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Hour of the Wolf is a suédois film of genre Drama directed by Ingmar Bergman released in USA on 8 april 1968 with Max von Sydow
Hour of the Wolf (1968)
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Add to a movie listHour of the Wolf (Swedish: Vargtimmen) is a 1968 Swedish surrealist–psychological horror–drama film, directed by Ingmar Bergman and starring Max von Sydow and Liv Ullmann.
Synopsis
During the opening credits, Bergman can be overheard giving instructions to and discussing with his staff while preparing a shot.Actors
Max von Sydow
(Johan Borg)
Liv Ullmann
(Alma Borg)
Georg Rydeberg
(Lindhorst)
Gertrud Fridh
(Corinne von Merkens)
Erland Josephson
(Baron von Merkens)
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Suggestions of similar film to Hour of the Wolf
There are 200 films with the same actors, 55 films with the same director, 71680 with the same cinematographic genres (including 1553 with exactly the same 3 genres than Hour of the Wolf), 7309 films with the same themes (including 2731 films with the same 3 themes than Hour of the Wolf), to have finally 70 suggestions of similar films.If you liked Hour of the Wolf, you will probably like those similar films :
Saraband (2003)
, 2hDirected by Ingmar Bergman
Origin Suede
Genres Drama, Musical
Themes Films about music and musicians, Films about sexuality, Musical films
Actors Liv Ullmann, Erland Josephson, Börje Ahlstedt, Gunnel Fred
Rating74%
The film is structured around ten acts with a prologue and epilogue. It opens with the camera on Marianne standing by a table covered with photographs. It is a well-lit room, and she addresses the viewer. She picks one picture up after another; they are in no particular order, being just heaped all over the table. Some make her smile, or elicit a comment or a sigh. But then she picks up a photograph of her husband, prompting her to reminisce about how they had been more or less happy, and how they'd broken up. She goes on to recall how his second marriage failed, while she was already married to a second husband herself, and then when her second husband died (by flying a glider off somewhere and disappearing), she reflects that it would be nice to see her first husband again.
The Virgin Spring (1960)
, 1h29Directed by Ingmar Bergman
Origin Suede
Genres Drama, Thriller, Fantasy, Horror, Crime
Themes Seafaring films, Films based on mythology, Films about sexuality, Transport films, Rape in fiction, Erotic films, Films set in the Viking Age, Rape and revenge films, Films based on Norse mythology, Auto-justice
Actors Max von Sydow, Birgitta Valberg, Gunnel Lindblom, Birgitta Pettersson, Axel Düberg, Allan Edwall
Rating79%
The Virgin Spring tells the story, set in the late medieval Sweden, of a prosperous Christian whose daughter, Karin (Birgitta Pettersson), is appointed to take candles to the church. Karin is accompanied by her pregnant servant Ingeri (Gunnel Lindblom), who secretly worships the Norse deity Odin. Along their way through the forest on horseback, Ingeri becomes frightened when they come to a stream-side mill and the two part and Karin sets out on her own.
Persona (1966)
, 1h20Directed by Ingmar Bergman
Origin Suede
Genres Drama
Themes L'adolescence, Films about films, Films about children, Pregnancy films, Medical-themed films, Films about sexuality, Bisexuality-related films, LGBT-related films, La sexualité des mineurs, Films about pedophilia, Vampires in film, Films about psychiatry, LGBT-related films, LGBT-related film
Actors Bibi Andersson, Liv Ullmann, Gunnar Björnstrand, Margaretha Krook
Rating81%
Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces.
The Seventh Seal (1957)
, 1h36Directed by Ingmar Bergman
Origin Suede
Genres Drama, Fantasy
Themes Jeu, Medical-themed films, Films about religion, Films about sexuality, Sports films, Films about chess, Films about viral outbreaks, Films based on plays
Actors Gunnar Björnstrand, Bengt Ekerot, Nils Poppe, Max von Sydow, Bibi Andersson, Inga Gill
Rating81%
Disillusioned knight Antonius Block (Max von Sydow) and his nihilistic squire Jöns (Gunnar Björnstrand) return after fighting in the Crusades and find Sweden being ravaged by the plague. On the beach immediately after their arrival, the knight encounters Death (Bengt Ekerot), personified as a pale, black-cowled figure resembling a monk. The knight, in the middle of a chess game he has been playing alone, challenges Death to a chess match, believing that he can forestall his demise as long as the game continues. Death agrees, and they start a new game.
The Passion of Anna (1969)
, 1h41Directed by Ingmar Bergman
Origin Suede
Genres Drama
Actors Max von Sydow, Liv Ullmann, Bibi Andersson, Erland Josephson, Erik Hell, Sigge Fürst
Rating75%
The audience is introduced to Andreas Winkelman, a man living alone and emotionally desolate after the recent demise of his marriage. He meets Anna, who is grieving the recent deaths of her husband and son. She uses a cane as a result of the car crash that killed them. While Anna uses Andreas' phone, he listens to her conversation, after which she departs visibly distraught. Anna has left her handbag behind and Andreas searches it, finding and reading a letter from her husband that will later prove she is deceptive.
Cries and Whispers (1972)
, 1h31Directed by Ingmar Bergman
Origin Suede
Genres Drama
Themes Films about families
Actors Harriet Andersson, Kari Sylwan, Ingrid Thulin, Liv Ullmann, Inga Gill, Erland Josephson
Rating79%
Cries and Whispers takes place in a lavish mansion in the 19th century, filled with red carpets and white statuary. It depicts the final days of Agnes (Harriet Andersson), who is near death due to cancer. Her sisters Maria (Liv Ullmann) and Karin (Ingrid Thulin) have returned to the family home to be with her. However the two women remain distant and awkward, struggling to comfort their sister while dealing with the shock and the fear of mortality Agnes' death may bring. The deeply religious maid Anna (Kari Sylwan), whose own daughter died at an early age, is the only person in the house able to comfort the dying woman. At length Agnes dies and during her wake the priest (Anders Ek) declares Agnes' faith was stronger than his own. In a dream-like sequence that follows Agnes seemingly returns to life for a short moment and asks her sisters one last time for the love and care denied her during her lifetime. For a moment Karin, Maria and Agnes grow closer to each other, but this is short-lived when the two sisters realize that Agnes is actually dead, with Karin declaring such acts "morbid" and "disgusting." Once again only Anna is able to embrace and comfort Agnes.
Smiles of a Summer Night (1955)
, 1h48Directed by Ingmar Bergman
Origin Suede
Genres Drama, Comedy, Romance
Themes Films about sexuality, Erotic films
Actors Ulla Jacobsson, Eva Dahlbeck, Harriet Andersson, Björn Bjelfvenstam, Jarl Kulle, Gunnar Björnstrand
Rating76%
The film takes place in Sweden around the turn of the twentieth century. Fredrik Egerman is a middle-aged lawyer married to a 19-year-old beauty, Anne. Their two-year marriage is still unconsummated, due to Anne's reluctance. Fredrik has a son, Henrik, from his marriage to his late first wife. Henrik is in his early twenties and is studying to be a minister but is currently tormented by his love for his step-mother, who secretly loves him in return. Henrik is distracting himself from his urges by attempting an inconclusive affair with Fredrik's lusty young servant, Petra.
Face to Face (1976)
, 1h54Directed by Ingmar Bergman
Origin Suede
Genres Drama, Fantasy, Horror
Themes Films about magic and magicians
Actors Liv Ullmann, Erland Josephson, Gunnar Björnstrand, Aino Taube, Gösta Ekman, Sr., Kristina Adolphson
Rating74%
Dr. Jenny Isaksson (Liv Ullmann) is a psychiatrist married to another psychiatrist; both are successful in their jobs but slowly, agonizingly, Jenny succumbs to a breakdown. She is haunted by images and emotions from her past and eventually cannot function as a wife, doctor, or individual.
Autumn Sonata (1978)
, 1h39Directed by Ingmar Bergman
Origin Suede
Genres Drama, Musical
Themes Films about families, Films about music and musicians, Films about classical music and musicians
Actors Ingrid Bergman, Liv Ullmann, Lena Nyman, Gunnar Björnstrand, Erland Josephson, Marianne Aminoff
Rating80%
Eva (Liv Ullmann), wife of the village pastor, invites her mother Charlotte (Ingrid Bergman) for a visit to her village. She has not seen her for over seven years. Her mother is a world-renowned pianist, somewhat eccentric, aging, and has survived several husbands. Eva is not as talented as the mother (despite the fact that she has written two books, and has a passing talent at playing the piano). Eva's main concern is to be the mistress of her home, wife, mother and loving sister. It is gradually learned through her dialogue with her mother that her life has had a large number of unfortunate setbacks: a husband (Halvar Björk) she respects, but does not really have affection for, their son drowned when only 4 years old, and Charlotte never appears to have loved Eva as a mother normally loves a daughter. As part of her day-to-day life, Eva takes her disabled and paralyzed sister Helena (Lena Nyman) out of the Hospital into her own home, and she appears to be the only person who can understand her sister's limited speech ability.
After the Rehearsal (1984)
, 1h10Directed by Ingmar Bergman
Genres Drama
Actors Erland Josephson, Ingrid Thulin, Lena Olin, Bertil Guve
Rating70%
Rational, exacting, and self-controlled theater director, Henrik Vogler, often stays after rehearsal to think and plan. On this day, Anna comes back, ostensibly looking for a bracelet. She is the lead in his new production of Strindberg's A Dream Play. She talks of her hatred for her mother (now dead), an alcoholic actress who was Vogler's star and lover. Vogler falls into a reverie, remembering a day Anna's mother, Rakel, late in life, came after rehearsal to beg him to come to her apartment. He awakes and Anna reveals the reason she has returned: she jolts him into an emotional response, rare for him, and the feelings of a young woman and an older man play out.