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How to Make Use of Leisure Time: Painting is a film of genre Documentary directed by Abbas Kiarostami
How to Make Use of Leisure Time: Painting (1977)
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Add to a movie listHow to Make Use of Leisure Time: Painting (Persian: از اوقات فراغت خود چگونه استفاده کنیم: نقاشی) is a 1977 Iranian short film directed by Abbas Kiarostami. It is an educational film which aims to instill a love of painting in young children.
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Suggestions of similar film to How to Make Use of Leisure Time: Painting
There are 37 films with the same director, 8862 with the same cinematographic genres, to have finally 70 suggestions of similar films.If you liked How to Make Use of Leisure Time: Painting, you will probably like those similar films :
Concerning Nice (1995)
, 1h40Directed by Abbas Kiarostami, Raoul Ruiz, Costa-Gavras, Claire Denis, Pavel Lounguine, Catherine Breillat, Raymond Depardon, Parviz Kimiavi
Origin France
Genres Documentary
Themes La provence, Documentary films about cities
Actors Grégoire Colin, Laura del Sol, Arielle Dombasle, Parviz Kimiavi
Rating57%
65 ans après le documentaire d'inspiration surréaliste de Jean Vigo, À propos de Nice, de 1930, un hommage au cinéaste de L'Atalante et Zéro de conduite.
Tribute to the Teachers (1977)
, 20minutesDirected by Abbas Kiarostami
Genres Documentary
Rating64%
À travers les témoignages de professeurs, Abbas Kiarostami rend hommage aux hommes et aux femmes qui ont dédié leur vie à la transmission, parfois dans des conditions difficiles.
The Colours (1976)
, 15minutesDirected by Abbas Kiarostami
Genres Documentary
Rating61%
Un essai cinématographique vibrant explorant la gamme de teintes qui colorent notre monde, présentant de manière créative les valeurs des couleurs aux jeunes enfants, tandis que le narrateur décrit l'endroit où chacune apparaît dans la nature ou dans des objets manufacturés, présentant des images de la culture de consommation en Iran avant la révolution iranienne de 1979.
Fellow Citizen (1983)
, 52minutesDirected by Abbas Kiarostami
Origin Iran
Genres Drama, Documentary
Rating62%
Pris dans le flux des embouteillages invraisemblables de Téhéran, un agent de la circulation tente tant bien que mal de faire respecter une interdiction de circulation.
First Graders (1996)
, 1h25Directed by Abbas Kiarostami
Genres Documentary
Themes Films about education, Films about children, Documentaire sur une personnalité
Rating73%
Une école primaire iranienne au milieu des années 1980. Dès qu’un conflit éclate, les élèves concernés sont envoyés dans le bureau du directeur qui les interroge de façon à ce qu’ils reconnaissent d’euxmêmes leur part de responsabilité, toujours selon le même cérémonial : interrogation, aveux, repentir.
Homework (1989)
, 1h26Directed by Abbas Kiarostami, Jaime Humberto Hermosillo
Origin Iran
Genres Documentary
Themes Films about education
Actors Abbas Kiarostami
Rating77%
The films consists almost exclusively of interviews with a number of pupils and two fathers of pupils at Shahid Masumi school who are asked to give their opinion on the traditional teaching practice of assigning homework. Issues such as some parents' illiteracy and their inability to help their children with the homework are raised. The children don't always succeed in hiding the more embarrassing aspects of their family life (corporal punishment, poverty, etc.).
Lumière and Company (1995)
, 1h28Directed by Gabriel Axel, Cédric Klapisch, Patrice Leconte, Claude Lelouch, Abbas Kiarostami, Andreï Kontchalovski, Youssef Chahine, Liv Ullmann, Wim Wenders, Costa-Gavras, Jacques Rivette, Theo Angelopoulos, Alain Corneau, Michael Haneke, Claude Miller, John Boorman, David Lynch, Francis Girod, Merzak Allouache, James Ivory, Spike Lee, Arthur Penn, Jerry Schatzberg, Jaco Van Dormael, Peter Greenaway, Gaston Kaboré, Idrissa Ouédraogo, Bigas Luna, Zhang Yimou, Régis Wargnier, Yoshishige Yoshida, Lucian Pintilie, Lasse Hallström, Helma Sanders-Brahms, Nadine Trintignant, Raymond Depardon, Vicente Aranda, Fernando Trueba, Ismail Merchant, Hugh Hudson
Origin Danemark
Genres Drama, Comedy, Documentary, Action
Actors Isabelle Huppert, Romane Bohringer, Bruno Ganz, Géraldine Pailhas, Ticky Holgado, Zinedine Soualem
Rating68%
40 réalisateurs ont tourné 52 secondes de leur choix sans son et en trois prises maximum avec la caméra originelle des frères Lumière.
ABC Africa (2001)
, 1h24Directed by Abbas Kiarostami
Origin Iran
Genres Documentary
Themes Films about children, Medical-themed films, Documentary films about health care, HIV/AIDS in film
Actors Abbas Kiarostami
Rating67%
En avril 2000, en Ouganda, Abbas Kiarostami et son assistant, Seifollah Samadian, sollicités par une association humanitaire, le Fida, débarquent à Kampala. Pendant une dizaine de jours, ils découvrent de nombreux enfants ayant perdu leurs parents à cause du Sida. Leur caméra témoigne d'une Afrique joyeuse malgré la souffrance et la maladie.
Close-Up (1990)
, 1h34Directed by Abbas Kiarostami
Origin Iran
Genres Drama, Documentary, Crime
Themes L'usurpation d'identité, Escroquerie
Actors Mohsen Makhmalbaf, Abbas Kiarostami, Abolfazl Ahankhah
Rating81%
Hossain Sabzian is a cinephile, and in particular a big fan of popular Iranian director Mohsen Makhmalbaf. One day, Sabzian is riding a bus with a copy of the novel The Cyclist; Mrs. Ahankhah sits next to him, revealing she is a fan of the novel's film adaptation. Sabzian tells her that he himself is Makhmalbaf, the maker. She is then surprised that a famous director would ride public transportation; Sabzian explains in response (posing as Makhmalbaf) that he finds his film subjects this way, telling her that art must spring from life. Posing as Makhmalbaf from this point on, Sabzian visits the Ahankhah family several times over the next two weeks. He flatters them by saying he wants to use not only their house in his next film, but also their sons as actors in it. He even obtains a substantial amount of money from them (ostensibly to prepare for the film). Mr. Ahankhah has his suspicions, however, especially when a magazine photo shows a younger Makhmalbaf with darker hair than that of Sabzian. He invites a journalist (Hossain Farazmand) over, who confirms Sabzian is indeed an impostor. The police come to arrest Sabzian, while Farazmand takes several pictures for his upcoming article: "Bogus Makhmalbaf Arrested." Kiarostami intersperses these scenes throughout the film, in which the events described above do not progress chronologically; they are re-enactments.