En 1844, Karl Marx, jeune journaliste et philosophe de 26 ans, est victime de la censure en Allemagne. Il s’exile à Paris avec sa femme Jenny von Westphalen. Ils y font la rencontre de Friedrich Engels, fils révolté d’un riche industriel allemand. Le trio va alors décider qu'il faut changer le monde et débutent la rédaction d'une œuvre qui accompagnera les multiples révoltes ouvrières en Europe : le Manifeste du Parti communiste.
Nathalie, mariée et mère de deux enfants déjà adultes, enseigne la philosophie avec implication et passion. Sa mère très âgée se fait de plus en plus possessive. Quand son mari lui annonce qu'il a rencontré une autre femme et qu'il part s'installer avec elle, elle voit sa vie sous un autre jour...
Ce film a pour titre un slogan qui a fait le tour de la Grèce en crise depuis 2010 et qui commence à voyager au-delà : « Ne vivons plus comme des esclaves », qui se prononce « Na min zisoumé san douli » en grec. Un slogan qu'on peut lire en Grèce sur les murs des villes et sur les rochers des campagnes, sur les panneaux publicitaires vides ou détournés, dans les journaux alternatifs et qu'on peut entendre sur certaines stations de radio et dans les lieux d’autogestion qui se multiplient. Un slogan diffusé jour après jour, et que les intervenants grecs du film invitent les spectateurs à reprendre en chœur, sur les mélodies du film réalisé en coopération avec eux.
Adam Ewing, an American lawyer, has come to the Chatham Islands to conclude a business arrangement with Reverend Horrox and his father-in-law. While in Horrox's plantation, he witnesses the whipping of a Moriori slave, Autua, who later stows away on the ship. Autua confronts Ewing and convinces him to advocate for Autua to join the crew as a free man. Dr Henry Goose slowly poisons Ewing, claiming it to be the cure for a parasitic worm, to steal Ewing's valuables. As Goose administers the fatal dose, Autua saves Ewing. Returning to the United States, Ewing and his wife Tilda denounce her father's complicity in slavery and leave to join the abolition movement.
As the film opens Eichmann has been captured in South America. It is revealed that he escaped there via the "rat line" and with forged papers. Arendt, now a professor in New York, volunteers to write about the trial for The New Yorker and is given the assignment. Observing the trial, she is impressed by how ordinary and mediocre Eichmann appears. She had expected someone scary, a monster, and he does not seem to be that. In a cafe conversation in which the Faust story is raised it is mentioned that Eichmann is not in any way a Mephisto (the devil). Returning to New York, Arendt has massive piles of transcripts to go through. Her husband has a brain aneurysm, almost dying, and causing her further delay. She continues to struggle with how Eichmann rationalized his behavior through platitudes about bureaucratic loyalty, and that he was just doing his job. When her material is finally published, it immediately creates enormous controversy, resulting in angry phone calls and a falling out from her old friend, Hans Jonas.
Sanja le Bandit, après une fusillade particulièrement vicieuse, tombe sur le musicien Oleg au bain local. Suite au récit d'une histoire semi-mythologique, le couple décide de faire un pèlerinage vers un "clocher du bonheur".
The film begins with a quotation from the Book of Job: "Where were you when I laid the foundations of the Earth?... When the morning stars sang together, and all the sons of God shouted for joy?"
The film takes place in the Jewish community of Algeria during the 1920s. One day a Rabbi finds that his talking parrot, which is very noisy, has been eaten by his cat and that the cat has gained the ability to speak in human tongues. However, the Rabbi finds that the cat is very rude and arrogant, so the rabbi teaches the cat about the Torah, with the cat deciding that if he is Jewish then he should receive a bar mitzvah, leading the two to consult with the rabbi's rabbi. The cat proceeds to mock and insult the rabbi's rabbi's strict views, who declares that the cat should be killed for its heresy. The rabbi takes his cat and leaves, mad at the cat for making a fool of his master, but the two eventually reach an agreement where the rabbi will teach the cat all about the Torah, and that someday he might have his bar mitzvah when he is ready.
Dans une école maternelle du Mée-sur-Seine, située dans une ZEP de Seine-et-Marne, une institutrice met en place un atelier philosophique pour faire réfléchir les enfants, dès l'âge de 3 ans, aux diverses questions qui préoccupent les êtres humains tout au long de leur vie : l'amour, la liberté, la mort, l'autorité, la différence ou encore l'intelligence.
The plot-summaries of the shorts are listed below in the order that they run in the DVD release, which is not the chronological order. Chronologically, the order would be:
Six months after the events of the first film, Neo and Trinity are now lovers. Morpheus receives a message from Captain Niobe of the Logos calling an emergency meeting of all of Zion's ships. Zion has confirmed the last transmission of the Osiris: an army of Sentinels is tunneling towards Zion and will reach it within 72 hours. Commander Lock orders all ships to return to Zion to prepare for the onslaught, but Morpheus asks one ship to remain in order to contact the Oracle. The Caduceus receives a message from the Oracle, and the Nebuchadnezzar ventures out so Neo can contact her. One of the Caduceus crew, Bane, encounters Agent Smith, who takes over Bane's avatar. Smith then uses this avatar to leave the Matrix, gaining control of Bane's real body.
Neo and Bane lie unconscious in the medical bay of the ship Hammer. Meanwhile, Neo finds his digital self trapped in a virtual subway station—-named, "Mobil Ave.", "mobil", being an anagram for "limbo"-a transition zone between the Matrix and the Machine City. In that subway station, he meets a "family" of programs, including a girl named Sati, whose father tells Neo the subway is controlled by the Trainman, an exiled program loyal to the Merovingian. When Neo tries to board a train with the family, the Trainman refuses and overpowers him.
An infamous hacker called Trinity (Carrie-Anne Moss) is cornered in an abandoned hotel by police. She easily overpowers and escapes from them, but a group of sinister black-suited Agents with superhuman abilities lead the police in a rooftop pursuit after her. Upon picking up a ringing phone in a telephone booth, she vanishes without a trace.
Behzad, Keyvan, Ali and Jahan who are journalists but pretend to be production engineers arrive in a Kurdish village to document the locals' mourning rituals that anticipate the death of an old woman, but she remains alive. The main engineer is forced to slow down and appreciate the lifestyle of the village.
U.S. Army Private Witt (Jim Caviezel) goes AWOL from his unit and lives among the easy-going and seemingly carefree Melanesian natives in the South Pacific. He is found and imprisoned on a troop carrier by his company First Sergeant, Welsh (Sean Penn), who notices Witt's indifference to the war. The men of C Company, 1st Battalion, 27th Infantry Regiment, 25th Infantry Division have been brought to Guadalcanal as reinforcements in the campaign to secure Henderson Field and seize the island from the Japanese. As they wait in the holds of a Navy transport, they contemplate their lives and the impending invasion. On deck, battalion commander Lieutenant Colonel Tall (Nick Nolte) talks with his commanding officer, Brigadier General Quintard (John Travolta) about the invasion and its importance. Tall's voice-over reveals that he has been passed over for promotion and this battle may be his last chance to command a victorious operation.