Mickey et ses amis sont à une fête. Tandis que Minnie joue du piano, accompagnée de Clarabelle au violon, Mickey, Dingo et Horace sont en cuisine. Ils rivalisent d'ingéniosité pour préparer les sandwichs. À la fin du morceau de Minnie, les trois hommes amènent le repas en fanfare. Les invités se ruent sur les sandwichs et mangent en continuant à danser. Mickey invite Patricia Pig à danser. Les meubles et les aliments se mettent aussi à danser et chanter, les cotillons pleuvent et toute la maison suit la musique. Mais le vacarme attire la police, qui se mêle aux invités.
The film takes place in 1671. In the prelude to the Franco-Dutch War, a financially struggling Louis II de Bourbon, Prince de Condé is visited by King Louis XIV for three days of festivities at the Château de Chantilly.. The prince wants a commission as a general, and spares no expense in order to impress the king. In charge of organizing the event is François Vatel, Master of Festivities and Pleasures in the prince's household. Vatel is a man of great honor and talent, but of low birth. As the great Condé is prepared to do anything in his quest for stature, the tasks assigned to Vatel are often menial and dishonourable. While Vatel tries to sustain dignity amidst the extravaganza he is meant to orchestrate, he finds himself in love with Anne de Montausier, the king's latest lover, who returns his affections. However, due to their incompatible social standing and the rigid hierarchy of the court, continuing the liaison is clearly impossible. The movie ends with Vatel realizing that he is nothing more than a puppet in the hands of his superiors, bought and sold like a piece of property: he consequently commits suicide. Vatel throws himself on his sword because the roast was not sufficient to feed several unexpected guests, the clouds dulled the fireworks display and he lacked confidence that there would be enough fish for the morning meal. Anne de Montausier is grief-stricken upon hearing the news but she must not speak of it. In doing so, she flees the court quietly and no one ever knew about her and Vatel.
The film's plot is often compared to Pier Paolo Pasolini's Teorema, in which a strange visitor to a wealthy family seduces the maid, the son, the mother, the daughter, and finally the father, before leaving a few days after, subsequently changing their lives.
Jenna (Keri Russell) is a waitress living in the American South, trapped in an unhappy marriage with controlling bully Earl (Jeremy Sisto). She works in Joe's Pie Diner, where her job includes creating inventive pies with unusual titles inspired by her life, such as the "Bad Baby Pie" she invents after her unwanted pregnancy is confirmed. The waitresses show up late for work, talk on the phone, spend much time with personal business, and talk back to the boss. Jenna longs to run away from her dismal marriage, and is slowly accumulating money to do so. She pins her hopes for escape on a pie contest in a nearby town, which offers a $25,000 grand prize, but her husband won't let her go. Her only friends are co-workers Becky (Cheryl Hines) and Dawn (Adrienne Shelly) and regular customer Joe (Andy Griffith), the curmudgeonly owner of the diner and several other local businesses, who encourages her to begin a new life elsewhere.
Tottington Hall's annual Giant Vegetable Competition is approaching. The winner of the competition will win the coveted Golden Carrot Award. All are eager to protect their vegetables from damage and thievery by rabbits until the contest, and Wallace and Gromit are cashing in by running a vegetable security and humane pest control business, "Anti-Pesto".
Baker Bob is bludgeoned to death with his own rolling pin by an unseen assailant while baking a cake; he is the latest of twelve bakers to be killed. Meanwhile, Wallace (Peter Sallis) and Gromit are running a "Dough to Door" delivery service from their bakery "Top Bun". On one such delivery, the duo save Piella Bakewell (Sally Lindsay), a former pin-up girl mascot for the Bake-O-Lite bread company, and her miniature poodle, Fluffles, when the brakes on her bike appear to fail. They drive alongside so Wallace can attempt to use pastries to stop, but they careen into a zoo and barely escape being eaten by a crocodile. Gromit tests the bicycle brakes and becomes suspicious on learning that the brakes work perfectly fine, but Wallace becomes smitten with Piella.
As Wallace and Gromit relax at home, wondering where to go on vacation during the upcoming bank holiday, Wallace decides to fix a snack of tea and crackers with cheese. Finding no cheese in the kitchen, he decides that the pair should go to a place known for its cheese. A glance out the window at the night sky gives them the idea to travel to the moon, since, according to Wallace, "everybody knows the moon's made of cheese." They build a rocket in the basement and pack for the trip, but after lighting the fuse, Wallace realizes that he has forgotten to bring any crackers. Hurrying to the kitchen, he grabs several boxes and returns to the rocket just in time for liftoff.
Avec We Feed the World, le documentariste Erwin Wagenhofer propose aux spectateurs un regard sur l'agriculture mondiale moderne. En passant par la Roumanie, l'Autriche, le Brésil, la France et l'Espagne, son enquête se focalise sur la manière dont est fabriqué ce qui arrive dans notre assiette. Il montre que la domination du Nord sur le Sud est prégnante. Comment est-il possible qu'en Afrique l'on achète des produits européens ou asiatiques comme le poulet thaïlandais ? Le réalisateur présente une face peu connue de la mondialisation : en achetant un poulet industriel, on contribue au défrichement de l'Amazonie car le Brésil déforeste pour cultiver le soja qui sert à nourrir les volailles élevées en batterie (90 % de la production de soja du Brésil est exportée). Le documentaire souligne également la différence entre industrie agroalimentaire et petite exploitation. We Feed the World adopte un style « coup de poing » visant à éveiller les consciences.
On Thanksgiving day, four ethnically diverse families -- Vietnamese, Latino, Jewish, and African American — gather for the traditional meal. Each family has its own distinct way of cooking the traditional holiday meal and its own set of problems.