Oscar Micheaux was America's preeminent black filmmaker for three decades, having directed or produced 22 silent movies and 15 talking pictures. The Czar of Black Hollywood chronicles the real life experiences that inspired Micheaux's films, including the production of the first feature length film, The Homesteader (1919), and sound motion picture, The Exile (1931), by an African-American.
In Lost Soul Gregory looks at the filming of The Island of Dr. Moreau, specifically the period during which director Richard Stanley spent on the project. Stanley was brought on to the project early but was fired only a few days after principal photography began and was replaced by John Frankenheimer. The documentary looks into Stanley's vision for the film, as he had spent years working on the movie's script and had intended for Bruce Willis to star as Edward, a role that was later given to Val Kilmer- a move that Stanley viewed as a mistake. Lost Soul features interviews with several people involved with the movie's production and focuses on various aspects of the film, including numerous changes to the script and reports that Kilmer was difficult to deal with on set.
In the 1980s, two Israeli cousins (Menahem Golan and Yoram Globus) had an impact on Hollywood by producing over 300 films and starting one of the most successful independent production companies, Cannon Films. Their complex and differing personalities made them successful and eventually led to their downfall.
The documentary follows horror movie fan and journalist Tal Zimerman as he tries to look at the reasons why people enjoy the horror genre. The genre is globally popular and is present in a wide variety of formats such as films, books, music, graphic novels, artwork, and video games, yet reactions to it can sometimes be polarized and in some instances Tal feels that the genre's fans are misunderstood. At the same time, Tal is conflicted over how he can be "disturbed by gruesome imagery showcased in the news, but thrives on blood and guts found in movies, books, music, graphic novels and video games" and as such sets out to try to find how horror affects his mind. For his research Tal interviews several different people, from genre filmmakers and writers to scientists and psychologists, to uncover why people enjoy horror and how perception, traditions, and beliefs help impact how horror is perceived and displayed in various countries and globally as a whole.
Actress is a documentary about Brandy Burre, most known for her recurring role as Theresa D’Agostino on HBO’s The Wire as she attempts to return to her acting career after abandoning it to concentrate on raising a family.
Filmed in Supermarionation tells the story of the development of Supermarionation, a term coined to describe the unique form of puppetry employed by the teams at AP Films and Century 21 studios under the watchful eyes of Gerry and Sylvia Anderson. The documentary is hosted by Lady Penelope and Parker, the puppet stars of Thunderbirds, who seek to uncover the story behind their creation.
« De 1975 jusqu’en 1983, sortirent en salles de cinéma en France, 75 films d’un genre cinématographique inédit : le porno homo français. Tous filmés en 16 mm, la plupart munis de visas d’exploitation délivrés par le CNC (Centre national du cinéma), ces films sortirent dans les salles de cinémas parisiennes qui projetaient du porno homo (Le Dragon, La Marotte, le Hollywood Boulevard…) et dans quelques salles en province. Ils furent produits essentiellement par 3 sociétés de production : Les films de la Troïka (Norbert Terry), AMT Productions (Anne-Marie Tensi) et Les films du Vertbois (autour de Jacques Scandelari). Ce genre, subrogé par la vidéo, s’éteint en 1983 avec « Mon ami, mon amour ». Depuis lors, le cinéma pornographique homosexuel n’a plus jamais été distribué dans les salles de cinéma en France.
Le film présente James Franco et Travis Mathews dans leur propre rôle, travaillant ensemble sur un projet de film dont le but est d'imaginer et de recréer les 40 minutes du film La Chasse sorti en 1980, contenant des scènes à caractère sexuel explicite, qui avaient alors été censurées et supprimées. Les autres acteurs présents à l'écrans sont Val Lauren, Christian Patrick, Brenden Gregory, Brad Roberge, Colin Chavez et A.J. Goodrich.
The film looks at the relationship between Polley's parents, Michael and Diane Polley, including the revelation that the filmmaker was the product of an extramarital affair between her mother and Montreal producer Harry Gulkin. It incorporates interviews with Polley's siblings from her mother's two marriages, interviews with other relatives and family friends, Michael Polley's narration of his memoir, and Super-8 footage shot to look like home movies of historical events in her family's life. The cast in the Super-8 re-creations includes Rebecca Jenkins, who plays Diane – who had died of cancer, on January 10, 1990—the week of Polley's 11th birthday.
Ce film s'intéresse à la vie des acteurs du film réalisé par Fernando Meirelles et Katia Lund en 2002. Ce documentaire montre les différents résultats qu'eût ce succès mondial dans la vie de chacun de ses acteurs.
Elena moves to New York with the same dream her mother had: to become a movie actress. She leaves behind a childhood spent in hiding during Brazil’s military dictatorship and her teenage years amid theater plays and homemade videos. She also leaves behind Petra, her 7-year-old sister. Two decades later, Petra also becomes an actress and goes to New York in search of Elena. All she has are a few clues about her: home movies, newspaper clippings, diaries and letters. At any moment, Petra expects to find Elena walking in the streets. Gradually, the features of the two sisters are confused; we don’t know one from the other.
Pendant près d’une heure et demie, Beyoncé nous invite dans son monde, après la sortie de son album 4, pendant sa grossesse et après la naissance de son premier enfant.
Le film présente le cinéaste autrichien Michael Haneke par le biais d'interviews du réalisateur ainsi que quelques-uns des acteurs qui ont marqué son œuvre. Le documentaire s'attarde et analyse principalement la méthode de travail du réalisateur, sans évoquer ni sa vie privée, ni son interprétation de ses films.