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Blinkity Blank is a film of genre Musical directed by Norman McLaren
Blinkity Blank (1955)
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Add to a movie listDirected by Norman McLaren
Rating66%
Blinkity Blank is a 1955 animated short film by Norman McLaren, engraved directly onto black film leader, Blinkity Blank features a soundtrack combining improvisational jazz from composer Maurice Blackburn along with graphical sounds created by McLaren scratching onto the film's optical soundtrack.
Blinkity Blank features lines, dots and other abstract forms, along with fruits, trees, planets and chickens—the latter featured at length in another McLaren hand-drawn film Hen Hop—which blink in and out of existence, or merge with or modulate other shapes. McLaren also left some frames blank, which he described as “sprinkling on the empty band of time”.
It received the Short Film Palme d'Or at the 1955 Cannes Film Festival, the first prize for Best Animated Film at the BAFTA Awards as well as a Silver Bear at the Berlin International Film Festival. Blinkity Blank was produced by the National Film Board of Canada.
Synopsis
Court métrage expérimental explorant les possibilités de l'animation par intermittence et des images spasmodiques. Norman McLaren joue avec les lois de la persistance rétinienne dans une œuvre de pure imagination faisant penser tantôt à un feu d'artifice très nourri, puis ensuite à un dessin lent à se former et dont on ne perçoit que des touches rapides et éphémères. Film sans paroles.Comments
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Suggestions of similar film to Blinkity Blank
There are 11 films with the same director, 10839 with the same cinematographic genres (including 417 with exactly the same 2 genres than Blinkity Blank), 6745 films with the same themes (including 90 films with the same 3 themes than Blinkity Blank), to have finally 70 suggestions of similar films.If you liked Blinkity Blank, you will probably like those similar films :
Begone Dull Care (1949)
, 7minutesDirected by Norman McLaren, Evelyn Lambart
Origin Canada
Genres Drama, Musical, Animation
Themes Films about music and musicians, Jazz films, Musical films
Rating72%
Boogie-Doodle (1941)
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Blue Rhythm (1931)
, 7minutesDirected by Burton Gillett
Origin USA
Genres Comedy, Musical, Animation
Themes Films about animals, Films about music and musicians, Films about dogs, Mise en scène d'un rongeur, Jazz films, Musical films, Mise en scène d'une souris, Children's films, Mise en scène d'un mammifère
Actors Walt Disney, Marcellite Garner, Jack Mercer
Rating57%
The concert opens with Mickey on piano. His shadow is cast dramatically on the curtain as he plays a classical interlude. Soon he transitions into a ragtime version of "St. Louis Blues." Minnie struts onstage and sings the verse "I hate to see that evening sun go down..." with Mickey accompanying. Soon an unseen band takes over the accompaniment and Mickey joins Minnie; the two mice dance and scat sing two more verses.
The Aristocats (1970)
, 1h18Directed by Wolfgang Reitherman, Edward Hansen
Origin USA
Genres Comedy, Musical theatre, Fantasy, Adventure, Musical, Animation
Themes Films about animals, Films about music and musicians, Film d'animation mettant en scène un animal, Films about cats, Films about dogs, Jazz films, Musical films, Children's films, Mise en scène d'un mammifère
Actors Phil Harris, Eva Gabor, Scatman Crothers, Hermione Gingold, Robie Lester, Gary Dubin
Rating71%
In Paris in 1910, mother cat Duchess and her three kittens, Marie, Berlioz, and Toulouse, live with retired opera diva Madame Adelaide Bonfamille, and her English butler, Edgar. While preparing her will with lawyer Georges Hautecourt, Madame declares her fortune to be left to her cats until their deaths, and thereafter to Edgar. Edgar hears this through a speaking tube, and plots to eliminate the cats. Therefore, he sedates the cats by sleeping pills in their food, and enters the countryside to abandon them. There, he is ambushed by two hounds, named Napoleon and Lafayette, and the cats are stranded in the countryside, while Madame Adelaide, Roquefort the mouse, and Frou-Frou the horse discover their absence. In the morning, Duchess meets an alley cat named Thomas O'Malley, who offers to guide her and the kittens to Paris. The group briefly hitchhike in a milk cart before being chased off by the driver. Later, while crossing a railroad trestle, the cats narrowly avoid an oncoming train, but Marie falls into a river and is saved by O'Malley; himself rescued by two English geese, Amelia and Abigail Gabble, who accompany the cats to Paris. Edgar returns to the country to retrieve his possessions from Napoleon and Lafayette, as the only evidence that could incriminate him.
Chico & Rita (2010)
, 1h34Directed by Fernando Trueba
Origin Espagne
Genres Drama, Musical, Animation, Romance
Themes Seafaring films, Films about music and musicians, Transport films, Jazz films, Musical films
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Rating71%
In present-day Havana, Chico, a shoe-shiner, tunes his radio to the Radio Progreso station, which is playing old Cuban hits on a program called Melodies from Yesterday. As he listens, the station begins to play a romantic arrangement of A Taste of Me (Sabor a Mí) by Mexican composer Álvaro Carrillo (1921–69) which causes him to remember his life back in 1940s Cuba. In 1948 Havana, Chico and his best friend Ramón are struggling dandies in a low-life bar. Ramon arranges a double date for the both of them with two American tourists. They take the women to a bar where Chico falls in love with the band's beautiful lead singer, Rita. Chico attempts to talk to her, but an American tourist refuses to let Rita leave him. Chico and Ramón go to the Tropicana Club with their lady-friends, and sneak in through the performer’s entrance. While walking around, Chico sees upon Rita and her gentleman friend arguing. The Maitre d' overhears that Chico is an accomplished pianist and persuades him to substitute for the main event's missing pianist. Chico fills in, playing at first sight a new piece—Ebony Concerto by Igor Stravinsky. Chico, initially nervous, ends up performing the piece with aplomb, to the delight of the band. Rita finally agrees to ditch her date and flee with Chico on Ramón’s motorcycle and sidecar, along with the Americans. After a dangerous chase, the American man finally crashes into a car dealership, and the others escape. Rita and Chico leave the rest of the party and go to a bar where Chico introduces her to bebop music, which she takes up quickly. Afterwards they go to Chico’s place and spend the rest of the night together. The next day Rita wakes up to find Chico playing a new composition on the piano, which he names "Rita". As they play and kiss, Juana, Chico’s former girlfriend, walks in and picks a fight with Rita. The two women angrily leave Chico, feeling betrayed. However, Chico is still smitten with Rita and begs Ramon to convince her to perform with him for an upcoming radio contest. Ramon pays Rita to sing with Chico but after the contest, Rita leaves Chico without speaking to him. He follows her to the house of a santera, who predicts that Chico will cause her much suffering. That night, the station announces that Chico and Rita have won a month's engagement at the Hotel Nacional. A few weeks later, Chico and Rita are having great success in their performances. Rita’s beauty mesmerizes all the men, which ignites Chico’s jealousy. One of the admirers, Ron, asks Rita to his table to discuss business. He offers to take Rita to New York City to make her a star, where jazz and Latin music are a burgeoning scene. However, Rita insists that the offer must include Chico. Meanwhile, Chico has been watching from a distance and becomes jealous, believing Rita wishes to leave him for Ron. Rita attempts to explain that she is fighting for both of them to go to New York together, but Chico storms off. Rita goes to his apartment and waits for Chico, but falls asleep in the courtyard. She is awakened by Chico stumbling home with Juana. Hurt, Rita agrees to go to New York with Ron, alone. After her departure, Chico becomes depressed and he and Ramon eventually secure the means to go to New York to seek their fortunes as well. Chico and Ramón give Chano Pozo a letter of recommendation they received from his sister in Cuba. Chano is receptive and excited to meet fellow Cubans. However, he is involved in drugs and has a short temper. After discovering he was sold oregano instead of marijuana, Chano attacks the dealer, who later finds him in a bar and kills him. Chico finds work as a party musician, and Ramón as an usher at the Plaza Hotel. At one of his party gigs, Chico runs into a successful Rita again, who is hurt by the racist doubts of her fellow party goers about her upcoming film project. Chico and Rita run away in her new car and spend the night together again. The next day, Ron locates Ramón and proposes a deal to finance his artist-agency business, as long as Ramon finds jobs to keep Chico away from Rita. Ramón complies with his end of the bargain and signs Chico with Dizzy Gillespie, who gives him a gig in Paris and a European tour. Rita becomes a big film star while Chico finds a new girlfriend in Paris. One morning, while playing "Rita" at the piano, the girlfriend's dog, Lily, comes in and sits by Chico. He decides to change the name of the song to "Lily". Back in New York, despite her wealth and success, Rita is still mistreated socially due to her skin color. While being driven to a set, the radio plays a new Jazz hit that she instantly recognizes as the piece Chico composed for her. She is moved to tears when she learns Chico renamed the song. In New York, Rita goes into a bar and sees Chico playing "Lily". She waits for him outside the bar and demands to know who Lilly is. He teases her about the mystery female's identity, but finally reveals that he renamed the song after a dog. The two passionately kiss and make up. A paparazzo captures the kiss in a photograph that appears in the newspapers. Chico and Rita agree to marry that New Year’s Eve, after Rita’s debut in Las Vegas. Chico tells Ramón, who worries that their reunion will ruin his business. Ramón slips a packet of drugs into Chico’s coat, which police discover during a search after a raid on his gig at the Palladium in New York. They arrest Chico, and won't let him make a phone call to Rita, who waits in vain in a Las Vegas motel. Chico is soon deported back to Cuba. Upset, Rita becomes drunk before her New Year's Eve performance, believing that Chico left her again. Despite Ron's urging to not "spoil it all now", Rita deliberately sabotages her career by denouncing the racism of the Hollywood industry and the hypocrisy of being a celebrated black artist. Meanwhile, Chico enters Cuba right at the beginning of Castro's regime, and the new Cuban revolutionary authorities seize his passport. All venues are now forbidden to play jazz because it is "capitalist music." Disappointed with life, Chico gives up music altogether. Sixty years later, when Chico is shining shoes for a tourist, a young man rushes to him and tells him that a famous young singer and her entourage are eagerly asking for him and his jazz music. He reluctantly agrees to meet them and for the first time in years he plays his music for an audience. The singer asks him to record a song with her and Chico agrees. It becomes a big hit and takes him on a world tour, giving him success for the second time. After the tour, Chico is allowed re-entry into the United States. 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, 1h45Directed by Paul Fejos
Origin USA
Genres Comedy, Musical, Animation
Themes Films about music and musicians, Jazz films, Musical films
Actors John Boles, Laura La Plante, Jeanette Loff, Bing Crosby, Glenn Tryon, William T. Kent
Rating66%
Évocation à travers des séquences musicales magiques de l'importance du jazz dans la musique américaine des années 30. Entre spectacle de music-hall, animation et comédie musicale classique.
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, 9minutesDirected by Wilfred Jackson
Origin USA
Genres Musical, Animation, Romance
Themes Films about music and musicians, Films about classical music and musicians, Jazz films, Musical films, Children's films
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The short begins by showing a map of Music Land, before zooming in to show the Land of Symphony. The Land of Symphony is a classical music-themed kingdom, where the princess (an anthropomorphized violin) grows bored with the slow ballroom dancing and sneaks out.
A Corny Concerto (1943)
, 8minutesDirected by Bob Clampett
Origin USA
Genres Comedy, Musical theatre, Musical, Animation
Themes Films about animals, Films about music and musicians, Films about pigs, Mise en scène d'un lapin ou d'un lièvre, Films about birds, Films about classical music and musicians, Musical films, Court métrage de Porky Pig, Court métrage de Bugs Bunny, Mise en scène d'un canard, Children's films, Mise en scène d'un mammifère
Actors Mel Blanc, Arthur Q. Bryan, Patrice Dozier, Bea Benaderet
Rating72%
Séquence 1 : Contes de la forêt viennoise Porky chasse Bugs avec son chien. Bugs fait lire au chien de Porky un livre sur les bonnes manières lorsque ce dernier trouve Bugs et le pointe (comme s'il l'avait pointé des doigts) et le ferme avec son nez dedans ! Lorsque Bugs réussit à s'emparer du fusil de Porky mais qu'il le lance dans le trou d'arbre d'un écureuil, ce dernier essaye de tirer sur les trois présumés coupables : Porky et son chien n'ont pas été touchés ; seul Bugs (apparemment) l'est. Quand Porky veut le soigner, Bugs révèle un sous-vêtement et gifle Porky et son chien et emmêle les nœuds du chapeau de Porky avec les oreilles de son animal.
Fantasia 2000 (1999)
, 1h15Directed by Eric Goldberg, James Algar, Don Hahn, Pixote Hunt, Hendel Butoy, Gaëtan et Paul Brizzi
Origin USA
Genres Science fiction, Fantasy, Musical, Animation
Themes Films about animals, Seafaring films, Films about music and musicians, Films about religion, Transport films, Cétacé, Films about birds, Films about classical music and musicians, Musical films, Films based on the Bible, Films about Jews and Judaism, Mise en scène d'un canard, Children's films, Mise en scène d'un cétacé, Disaster films
Actors James Levine, Steve Martin, Quincy Jones, Bette Midler, Penn Jillette, James Earl Jones
Rating70%
Cinquante-huit ans après Fantasia, ce film est composé de huit séquences illustrant huit morceaux de musique classique, interprétés pour la plupart par l'Orchestre symphonique de Chicago sous la direction de James Levine. Chaque séquence est précédée d'une courte présentation par des artistes ayant travaillé pour les studios Disney.