.
On Saturday, April 5, 1941, one day before the Nazi invasion of the Kingdom of Yugoslavia, a colourful group of random passengers on a country road deep in the heart of Serbia board a dilapidated Krstić & Son bus, headed for the capital Belgrade: two Gypsy musicians, a World War I veteran, a Germanophile, a budding singer, a sickly looking man, and a hunter with a rifle. The bus is owned by Krstić Sr., and driven by his impressionable son Miško.
Vanya, Velko, Filip, Pavel and Gosho establish a band with a lead singer, Vanya (who is the girlfriend of Filip). They hope to make it to one of the big seaside resorts during the holiday season, as a part of their road to fame and success. For the trip they need HiFi equipment and good friends, high enough to arrange them a prestigious place to play. The beginning is optimistic but it soon becomes clear that everything comes at its price. The director of the House of Culture, where they normally rehears, can provide them with everything they need, but with two conditions. First he wants them to play songs with political charge, something they have always refused to do, just for the sheer principle; second he forces them to change their talented singer and friend Vanya with his beautiful favorite, Reni, who is a mediocre singer. They arrive at the seaside hotel, where they are supposed to perform, with Reni instead of Vanya. Here they realize that their "protector" is everything but influential and he has cheated them. So, without a place to perform and without even a place to sleep, they decide to chance their fortune, traveling along the seacoast and performing wherever they can. Finally they end up in a small bar at the beach.
After his retirement from Indian Railways, as station master, Raghavan Nair (Thilakan) is back at his home. His long cherished dream to spend his retired life along with his family consisting of wife (Kaviyoor Ponnamma), three sons and two daughters gets a blow after seeing his two sons brawling each other over their political differences. Prabhakaran (Sreenivasan), the elder one is a staunch leftist, and an active worker of the Revolutionary Democratic Party (RDP) which has just lost the Kerala state Assembly elections and relinquished office. Prakashan (Jayaram), popularly known as KRP, his younger brother is involved with the Indian National Secular Party (INSP) which has now come to power. Though they are both educated, neither has any plans to earn a living on their own and are fully immersed in petty politics, sponging off their parents for their needs. Raghavan Nair becomes deeply worried about their future, and tries to advise his sons, but of his admonitions fall on deaf ears. Anandan (Mala Aravindan), his son-in-law is a police sub-inspector but is now on suspension. When the RDP was in power, he arrested and beat up several of the opposition party workers on instruction from the ruling party officials. Now that the previous opposition is in power, they exact their revenge, first by transferring him repeatedly to stations as far away from civilisation as is possible, and then by suspending him. As part of his retired life, Raghavan Nair decides to focus his attention on his agricultural activities and meets the new young agricultural officer (Siddique) and, with his wife's approval, wants their younger daughter to get married to him, but his elder sons oppose it on flimsy and petty reasons. Prakashan, whose party is in power, pulls strings and get him transferred immediately to a remote location in order to prevent the marriage but Nair gets them married at the registrar's office. In the meantime, Anandan and his wife, Raghavan Nair's eldest daughter, demand partition of the property and their share, which Raghavan Nair objects to. The last straw is when their mother falls ill and is hospitalised for a day or so, and none of her children bother to show up at the hospital - in particular, the two older sons. Raghavan Nair, when he sees all of them milling around his house on returning from the hospital, loses his temper. He throws out all his children and orders them never to enter his house again. But to his surprise he finds both Prakasan and Prabhakaran at the gate, fully repented. He calls them in and they begin a new life. The film ends by showing Prabhakaran going to court as a lawyer and Prakashan for a job interview.
The film is set in Moscow not long after the October Revolution where a complaining stray dog looks for food and shelter. A well-off well-known surgeon Phillip Phillippovich Preobrazhensky happens to need a dog and lures the animal to his big home annex practice with a piece of sausage. The dog is named Sharik and well taken care of by the doctor's maids, but still wonders why he's there. He finds out too late he's needed as a test animal: the doctor implants a pituitary gland and testicles of a recently deceased alcoholic and petty criminal Klim Chugunkin into Sharik. Sharik proceeds to become more and more human during the next days. After his transition to human is complete, it turns out that he inherited all the negative traits of the donor - bad manners, aggressiveness, use of profanity, heavy drinking - but still hates cats. He picks for himself an absurd name Poligraf Poligrafovich Sharikov, starts working at the "Moscow Cleansing Department responsible for eliminating vagrant quadrupeds (cats, etc.)" and associating with revolutionaries, who plot to drive Preobrazhensky out of his big apartment. Eventually he turns the life in the professor's house into a nightmare by stealing money, breaking his furniture, a water ballet during a cat chase and blackmailing into marriage a girl he met at the cinema. The professor with his assistant are then urged to reverse the procedure. Sharikov turns back into a dog. As Sharik he does remember little about what has happened to him but isn't much concerned about that. To his content he is left to live in the professor's apartment.