In 1950s South Africa, a land torn apart by apartheid, Amina epitomizes individuality and freedom. She runs the Location Café, a haven of fun, food, and festivities open to all. Amina defines her own laws and lives on her own terms undeterred by the reproving police and the disparaging Indian community.
In 1983, 12-year-old Shaun gets into a fight at school after a classmate makes an offensive joke about his father, who died in the Falklands War. On his way home, Shaun comes across a gang of young skinheads led by Woody, who feels sympathy for Shaun and invites him to join the group. They accept Shaun as a member, and he finds a big brother in Woody, while developing a romance with Smell, an older girl who dresses in a new wave style.
Ali (Salem), is a Moroccan Gastarbeiter (guest worker) in his late thirties, and Emmi (Mira), is a 60-year-old widowed cleaning woman. They meet when Emmi ducks inside a bar, driven by the rain and drawn by the exotic Arabic music (Al Asfouryeh by Sabah) she says she has heard so often on her walk home from work. A woman in the bar (Katharina Herberg) who is part of Ali's Arabic-speaking cohort tauntingly suggests Ali ask Emmi ("the old woman") to dance, and Emmi accepts. A strange and unlikely friendship develops, then a romance and soon they are living together in Emmi's flat. Out of a professed sense of responsibility but also hopefulness, Emmi first confides in her newfound love when she goes to visit her daughter Krista (Irm Hermann) and her tyrannical son-in-law Eugen (Fassbinder himself) and announces that she is in love with Ali; Eugen thinks she is screwy and Krista as well can only think that her mother - who has been a widow for years - is fantasizing.
En 2006, Youssouf Fofana et ses acolytes, qui se baptisent eux-mêmes « le gang des barbares », enlèvent Ilan Halimi dans l'espoir d'obtenir une rançon en échange de sa libération. Séquestrée et torturée pendant des semaines, la victime mourra finalement de ses blessures.
The melodrama, film begins with a young Afro-German girl being left at the doorsteps of the Rose family—white middle-class Germans—assembled for a birthday party. Initially, most family members treat the young girl with relatively welcome arms as they believe she is only giving a performance as a birthday surprise from an aunt. The family later discovers a suitcase that was left on the doorsteps and realize that the young girl, Toxi, has in fact been abandoned. Once the family learns that Toxi has been abandoned there is a shift in feelings regarding their acceptance of her; the possibility of the girl spending more time at the home than was expected forces members of the family to confront their racism.
The film focuses on the descendants of the DeWolf family, a prominent slave trading family from Rhode Island from 1769 to 1820, and the legacy of the slave trade in the North of the United States. The film follows ten family members as they retrace the triangle trade starting at Linden Place in Bristol, Rhode Island, the hometown of the DeWolfs. The family has been prominent in local businesses and banking, as academics, in the local Episcopal and other institutions, and organizing the Bristol Fourth of July Parade. The film goes with the family to Ghana, where the slaves were purchased and where they meet with current residents, and to Cuba, where James DeWolf owned three sugar and coffee plantations in the 19th century.
Turkish Passport tells the story of diplomats posted to Turkish embassies and consulates in several European countries, who saved numerous Jews during the Second World War. Whether they pulled them out of Nazi concentration camps or took them off the trains that were taking them to the camps, the diplomats, in the end, ensured that the Jews who were Turkish citizens could return to Turkey and thus be saved. Based on the testimonies of witnesses who traveled to Istanbul to find safety, Turkish Passport also uses written historical documents and archive footage to tell this story of rescue and bring to light the events of the time. The diplomats saved not only the lives of Turkish Jews, but also rescued foreign Jews condemned to a certain death by giving them Turkish passports. In this dark period of history, their actions lit the candle of hope and allowed these people to travel to Turkey, where they found light. Through interviews conducted with surviving Jews who had boarded the trains traveling from France to Turkey, and talks with the diplomats and their families who saved their lives, the film demonstrates that "as long as good people are ready to act, evil cannot overcome".
In 1841, Solomon Northup is a free African-American man working as a violinist, who lives with his wife, Anne Hampton, and two children, Margaret and Alonzo, in Saratoga Springs, New York. Two men, Brown and Hamilton, offer him a two-week job as a musician if he will travel to Washington, D.C., with them. Once there, they drug Northup and deliver him to a slave pen owned by James Burch.
In Rwanda, a hundred members of the Ukuri Kuganze Association, made up in its majority by survivors of the genocide, and a few of their executioners, freed after having confessed and asked for forgiveness in 2003, meet at a reinsertion center. These executioners are going home, in most cases to the same places where they carried out their crimes, and will have to "face" their victims and ask their forgiveness. In 1994, over a space of just one hundred days, almost a million people were murdered, that makes 10,000 dead per day.
Set in Chicago in the 1930s, Bigger Thomas, an African American who lives in an impoverished neighborhood, is employed by a prosperous white family who live in the suburbs of a major city. The money Bigger makes at his new job will be used to supplement his mother's income. As a chauffeur, he is directed by the father of the family to take Mary, the daughter, to the university. Instead, Mary decides to pick up her Socialist boyfriend, Jan, and to spend the time drinking and partying.
Ce sont des séries de bobines de films de 35 mm allemandes, anonymes, sans générique, portant la seule inscription : Das Ghetto, retrouvées dans les années 1950 qui sont à l'origine du film de Yahel Hersonski. Ces bobines constituent un « documentaire » allemand sur le ghetto de Varsovie durant la Seconde Guerre mondiale. Dans les années 1990, la découverte d'une bobine manquante viendra éclairer la propagande qui se cachait dans les premières images retrouvées et le véritable but des Allemands qui réalisèrent ces images.
Le film raconte, sur une période de 19 ans (de 1994 à 2013), l'histoire de Marco (Alban Lenoir) et de ses acolytes, Braguette (Samuel Jouy), Grand-Guy (Paul Hamy) et Marvin (Olivier Chenille). Ils sont ce que l'on appelle des skinheads et passent leurs journées à cogner des noirs et des arabes, à se battre contre des punks et des redskins, et à coller des affiches de l'extrême-droite. Mais peu à peu, au fil des années, Marco se remet en question et décide de se repentir, de devenir quelqu'un de bien et d'abandonner cette haine et ce mépris. On va alors suivre le parcours d'un homme essayant par tous les moyens d'abandonner la colère, la violence et la bêtise qui le rongent pendant qu'autour de lui, à l'inverse, la société se radicalise de plus en plus et plusieurs personnes de son entourage, notamment sa petite amie et un de ses amis, tous deux décidés à garder leurs idéaux racistes, xénophobes, islamophobes, homophobes..., ne le reconnaissent plus.