Fish Meat is a 2012 documentary by Fish Navy Films that analyzes and questions current fish farming practices. It was an official selection at the Blue Ocean Film Festival, Idyllwild Film Festival, San Francisco Ocean Film Festival, Catalina Film Festival and. It has also screened around the country, including at the University of Colorado and at University of Massachusetts Amherst. The documentary examines different methods used in modern aquaculture from Atlantic bluefin tuna ocean pens, to trout closed system farms, to old fashioned carp farms and concludes that the fish from lower in the food chain is better for sustainable aquaculture.
Synopsis
(a fish ecologist) are concerned by how little consumers know about the farm-raised fish they buy. They decide to investigate the state of aquaculture by sailing around Turkey, a country known for its rich tradition in fishing, but transitioning to aquaculture.
They visit a high tech seabass farm, partly automated and equipped with video surveillance. While this is one of the more efficient ways of raising fish since the fish farmers can use the minimum amount of feed to fatten their fish, it is very expensive. It also causes a lot of waste and pollution with excess feed and fish waste falling below the cage.
, 1h27 OriginUSA GenresDocumentary, Crime ThemesFilms about animals, Environmental films, Seafaring films, Transport films, Cétacé, Documentary films about animal rights, Documentary films about law, Documentary films about environmental issues, Political films, Documentary films about nature, Mise en scène d'un cétacé ActorsHayden Panettiere, Isabel Lucas, Louie Psihoyos Rating83% The film follows former dolphin trainer and activist Ric O'Barry's quest to document the dolphin hunting operations in Taiji, Wakayama, Japan. In the 1960s, O'Barry helped capture and train the five wild dolphins who shared the role of "Flipper" in the hit television series of the same name. The show, very popular, fueled widespread public adoration of dolphins, influencing the development of marine parks that included dolphins in their attractions. After one of the dolphins, in O'Barry's opinion, committed a form of suicide in his arms by closing her blowhole voluntarily in order to suffocate, O'Barry came to see the dolphin's captivity and the dolphin capture industry as a curse, not a blessing. Days later, he was arrested off the island of Bimini, attempting to cut a hole in the sea pen in order to set free a captured dolphin. Since then, according to the film, O'Barry has dedicated himself full-time as an advocate on behalf of dolphins around the world.
The area was originally considered worthless by European-Australian settlers, who fenced it off and abandoned it. The town was established around the start of the 20th century by German immigrant settlers. Its population increased after the first and second World Wars due to the government's policies of subsidies to encourage settlement by veterans. The people of Rainbow have struggled to eke out an existence for more than three generations, with global economics and government policy compounding the difficulties of marginal farming. The film draws from home movies from the 1940s to portray the people in this town.