A couple had three sons, and the youngest was a fool. One day, the Tsar declared that whoever made him a ship that could sail through the air would marry his daughter. The older two set out, with everything their parents could give them; then the youngest set out as well, despite their ridicule and being given less fine food. He met a little man and, when the man asked to share, he hesitated only because it was not fit. But when he opened it, the food had become fine.
A wealthy executive named Kingo Gondo (Toshiro Mifune) is in a struggle to gain control of a company called National Shoes. One faction wants the company to make cheap, low quality shoes for the impulse market as opposed to the sturdy but unfashionable shoes currently being produced. Gondo believes that the long-term future of the company will be best served by well made shoes with modern styling, though this plan is unpopular because it means lower profits in the short term. He has secretly set up a leveraged buyout to gain control of the company, mortgaging all he has.
The story is told from the viewpoint of Lt. Werner (Herbert Grönemeyer), who has been assigned as a war correspondent on the German submarine U-96 in October 1941. He meets its captain (Jürgen Prochnow), chief engineer (Klaus Wennemann), and the crew in a French nightclub. Thomsen (Otto Sander), another captain, gives a crude drunken speech to celebrate his Ritterkreuz award, in which he openly mocks not only Winston Churchill but implicitly Adolf Hitler as well.
United States Air Force Brigadier General Jack D. Ripper (Sterling Hayden) is commander of Burpelson Air Force Base, which houses the Strategic Air Command 843rd Bomb Wing, equipped with B-52 bombers. The 843rd is currently in-flight on airborne alert, a few hours from the Soviet border.
In the village of Flåklypa, Lom, Gudbrandsdalen (En. Pinchcliffe), the inventor Reodor Felgen (En. Theodore Rimspoke) lives with his animal friends Ludvig (En. Lambert) (a nervous, pessimistic and melancholic hedgehog) and Solan (En. Sonny Duckworth) (a cheerful and optimistic magpie). Reodor works as a bicycle repairman, though he spends most of his time inventing weird Rube Goldberg-like contraptions. One day, the trio discover that one of Reodor's former assistants, Rudolf Blodstrupmoen (En. Rudolph Gore-Slimey), has stolen his design for a race car engine and has become a world champion Formula One driver. Solan secures funding from Arab oil sheik Ben Redic Fy Fazan (En. Abdul Ben Bonanza), who happens to be vacationing in Flåklypa, and to enter the race, the trio builds a gigantic racing car: Il Tempo Gigante—a fabulous construction with two extremely big engines (weighing 2.8 tons alone and making the seismometer in Bergen show 7.8 Richter when started the first time), a body made out of copper, a spinning radar (that turns out to be useful when Blodstrupmoen starts engaging in smoke warfare during the race) and its own blood bank. Reodor ends up winning despite Blodstrupmoen's attempts at sabotage.
Dominick "Dom" Cobb (Leonardo DiCaprio) and Arthur (Joseph Gordon-Levitt) are "extractors", people who perform corporate espionage using an experimental military technology to infiltrate the subconscious of their targets and extract information while experiencing shared dreaming. Their latest target is Japanese businessman Saito (Ken Watanabe). The extraction from Saito fails when sabotaged by a memory of Cobb's deceased wife Mal (Marion Cotillard). Saito reveals that he was actually auditioning the team to perform the difficult act of "inception": planting an idea in a person's subconscious.
The film follows former dolphin trainer and activist Ric O'Barry's quest to document the dolphin hunting operations in Taiji, Wakayama, Japan. In the 1960s, O'Barry helped capture and train the five wild dolphins who shared the role of "Flipper" in the hit television series of the same name. The show, very popular, fueled widespread public adoration of dolphins, influencing the development of marine parks that included dolphins in their attractions. After one of the dolphins, in O'Barry's opinion, committed a form of suicide in his arms by closing her blowhole voluntarily in order to suffocate, O'Barry came to see the dolphin's captivity and the dolphin capture industry as a curse, not a blessing. Days later, he was arrested off the island of Bimini, attempting to cut a hole in the sea pen in order to set free a captured dolphin. Since then, according to the film, O'Barry has dedicated himself full-time as an advocate on behalf of dolphins around the world.
The film begins in a small village in Sri Lanka called Mankulam, where Shyama (Nandita Das) is married to Dileepan (J. D. Chakravarthy), who along with few other Sri Lankan Tamils in the village, is part of the Tamil Tigers rebel association. While having a quiet moment, the couple hears sounds of Sri Lankan army troops approaching. He asks Shyama to leave while he remains in the forest. Shyama realizes that she is pregnant and waits in vain for Dileepan’s return. Her villagers begin fleeing to India to seek refugee due to the war. Shyama is initially stubborn to leave since one of the rebels says that he has seen Dileepan with bullet wounds in the forest, but her relatives convince her to seek refuge for her unborn child's sake. The villagers board a to the shores of Rameswaram. While a local collector takes down the names of the refugees, Shyama gives birth to a baby girl. However, the urge to find her husband and be with her people back home overwhelms Shyama and she leaves behind the newborn girl, hoping that the girl will lead a better life.
Sansho the Bailiff is a jidai-geki, or historical film, set in the Heian period of feudal Japan. A virtuous governor is banished by a feudal lord to a far-off province. His wife and children are sent to live with her brother. Several years later, the wife, Tamaki (Kinuyo Tanaka), and children, Zushiō and Anju, journey to his exiled land, but are tricked on the journey by a treacherous priestess. The mother is sold into prostitution in Sado and the children are sold by slave traders to a manorial estate in which slaves are brutalized, working under horrific conditions and branded when they try to escape. The estate, protected under the Minister of the Right, is administered by the eponymous Sanshō (Eitarō Shindō), a bailiff (or steward). Sanshō's son Tarō (Akitake Kōno), the second-in-charge, is a much more humane master, and he convinces the two they must survive in the manor before they can escape to find their father.
The opening sequence is a 1943 black-and-white Cinesound newsreel Monarch of the Rails showing the locomotive being built. The film then changes to colour and shows the locomotive at the Enfield locomotive depot, then the home of the New South Wales Rail Transport Museum. The fireman lights the fire and the driver inspects the locomotive. When ready the locomotive is turned on the turntable.
In an unnamed American city, soon-to-be-retiring Detective William R. Somerset (Freeman) is partnered with short-tempered-but-idealistic Detective David Mills (Pitt), who recently transferred to the department. Together, their first case leads them to believe that they are chasing a serial killer whose killings each reflect one of the seven deadly sins. First, they discover an obese man who was tied to a chair and forced to eat food, and eventually, his own vomit, until his stomach exploded (representing gluttony). Next, they investigate the fatal bloodletting of a rich attorney, from whom a pound of flesh has been extracted (representing greed). Two days later, fingerprints left at the crime scenes lead them to an apartment, where they find an emaciated man strapped to a bed. Though he initially appears to be dead, they find he has been kept alive and immobile by the killer for one year to that day; a drug dealer and child molester before his capture (representing sloth). Though unable to learn anything from the insensate man, the detectives agree the killer has planned these crimes for more than a year.
Pour la suite du monde traite de la vie des habitants de l'Isle-aux-Coudres et de leur traditionnelle pêche au « marsouin » (le nom local pour désigner le béluga). Les cinéastes ont amené les personnages du film à reconstituer une véritable chasse au marsouin, abandonnée depuis 1924, en mobilisant toutes les générations. Les évènements qui se déroulent dans le film sont donc à la fois joués (bien que chaque séquence n'est tournée qu'une seule fois) et vécus.