Swedish efficiency researchers come to Norway for a study of Norwegian men, to optimize their use of their kitchen. Folke Nilsson (Tomas Norström) is assigned to study the habits of Isak Bjørvik (Joachim Calmeyer). By the rules of the research institute, Folke has to sit on an umpire's chair in Isak's kitchen and observe him from there, but never talk to him. Isak stops using his kitchen and observes Folke through a hole in the ceiling instead. However, the two lonely men slowly overcome the initial post-war Norwegian-Swede distrust and become friends.
At a press conference, the cooking knife of the last Royal Chef of Joseon Dynasty is presented to the public. The chef, who did not wish to cook for the Japanese imperial rulers, cut off his hand with this knife. The Japanese bureaucrat at the time was moved by the chef's loyalty to king and country, and kept it upon his return to Japan. Now, to redeem past evils, his son has decided to return it to Korea. In order to find a deserving owner he announces a nationwide culinary competition to find the best cook to own this knife, and become the true heir of the last Korean Royal Chef of Joseon Dynasty.
Our Children Will Accuse Us tells the story of an initiative in Barjac, a commune located in the Gard department in southern France, that decided to introduce organic produce into the town's school cafeteria. The film depicts without concessions the environmental tragedy which threatens the young generation: the poisoning of our country sides by agricultural pesticides (76 000 tons of pesticides used each year in France) and the harm caused to public health and safety.
Today, the formerly-desertic region of Almeria in southern Spain produces one third of Europe's winter consumption of fruits and vegetables and reaps two thirds of the country’s farm profits. This 'economic miracle' in a greenhouse relies on the labour of nearly 80.000 immigrants, half of whom do not have working papers. In a destroyed environment where the air is vitiated by pesticides and ground water is running out, the village of El Ejido illustrates, almost to the point of caricature, this industrial exploitation of men and the land encouraged by globalisation. Driss, Moussaid and Djibril are day-labourers there, working for a pittance and, as is the case with most of their peers, without a working contract. They stay in chabolas, small constructions made of cardboard and plastic, without water or electricity. It is a near-slavery that fills our tables.
En 1992, au Sommet de la Terre à Rio de Janeiro, Severn Cullis-Suzuki, une enfant de 12 ans interpellait les dirigeants du monde entier sur la situation humanitaire et écologique de la planète.
The peacefulness of a village is shattered when the wife of the local baker runs off with a handsome shepherd. In his despair, the baker becomes heartbroken and no longer bakes bread. The villages organize forces to bring the wife back to her husband, and back to their daily bread.
Avec We Feed the World, le documentariste Erwin Wagenhofer propose aux spectateurs un regard sur l'agriculture mondiale moderne. En passant par la Roumanie, l'Autriche, le Brésil, la France et l'Espagne, son enquête se focalise sur la manière dont est fabriqué ce qui arrive dans notre assiette. Il montre que la domination du Nord sur le Sud est prégnante. Comment est-il possible qu'en Afrique l'on achète des produits européens ou asiatiques comme le poulet thaïlandais ? Le réalisateur présente une face peu connue de la mondialisation : en achetant un poulet industriel, on contribue au défrichement de l'Amazonie car le Brésil déforeste pour cultiver le soja qui sert à nourrir les volailles élevées en batterie (90 % de la production de soja du Brésil est exportée). Le documentaire souligne également la différence entre industrie agroalimentaire et petite exploitation. We Feed the World adopte un style « coup de poing » visant à éveiller les consciences.
Sellers appears as Robert Danvers, a vain, womanizing and wealthy host of a high-profile cooking show. He meets Hawn's character, a no-nonsense American hippie living with an English rock musician in London, and, to everyone's surprise, falls for her.
Alex is an aging waiter who dreams of becoming a singer. He also wants to show that he is as virile as he was when he was young and starting out as a waiter. When former lover Claire reenters his life after 17 years, he gets his chance to show off his musical skills.
An older man (Hall) is sitting at a table with a younger man (Kirk Baltz) at a diner discussing a matter over cigarettes and coffee. A newlywed couple sits at the table next to them discussing how the wife lost all their money gambling on craps. Another man, Bill (Miguel Ferrer), is outside of the diner making a phone call but the matter being discussed is unclear.
Chef Thémis, the founder of the Cooks Without Borders organization, returns to his country of origin, Madagascar, to teach classes and show the underprivileged how to cook. With very few means, he manages to put together his first class, comprising eighteen people. From his enthusiasm as he starts out to his doubts when faced with the gigantic task that lies ahead of him, the film accompanies him over the three years the project lasts. Beyond their adventure, the film asks a question that any emigrant may face. Querying exile and the need to repay a moral debt to the country they left behind.