The Uncondemned recounts the 1997 trial of Jean-Paul Akayesu for his alleged knowledge of the rapes and other war crimes during the Rwandan Genocide in 1994. The film features three women, who were victims of rape and anonymously testified in the trial, as well as American prosecutors Pierre-Richard Prosper and Sara Darehshori recalling their building the case against Akayesu.
To a large extent, the film consists of interviews with genocide survivors, many of whom were children in 1994. In all, over thirty survivors, perpetrators, and experts were interviewed for the film. In these interviews, the survivors discuss what it means to be a Rwandan and to live next door to people who killed their families. The survivors describe how they deal with their country's request that they forgive one another and move on, so that Rwanda can rebuild and unify itself. Perpetrators' views illuminate the madness that seized the culture in 1994; exploring the experience of apologizing to victims, and examining what it is like to be looked at as a murderer in Rwandan society.
Pink, the protagonist, is a rock star, one of several reasons behind his apparent depressive and detached emotional state. He is first seen in an unkempt hotel room, motionless and expressionless, watching television. The opening music is the Vera Lynn recording of "The Little Boy that Santa Claus Forgot". It is revealed that Pink's father, a British soldier, was killed in action while defending the Anzio bridgehead during World War II, in Pink's infancy.
Mookie (Spike Lee) is a young black man living in Bedford-Stuyvesant, Brooklyn with his sister, Jade (Joie Lee). He and his girlfriend, Tina (Rosie Perez), have a son. He's a pizza delivery man at the local pizzeria, but lacks ambition. Sal (Danny Aiello), the pizzeria's Italian-American owner, has been in the neighborhood for twenty-five years. His older son Pino (John Turturro) intensely dislikes blacks, and does not get along with Mookie. Pino is at odds with his younger brother, Vito (Richard Edson), who is friendly with Mookie.
The screenplay of Gandhi is available as a published book. The film opens with a statement from the filmmakers explaining their approach to the problem of filming Gandhi's complex life story:
Ali (Salem), is a Moroccan Gastarbeiter (guest worker) in his late thirties, and Emmi (Mira), is a 60-year-old widowed cleaning woman. They meet when Emmi ducks inside a bar, driven by the rain and drawn by the exotic Arabic music (Al Asfouryeh by Sabah) she says she has heard so often on her walk home from work. A woman in the bar (Katharina Herberg) who is part of Ali's Arabic-speaking cohort tauntingly suggests Ali ask Emmi ("the old woman") to dance, and Emmi accepts. A strange and unlikely friendship develops, then a romance and soon they are living together in Emmi's flat. Out of a professed sense of responsibility but also hopefulness, Emmi first confides in her newfound love when she goes to visit her daughter Krista (Irm Hermann) and her tyrannical son-in-law Eugen (Fassbinder himself) and announces that she is in love with Ali; Eugen thinks she is screwy and Krista as well can only think that her mother - who has been a widow for years - is fantasizing.
Astronauts Taylor (Charlton Heston), Landon (Robert Gunner), Dodge (Jeff Burton) and Stewart are in deep hibernation when their spaceship crashes in a lake on an unknown planet after a long near-light speed voyage, during which, due to time dilation, the crew ages only 18 months. As the ship sinks, Taylor finds Stewart dead and her body desiccated. They throw an inflatable raft from the ship and climb down into it; before departing the ship, Taylor notes that the date is November 25, AD 3978, approximately two millennia after their departure in 1972. Once ashore, Dodge performs a soil test and pronounces the soil incapable of sustaining life.
The modern mammal metropolis of Zootopia is a city like no other. Composed of habitat neighborhoods such as ritzy Sahara Square and frigid Tundratown, it’s a melting pot where animals from every environment live together — a place where no matter what you are, from the biggest elephant to the smallest shrew, you can be anything. But when optimistic Officer Judy Hopps arrives, she discovers that being the first bunny on a police force of big, tough animals isn’t so easy. Determined to prove herself, she jumps at the opportunity to crack a case, even if it means partnering with a fast-talking, scam-artist fox, Nick Wilde, to solve the mystery. They have less than 48 hours to find a missing mammal.
The film intersperses documentary film from German Concentration Camps Factual Survey, the 1945 documentary, with recent interviews with survivors and liberators. The producers, editors and cameramen who produced the 1945 documentary are featured, and its long delay is explored.
"La famille de Nicky" est l'histoire extraordinaire de Nicholas Winton, surnommé le Schnindler britannique, qui avant le début de la seconde guerre mondiale, entre mars et août 1939, a sauvé 669 enfants tchèques et slovaques, pour la plupart juifs, du génocide nazi. Le film mêle fiction, documents d'archives inédits, et témoignages émouvants des protagonistes de cette histoire, parmi lesquels Nicholas Winton en personne et Joe Schlesinger, journaliste à la CBC et narrateur du film. La "famille" de Nicholas Winton compte aujourd'hui plus de 5 000 personnes dans le monde entier, qui lui doivent la vie.
En archives et témoignages exceptionnels, une immersion au jour le jour dans une spectaculaire bataille du Mouvement des droits civiques aux États-Unis, au printemps 1961 : les "voyages de la liberté" pour déségréguer dans le Sud les grandes lignes de bus.
In 1961, Mississippi was a virtual South African enclave within the United States. Everything was segregated. There were virtually no black voters. Bob Moses entered the state and the Mississippi Voter Registration Project began. The first black farmer who attempted to register was fatally shot by a Mississippi State Representative. But four years later, the registration was open. By 1990, Mississippi had more elected black officials than any other state in the country. As the New York Times said in their review of the film, "a handful of young people, black and white, believed they could change history. And did."