Inside Out is a 2015 American 3D computer-animated comedy-drama adventure film produced by Pixar Animation Studios and released by Walt Disney Pictures. Directed and co-written by Pete Docter, the film is set in the mind of a young girl, Riley Andersen (Kaitlyn Dias), where five personified emotions—Joy (Amy Poehler), Sadness (Phyllis Smith), Fear (Bill Hader), Anger (Lewis Black), and Disgust (Mindy Kaling)—try to lead her through life as she moves with her parents (Diane Lane and Kyle MacLachlan) to a new city. The film was co-directed and co-written by Ronnie del Carmen and produced by Jonas Rivera, with music composed by Michael Giacchino.
Docter first began developing Inside Out in 2009 after noticing changes in his daughter's personality as she grew older. The film's producers consulted numerous psychologists, including Dacher Keltner from the University of California, Berkeley, who helped revise the story emphasizing the neuropsychological findings that human emotions are mirrored in interpersonal relationships and can be significantly moderated by them.
After premiering at the 68th Cannes Film Festival in May, Inside Out was released on June 19, 2015, accompanied in theaters by a short film, Lava, directed by James Ford Murphy. Critics praised the vocal performances (particularly for Poehler, Smith, and Richard Kind), its concept, and poignant subject matter. The film grossed $90.4 million in its first weekend—the highest opening for an original title. It has grossed over $842 million, making it the fifth highest-grossing film of 2015, the second highest-grossing animated film of 2015, the third highest-grossing Pixar film, the ninth highest-grossing film released by Disney, the tenth highest-grossing animated film of all time, and the 44th highest-grossing film of all time.
A girl named Riley is born in Minnesota, and within her mind, five personifications of her core emotions—Joy, Sadness, Disgust, Fear, and Anger—come to life. The emotions live in Headquarters, Riley's conscious mind, where they influence Riley's actions and memories via a control console. Her new memories are housed in colored orbs, which are sent into storage at the end of every waking period. The most important or "core" memories are housed in a hub in Headquarters and power five "islands", each of which reflects a different aspect of Riley's personality. Joy acts as the dominant emotion to keep Riley in a happy state, but she and the others do not understand Sadness's purpose, other than making Riley cry.
There are 85 films with the same actors, 7 films with the same director, 92748 with the same cinematographic genres (including 4 with exactly the same 6 genres than Inside Out), 5112 films with the same themes, to have finally 70 suggestions of similar films.
If you liked Inside Out, you will probably like those similar films :
, 4minutes Directed byPete Docter, Josh Cooley OriginUSA GenresAnimation ActorsAmy Poehler, Lewis Black, Mindy Kaling, Carlos Alazraqui, Bill Hader, Pete Docter Rating74% Riley, maintenant âgée de 12 ans, est installée avec sa famille à San Francisco et commence à être attirée par les garçons. Mais quand Jordan, un jeune homme, lui propose d'aller à la patinoire avec lui, ce ne sont pas ses propres émotions qui sont bouleversées mais celles de ses parents à l'idée qu'elle ait un petit-ami à cet âge-ci ! La mère de cette dernière essaye de communiquer avec sa fille en lui demandant s'il s'agit d'un premier rendez-vous mais s'y prend plutôt mal… Comment la famille Andersen va-t-elle s'y prendre ?
, 3minutes Directed byPete Docter OriginUSA GenresComedy, Fantasy, Animation ThemesTransport films, Films about automobiles, Children's films ActorsJohn Goodman, Billy Crystal, Jacques Frantz, Éric Métayer, Denis Mercier, Alain Zouvi Rating70% Mike is obsessed with his new six-wheel drive car, and insists on showing it off to his pal Sulley. Unfortunately for Mike, everything that can go wrong does go wrong. Sulley plays with the ultra-adjustable seats until an annoyed Mike asks him to stop. Mike starts the engine and the seatbelt reminder tone sounds. Sully manages to get his seatbelt on easily, but Mike finds his seatbelt stuck and accidentally locks himself out of the car while trying to unstick it. Sulley, trying to be helpful but confused by the massive amount of buttons on the dashboard, pops the hood open. When Mike goes over to close it, Sulley ends up trapping Mike in the engine compartment. Mike manages to escape, re-enters the car, and is exasperated by the continuous seatbelt reminder tone. Sulley reaches for another button on the dash, as when Mike managed to put his seat-belt on, he turned the windshield wipers on by accident. Mike shouts, "Don't touch anything!" and pushes a button that launches the entire car into chaotic malfunction, including conga music playing loudly on the car's stereo system. Mike finally ends the chaos by pulling the key out of the ignition, and Sulley adds insult to injury when, in an attempt to realign the rearview mirror, he breaks it off. Mike gets angry, orders Sulley out of the car, and speeds away, wrecking the car completely. Sulley mutters, "Huh, that's weird, the airbag didn't go off." Right on cue, the airbag inflates, and its force sends Mike flying back up the street. Sulley catches Mike, who mourns for his old car before agreeing to walk to work while the credits roll.
, 1h32 Directed byLee Unkrich, Pete Docter, David Silverman OriginUSA GenresComedy, Fantasy, Animation ThemesTime travel films, Buddy films, Children's films ActorsJohn Goodman, Billy Crystal, Steve Buscemi, Mary Gibbs, James Coburn, Jennifer Tilly Rating80% The parallel city of Monstropolis is inhabited by monsters and powered by the screams of children in the human world. At the factory of Monsters, Inc., employees called "scarers" venture into children's bedrooms to scare them and collect their screams, using closet doors as portals. This is considered a dangerous task because the monsters believe children are toxic and that touching them would be fatal. However, production is falling as children are becoming harder to scare and the company's chairman Henry J. Waternoose III is determined to find a solution. The top scarer is James P. "Sulley" Sullivan, who lives with his friend and assistant Mike Wazowski and has a rivalry with the ever-determined chameleon-like monster Randall Boggs. During an ordinary day's work on what is known as the "Scarefloor", another scarer accidentally brings a child's sock into the factory, causing the Child Detection Agency (CDA) to arrive and cleanse him. Mike is frequently ridiculed by the company's clerk Roz for never completing his paperwork on time.
, 1h40 Directed byJosh Cooley OriginUSA GenresDrama, Comedy, Fantasy, Adventure, Animation ThemesJeu, Films about toys, Children's films ActorsTom Hanks, Patricia Arquette, Tim Allen, Tony Hale, John Ratzenberger, Laurie Metcalf Rating76% Woody, Buzz et les anciens jouets d'Andy sont désormais la propriété de Bonnie, une petite fille qui s'apprête à passer son premier jour en école maternelle. Woody n'est plus parmi les jouets préférés mais continue de s'assurer du bonheur de sa maitresse. Il se glisse ainsi dans le sac à dos de la fillette et la voit, lors de son premier jour, se fabriquer un jouet à partir d'une fourchette en plastique. Le jouet s'anime, prend le nom de Fourchette, mais a pleinement conscience d'être fait à partir de déchets. Woody passe donc le plus clair de son temps à sortir Fourchette des poubelles où il veut se jeter.
, 21minutes Directed byAngus MacLane OriginUSA GenresComedy, Fantasy, Adventure, Horror, Animation ThemesChildren's films ActorsTom Hanks, Tim Allen, John Ratzenberger, Joan Cusack, Carl Weathers, Michael Keaton Rating74% Woody, Buzz Lightyear, Jessie, Rex, Mr. Pricklepants, Mr. Potato Head, and Trixie sit in the trunk of Bonnie's mother's car during a road trip, using a portable DVD player to watch a horror film. When the car gets a flat tire, Jessie is knocked into a tool box. The others manage to free her, but Jessie is traumatized as the experience reminds her of the many years she spent abandoned in a box. Mrs. Anderson parks the car at the Sleep Well Motel, where they must spend the night as a tow truck cannot be sent out until the next morning.