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The Loves of Kafka is a film of genre Drama with Cecilia Roth

The Loves of Kafka (1988)

The Loves of Kafka
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Genres Drama,    Biography
Rating70% 3.5191953.5191953.5191953.5191953.519195

Los Amores de Kafka (English language:The Loves of Kafta) is a 1988 Argentine romantic biographical film directed by Beda Docampo Feijóo and written by Juan Bautista Stagnaro. Starring Cecilia Roth.

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Suggestions of similar film to The Loves of Kafka

There are 26 films with the same actors, 60933 with the same cinematographic genres (including 1762 with exactly the same 2 genres than The Loves of Kafka), to have finally 70 suggestions of similar films.

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Genres Drama, Comedy, Romance
Themes Films about sexuality, Erotic films, LGBT-related films, Transgender in film, LGBT-related films, LGBT-related film
Actors Cecilia Roth, Imanol Arias, Helga Liné, Antonio Banderas, Agustín Almodóvar, Pedro Almodóvar
Rating61% 3.0510053.0510053.0510053.0510053.051005
Sexilia ("Sexi") is a pop star and sex addict; Riza is the gay son of the Emperor of Tiran (a fictional Middle Eastern country). Both are strolling around Madrid's flea market, aiming to pick up lovers. Sexilia takes two men for an orgy, where she is the only woman. In the hope of curing her nymphomania and her fear of the sun, she is undergoing psychotherapy. However, her psychoanalyst, Susana, is far more interested in sleeping with Sexila's father, Doctor de la Peña, a gynecologist specializing in artificial insemination. As the doctor is frigid, Susana does not have a chance with him. One of Doctor de la Peña's patients is Princess Toraya, the ex-wife of the former Emperor of Tiran. Flicking through a magazine, Toraya discovers that her stepson Riza Nero is also in town. Thanks to treatment by Sexilia's father, Toraya is now fertile for the first time in her life. Since the emperor's sperm is currently unavailable to her, she will settle for that of his son, Riza, whom she attempts to track down.
Pepi, Luci, Bom, 1h22
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Origin Espagne
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Themes Films about sexuality, Rape in fiction, Bisexuality-related films, Erotic films, BDSM in films, LGBT-related films, Films about prostitution, Transgender in film, Rape and revenge films, Erotic thriller films, LGBT-related films, LGBT-related film, Lesbian-related films, Cross-dressing in film
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Rating61% 3.053483.053483.053483.053483.05348
Pepi cultive de la marijuana sur son balcon. Un flic qui habite en face, le remarque et vient chez elle pour le lui reprocher. Son regard est concupiscent si bien qu'elle soulève sa robe et lui propose de faire l'amour en échange de son silence. Le flic accepte. Elle lui précise toutefois qu'il doit passer par «derrière», ne voulant pas perdre sa virginité, qu'elle voulait monnayer pour 60 000 ptas, comme on l'apprendra plus tard. Le policier refuse et la pénètre. Il réalise en entendant ses cris que Pepi était réellement vierge. Celle-ci décide alors de se venger de ce viol avec l'aide de Bom et son groupe de musiciens, mais aussi celle de Luci, la femme masoschiste, mais abandonnée, du policier «qui la traite comme sa mère».
Luisa Sanfelice, 3h20
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The film is about the life of Luisa Sanfelice, a young member of the Neapolitan nobility who is in love with a republican, Salvato Palmieri. In the wake of the French Revolution a Napoleonic army led by general Jean-Étienne Championnet enters in Naples. Horatio Nelson receives the duty to organise the exile of King Ferdinand to Palermo. After the court has fled the Parthenopean Republic is proclaimed in January 1799. Also Luisa's husband, Cavaliere Luciano Sanfelice, has gone, but she stays. Luisa becomes the symbol of the hatred nobility though she supports the revolution. In June of the same year Naples is taken by the royalist troops conducted by cardinal Fabrizio Ruffo. Ferdinand returns to the town: with his well-known brutality he orders several massacres and the elimination of all opponents. 50000 Neapoletans are left dead. Disregarding the outrage of the population Ferdinand puts Luisa to death on 11 September 1800.
Empty Nest
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The story is centered around a family of five, a father, mother, their two sons, and daughter, revolving around the father. The reality within the diegesis is the one of the father, Leonardo. The film plays with chronology and reality. Leonardo is a well-known writer and playwright, whose his wife left university studies to take care of the family. The film begins with a scene of a dinner in which Leonardo seems uncomfortable because, as is learned later in the film, he is witnessing a possible affair between his wife and an old college friend of hers. The film documents the troubles of the marriage as Leonardo has a brief affair with his dentist shortly after his youngest daughter leaves to Israel with her new husband Ianib. Leonardo's version of reality is, at many times, questionable during the film. He talks to a doctor that researches memory and they talk about the construction of memory and fantasy and it alludes to the self-reflexivity of the film. Leonardo's son in law Ianib leaves behind a book for him to read and asks for his opinion of it. Leonardo takes some time to actually read the book even though he carries it around for most of the film. When he finally reads the book, he is surprised to find out that it is brilliant. This scene is accompanied with a distinct use of lighting that focuses on Leonardo and his absorption within the novel.
Lucía, Lucía, 1h50
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Lucía, a children's book writer, is travelling to Brazil with her husband on vacation, when her husband disappears after going to the airport bathroom. She later learns that he was kidnapped by a group called the People Workers Party that wants 20 million pesos from her. Her husband frantically tells her to find the money in his aunt's safety deposit box. With the help of her neighbours, a Spanish Civil War veteran, and a young musician, Lucía sets out to find his kidnappers. She eventually discovers the truth about his disappearance after learning from the police that her husband is accused of being part of an elaborate embezzlement scam from within the Treasury Department of the government and may have possibly faked his kidnapping.
Kamchatka
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, 1h46
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The film is seen through the eyes of a ten-year-old boy, Harry (Matías del Pozo), who does not know that Argentina's 1976 coup d'état is impacting his life.
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Two upper middle class women from Buenos Aires are trapped in relationships that aren't working well. One is in an abusive relationship, the other is selfish towards her family. The catalyst for change is the murder of the abusive husband by his wife, played by Roth. Her best friend tries to help her through this process, and by doing so has to tackle her own problems.
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The film tells of Daniel (Tomás Fonzi), a coming-of-age seventeen-year-old orphan growing up in a small town in rural Argentina.