Un homme dont on ne sait rien, mais qui est joué par Pierre Clémenti dont on connaît le talent immédiat de présence, vit avec une femme et un enfant à Bruxelles. Il est voleur à la tire et il a un complice occasionnel, un maghrébin qu’il retrouve mort dans un autobus rouillé, épave au fond d’un bois, sans savoir qui il est vraiment et le pourquoi de sa disparition. Muni de ses papiers d’identités, trouvés dans cette débâcle, Clémenti part dans le sud tunisien pour comprendre. Deux mondes, l’européen et le tunisien dont on ne verra que les codes et les signes.
Le film News from Home se compose de longues séquences, montrant différents lieux de New York, sur lesquelles la réalisatrice lit en voix-off des lettres que sa mère lui a envoyées entre 1971 et 1973, lorsque la cinéaste vivait dans cette ville.
David Reinhardt, artiste-peintre américain séjournant à Bruxelles fait la connaissance d'une vendeuse de poisson du quartier des Marolles (Bruxelles). Son comportement erratique de demi-folle l'amène à creuser les rapports étranges qu'elle entretient avec son compagnon, qui accepte pour elle toutes les souffrances et cherche aussi par tous les moyens à la protéger.
Jeanne Dielman examines a single mother's regimented schedule of cooking, cleaning and mothering over three days. The mother, Jeanne Dielman (whose name is only derived from the title and from a letter she reads to her son), prostitutes herself to a male client daily for her and her son's subsistence. Like her other activities, Jeanne's prostitution is part of the routine she performs every day by rote and is uneventful. But on the second day, Jeanne's routine begins to unravel subtly, as she drops a newly washed spoon and overcooks the potatoes that she's preparing for dinner. These alterations to Jeanne's existence prepare for the climax on the third day.
This story is set at a castle during the Middle Ages. One day a merchant brings musical instruments to sell to Peewit, the court jester, but because Peewit is such a terrible musician the King throws the merchant out before Peewit arrives. However he has left behind a flute that only has six holes. The King throws it into the fireplace in his room, which starts to emit green smoke. When the fire is put out, Peewit retrieves the flute from the ashes unharmed. He cleans it and starts playing it for the whole castle realizing that it causes everyone to dance when it is played.
Jo est un ancien G.I. américain qui décide de s'installer à Welkenraedt, une peite ville en Belgique. Il devient boucher et se marrie avec Tina, qui travaille avec lui dans son magasin. Ensemble, ils ont deux fils, Armand, amateur de boxe, qui travaille également dans la boucherie, et Henri, qui rêve de devenir cinéaste. Ce dernier tourne un film documentaire à propos de son frère Armand, qu'il intitule, "Souvenir de Gibraltar", dans lequel il raconte l'histoire de sa famille.
The film follows a man, who has an intellectual or mental disorder, living on a farm in rural Belgium. He demonstrates bizarre behavior from the beginning: fastening doll's heads to pigeons; collecting his feces in glass jars and beheading a hen for his own amusement. He is also obsessed with a sow who lives on the farm. We see him gleefully rolling around in the manure with the sow, and then he rapes it, which his behavior suggests he sees as an intimate and mutually agreeable act. Later, the sow gives birth to a litter of piglets. The man attempts to spoon-feed milk to the piglets, but the piglets prefer to drink directly from the milk bowl. In general, the piglets prefer their mother's company, repeatedly scorning the man's advances. Taking this rejection as an unforgivable personal slight, the man hangs the piglets to death and leaves their bodies strung up in the open. When the sow discovers the remains of the piglets, it runs madly around the farm squealing. The sow slips into a deep patch in the mud and drowns there.
The film takes place in the deepest part of Africa - "Bush Country". The evil, bald, and multi-breasted Queen Bazonga, who resides in a blimp, inside a cave shaped like a women's legs spread open revealing her vagina, plans to conquer the earth. Before she can do that, however, she wishes to have a full set of hair so people can take her seriously. Her two-headed assistant, The Charles Of The Pits, suggest a "scalp transplant", an experiment where someone else's hair is transplanted to another person's head. Bazonga demands that she wants the hair of June, the maid of Shame, ruler of the jungle. Bazonga sends out her penis soldiers to kidnap June. Meanwhile, that night, June kicks out Shame from their home after another night of unsuccessful sex. She ends up sleeping with Flicka, Shame's monkey pal. The next morning, Bazonga's soldiers barge in and kidnap June, but only after they have an orgy with her. Shame hears June's screams and comes to her rescue, but he is too late. Shame eventually decides to save his mate and immediately sets out on his quest with Flicka.
Pierre et Yves, homosexuels, vivent un amour douillet dans un petit village breton jusqu’à la venue d’Anne, l’ex-petite amie de Pierre, qui va essayer de les séparer…
The aging romancier Mathieu Grégoire falls in love with a female stranger who doesn't even understand his language. Their uncommon relationship upsets his family.
Baron von Rhoneberg (Jean Servais), a former World War II German general, sacrificed his daughter as the war ended. This condemned his family to be placed under a terrible curse. Many years later, he tells the story to a reporter who wishes to write an article about it and take pictures of his castle. However, the Baron is against any photographs. Despite his protests, the young woman goes up to visit the castle and take pictures but is killed when a dry thunderstorm suddenly rolls in while she is in close proximity to it. Her body is taken back to the town where it is discovered she has a burn in the shape of a lobster-like claw on her arm which is confirmed as the Mark of the Devil.
A recently married young couple, Stefan (John Karlen) and Valerie (Danielle Ouimet), are on their honeymoon. They check into a grand hotel on the Ostend seafront in Belgium, intending to catch the cross-channel ferry to England, though Stefan seems oddly unenthused at the prospect of introducing his new bride to his mother. It is off-season, so the couple are alone in the hotel. Alone, that is, until the sun sets and a mysterious Hungarian countess, Elizabeth Báthory (Delphine Seyrig) arrives in a vintage Bristol driven by her "secretary" Ilona (Andrea Rau). The middle-aged concierge at the hotel swears that he saw the Countess at the same hotel when he was a little boy. The pair may have a connection to three separate gruesome murders of young girls that occurred in Bruges the previous week. On a day trip, Stefan and Valerie witness the aftermath of a fourth. At the hotel, the countess quickly becomes obsessed with the newlyweds, and the resulting interaction of the four people leads to sadism and murder. Ilona, Stefan, then the Countess all die, leaving Valerie, now transformed into a creature similar to the Countess, stalking new victims.