A group of lazy, ignorant highschool students, in no rush to graduate, have settled into life at their private school, paid by aloof parents, where they have bonded as a family and are cared for by school attendant Hafize Ana who has accepted them as her real sons. Their kingdom over the school is challenged by a new principal who, despite his warm hearted nature, takes on the role of tough disciplinarian and becomes the butt of their tricks and jokes as he prepares them for life.
Subhadra (the sister of Balarama and Krishna) marries a Pandava named Arjuna, and their son Abhimanyu falls in love with Balarama's daughter, Sasirekha. The families decide to marry them when they reach adulthood. By the time Abhimanyu and Sasirekha grow up, the Pandavas have lost a dice game to the Kauravas due to Sakuni's manipulation. Krishna, furious at an action of Dussasana that has insulted Draupadi, saves Draupadi. Balarama teaches the Kauravas a lesson and later reaches Hastinapuram. Sakuni and Duryodhana respect Balarama; after manipulating him, they seek his favour by requesting that Sasirekha be married to Duryodhana's son Lakshmana Kumara. They intend to force Balarama and Krishna to support them if the Pandavas wage war after their fourteen-year exile. Unaware of this, Balarama accepts.
After his retirement from Indian Railways, as station master, Raghavan Nair (Thilakan) is back at his home. His long cherished dream to spend his retired life along with his family consisting of wife (Kaviyoor Ponnamma), three sons and two daughters gets a blow after seeing his two sons brawling each other over their political differences. Prabhakaran (Sreenivasan), the elder one is a staunch leftist, and an active worker of the Revolutionary Democratic Party (RDP) which has just lost the Kerala state Assembly elections and relinquished office. Prakashan (Jayaram), popularly known as KRP, his younger brother is involved with the Indian National Secular Party (INSP) which has now come to power. Though they are both educated, neither has any plans to earn a living on their own and are fully immersed in petty politics, sponging off their parents for their needs. Raghavan Nair becomes deeply worried about their future, and tries to advise his sons, but of his admonitions fall on deaf ears. Anandan (Mala Aravindan), his son-in-law is a police sub-inspector but is now on suspension. When the RDP was in power, he arrested and beat up several of the opposition party workers on instruction from the ruling party officials. Now that the previous opposition is in power, they exact their revenge, first by transferring him repeatedly to stations as far away from civilisation as is possible, and then by suspending him. As part of his retired life, Raghavan Nair decides to focus his attention on his agricultural activities and meets the new young agricultural officer (Siddique) and, with his wife's approval, wants their younger daughter to get married to him, but his elder sons oppose it on flimsy and petty reasons. Prakashan, whose party is in power, pulls strings and get him transferred immediately to a remote location in order to prevent the marriage but Nair gets them married at the registrar's office. In the meantime, Anandan and his wife, Raghavan Nair's eldest daughter, demand partition of the property and their share, which Raghavan Nair objects to. The last straw is when their mother falls ill and is hospitalised for a day or so, and none of her children bother to show up at the hospital - in particular, the two older sons. Raghavan Nair, when he sees all of them milling around his house on returning from the hospital, loses his temper. He throws out all his children and orders them never to enter his house again. But to his surprise he finds both Prakasan and Prabhakaran at the gate, fully repented. He calls them in and they begin a new life. The film ends by showing Prabhakaran going to court as a lawyer and Prakashan for a job interview.
Krishna Murthy (Rajendra Prasad) is son of industrialist Satyanarayana (Nutan Prasad). Satyanarayana is worried about Krishna Murthy's marriage, so much so that he imagines every young woman who happened to be seen by him as his daughter-in-law. Krishna Murthy meets Padma (Rajani) in his friend's marriage and cupid strikes them. Krishna Murthy is afraid of revealing his love for Padma to his father directly as he fears his father may reject it out rightly. His initial attempts to reveal his love life to his father through letters are thwarted by his butler in fear for Satyanarayana's life. Desperate to reveal the love matter to Satyanarayana, Krishnamurthy then tries various gimmicks and at last is successful. A panicked Satyanarayana inquires about the family background of Padma and finds out that she is the daughter of Lakshmipathy (Kota Srinivasa Rao), a noted miser in his village. Aware of his father's concerns, Krishnamurthy reassures Satyanarayana and lands in Lakshmipathy's house posing as a miser. Krishnamurthy's pretense and pranks beget intended effect in Lakshmipathy and brings him closer to Padma. A marriage proposal from Sudhakar (Subhaleka Sudhakar), who is accompanied by his two glutton brothers much to the chagrin of Lakshmipathy, for Padma ends in Lakshmipathy favoring Krishnamurthy. Elated with the turn of events, Krishnamurthy prepares for marriage with Padma and invites Satyanarayana. However, his plans turn soar as Lakshmipathy, in his greed for money, abuses Krishnamurthy assuming that he is from poor family, before Satyanarayana confronts Lakshmipathy. A dejected Krishnamurthy requests Satyanarayana to give him one more chance to teach Lakshmipathy a lesson. Krishnamurthy, along with 'aragundu' Brahmanandam (Brahmanandam), a disgruntled butler of Lakshmipathy set about to transform Lakshmipathy. Krishnamurthy tacitly arranges for three different marriage proposals, starting with Sudhakar, with each proposer agreeing to offer more bride price than the earlier proposer. Overcome with greed for money, Lakshmipathy agrees to get her daughter married with each one of them. At the time of marriage with the bridegroom who offered the highest bride price, the other two bridegrooms also appear at the same time and question Lakshmipathy. An embarrassed Lakshmipathy is censured by Padma for his greed.
Dhananjay Mane (Ashok Saraf) is a street-smart salesperson in a cosmetic store owned by Madhuri (Ashwini Bhave) in Pune. He lives as a tenant of a stingy landlord Vishwas Sarpotdar (Sudhir Joshi). He is soon joined by his younger brother Shantanu (Siddharth Ray) who is a Medical student. Though prohibited by the landlord, Dhananjay and Shantanu allow their friends Parshuram (Laxmikant Berde) and Sudhir (Sachin Pilgaonkar), who have come to Pune in search of jobs, to secretly live with them. One night, Dhananjay, Parshuram and Sudhir insult their landlord while drunk and are taken away by Shantanu, who arrives at the scene a little too late. Enraged by this harassment, Vishwas Sarpotdar orders them to vacate the place.
Born with the plain name Gencho Gunchev and with the soul of an adventurer, he cannot settle with the daily grind of a clerk. Using his charm, Gunchev begins relationships with rich women and after that disappears with their money.
The film is set in Ottoman-ruled Egypt in the 19th century. Two noble families are fighting for a lucrative parcel of land called the Green Valley. One family, led by Lütfü (Şener Şen) after his father becomes insane after receiving a harsh blow at the head, fears that they are falling behind in the bidding after the local governor's daughter (Müjde Ar) chooses to wed someone from the rival family, so they get their butler, Şaban (Kemal Sunal), to pretend to be the general-governor Tosun Paşa and turn the tide. Şaban, acting as Tosun Paşa tries to influence the governor into giving the Green Valley to Lütfü's family and have his daughter, Leyla, marry Lütfü. However, after seeing Leyla for the first time Şaban tries to woo Leyla, and after a quarrel with Lütfü, it is agreed that Lütfü keeps the Green Valley and Şaban gets Leyla. Meanwhile, the real Tosun Paşa arrives disguised as his brother Ibrahim Paşa to find out why someone has usurped his name. When all is discovered at the wedding, there is a large and iconic fight between the rival families, guests, and locals.
The magically musical duo of Goopy Gyne and Bagha Byne make a comeback in this sequel, where they are invited to the court of the Hirak Raja (The Diamond King), for their musical skills. They are to perform at the kingdom's Jubilee Celebrations.
The story takes place in an unnamed small Serbian town in 1935, and focuses on the Topalović family consisting of six generations of undertakers: gravely ill Pantelija, wheelchair-bound Maksimilijan who's also mute and nearly deaf, rheumatic Aksentije, sober-minded Milutin, impulsive and narcissistic Laki, and young and naive Mirko. Constantly bickering amongst each other, the latest family arguments arise from the youngest son, Mirko, not wanting to continue the family business of coffin-making. Deeply in love with a local girl Kristina, the daughter of a local hoodlum Bili Piton, he's looking to avoid the career path of his father, grandfather, great grandfather, etc.
Ilija Čvorović (Bata Stojković), a former Stalinist who spent several years in a prison on Goli otok, is contacted by the police to routinely answer questions about his sub-tenant, Petar Markov Jakovljević (Bora Todorović), a businessman, who spent twenty years living in Paris, and now has returned to Belgrade to open a tailor shop. After only several minutes, Ilija is free to go, however, he is starting to suspect that his sub-tenant might be a spy. As time passes, he becomes convinced that Petar, a modern man from a capitalist country, represents a great threat to national security and the socialist system, and starts spying on Petar, to a great surprise of his wife Danica (Mira Banjac), who is more concerned for the future of their daughter Sonja (Sonja Savić), who, although holding a degree in dentistry, is unable to find a job. Ilija phones inspector Dražić (Milan Štrljić), claiming that Petar was meeting "suspicious people" (which are actually his intellectual friends, but Dražić does not take him seriously. Ilija decides to take matters into his own hands. He begins his own surveillance operation against the innocent man and his friends. Eventually, he bars his house, buys a guard dog, arms himself with munition, and even gets help from his brother Đura (Zvonko Lepetić), both of them becoming convinced that Petar is a foreign agent.
During the final days of the Korean War, Hawkeye Pierce has suffered a nervous breakdown and is being treated by Dr. Sidney Freedman in a mental hospital. The breakdown was triggered by a series of repressed memories stemming from the aftermath of an outing most of the 4077th staff had at a beach near Incheon. Sidney is trying to get Hawkeye to release the repressed memories, which are causing Hawkeye to remember things incorrectly. The first memory Hawkeye is repressing involves the trip home on one of the 4077th buses. Initially the scene is jaunty, with a drunk Hawkeye calling for a bottle of whiskey to be passed to someone who "can't wait" to drink it. Eventually, Sidney draws the memory out of Hawkeye slowly. First he discovers that the person in question was a soldier who needed the bottle. Then, it is revealed that the bottle was not containing whiskey but plasma and the soldier was severely wounded. Hawkeye was attending to the soldier and was frustrated that his fellow staff members were not responding quickly enough to the injured soldier, hence why he said "this guy can't wait".
Nadodikattu opens by introducing the two protagonists, Ramdas/Dasan (Mohanlal) and Vijayan (Sreenivasan), who are employed as ill-paid peons. A commerce graduate, and proud of that, Dasan frequently vents his frustration in having to serve lesser qualified superiors and having to settle with lesser than what he feels he deserves in life. Vijayan is his less educated roommate and sole friend. Their relationship is one full of tension, with Dasan adopting a superior stance on the account of his education and good looks, which fiercely rattles Vijayan. Several comic situations later in the film borrow from this aspect of their characters. Dasan frequently bosses over Vijayan to do all the household chores.