In 1927, silent film star George Valentin is posing for pictures outside the premiere of his latest hit film when a young woman, Peppy Miller, accidentally bumps into him. Valentin reacts with humor to the accident and shows off with Peppy for the cameras. The next day, Peppy finds herself on the front page of Variety with the headline "Who's That Girl?" Later, Peppy auditions as a dancer and is spotted by Valentin, who insists that she have a part in Kinograph Studios' next production, despite objections from the studio boss, Al Zimmer. While performing a scene in which they dance together, Valentin and Peppy show great chemistry, despite her being merely an extra. With a little guidance from Valentin (he draws a beauty spot on her, which will eventually be her trademark, after finding her in his dressing room), Peppy slowly rises through the industry, earning more prominent starring roles.
Panahi is under house arrest, awaiting the result of his appeal of a six-year prison sentence and twenty-year ban on film-making, leaving the country or giving media interviews for "propaganda against the regime". Bored and desperate that this verdict may mean his artistic death, he starts documenting his life. He begins filming himself in his apartment, then calls his friend and collaborator, Mirtahmasb, who arrives at the apartment and takes over the camera. Banned from film making and determined to save at least some of his artistic visions, Panahi reads some of the scenario from the movie he was planning to make. Upon hearing fireworks marking the ancient Iranian festival Chaharshanbe Suri that precedes the Persian new year, Nouruz, and other suspicious noises resembling gunshots, he gets scared and quickly stops this project. He turns on the TV to hear the news. We see news about the tsunami in Japan and later it is announced that Iran's president has banned any fireworks and bonfires that used to mark Chaharshanbe Suri.
Brothers Walter and Gary, residents of Smalltown, are fans of the Muppets, having watched The Muppet Show throughout their youth. Now adults, Gary plans a vacation to Los Angeles with his girlfriend, Mary, to celebrate their tenth anniversary, inviting Walter so he can tour the Muppet Studios. Mary feels Gary's devotion to Walter is detracting from their relationship.
Following his graduation from university in 1956, aspiring filmmaker Colin Clark (Eddie Redmayne) travels to London to get a job on Laurence Olivier's (Kenneth Branagh) next production. Hugh Perceval (Michael Kitchen) tells Colin that there are no jobs available, but he decides to wait for Olivier, whom he once met at a party. Olivier and his wife, Vivien Leigh (Julia Ormond), eventually show up and Vivien encourages Olivier to give Colin a job on his upcoming film The Prince and the Showgirl, starring Marilyn Monroe (Michelle Williams). Colin's first task is to find a suitable place for Marilyn and her husband, Arthur Miller (Dougray Scott), to stay at while they are in England. The press find out about the house, but Colin reveals he secured a second house just in case, impressing Olivier and Marilyn's publicist, Arthur P. Jacobs (Toby Jones).
An in-depth two part exploration of the evolution of the private film industry, through the eyes of more than 50 industry professionals. Part one : Artists and professionals from both social and commercial cinema tell the story of the struggle to build a private but Statefunded film industry. Part two : Managers, politicians and professionals talk about the origins of the majors funding institutions and discuss the perverse effects of building a cultural industry on the basis of performance metrics, revenues and private profits.
There are five cameras — each with its own story. When his fourth son, Gibreel, is born in 2005, self-taught cameraman Emad Burnat, a Palestinian villager, gets his first camera. At the same time in his village of Bil’in, the Israelis begin bulldozing village olive groves to build a barrier to separate Bil'in from the Jewish Settlement Modi'in Illit. The barrier's route cuts off 60% of Bil'in farmland and the villagers resist this seizure of more of their land by the settlers.
The minions of serial killer Jesse "ChromeSkull" Cromeans locate their employer and bring him back from the brink of death, though the injuries he sustained have left him disfigured. As ChromeSkull recuperates, tended to by an assistant named Spann, his disgruntled second-in-command, Preston, tracks Princess and Tommy, the survivors of the previous film, to a motel. Preston kills Princess, which infuriates ChromeSkull, while Tommy is spared, due to being out at the time of Preston's attack.
Super Cash Me est un film documentaire qui explique le fonctionnement des marques et du placement de produit dans les films entièrement financés par le placement de produit. Il montre notamment les démarches entreprises par le réalisateur pour obtenir des sponsors, ainsi que la mise en place de la publicité pour le documentaire.
Sylvain, solitaire et cinéphile, tient le cinéma de quartier d'une commune de province en Saône-et-Loire et habite dans son sous-sol. À chaque fin de séances, il part en quête meurtrière nocturne.
Naayika tells the life and times of a yesterdays' heroine of Malayalam cinema. It is the story of Gracy (Sharada) a leading star until she suddenly disappeared from the silver screen.
Vellaripravinte Changathi is based on the story of film-maker Augustine Joseph who made a Malayalam film in 1966. However, due to some reasons, the film did not make it to the theatres. The 1960s-70s was a period dominated by Prem Nazir, Sathyan, Sheela and others. Unluckily Augustine Joseph was not able to get the film released. Later he commits suicide due to the debts from the production of the film.
After having sex with her boyfriend, a woman is shocked when he transforms into Freddy Krueger, who she mistakes for Edward James Olmos. Freddy seduces the woman with his glove, which has vibrators affixed to the fingers.
Mexican filmmaker Sebastián (Gael García Bernal) and his executive producer Costa (Luis Tosar) arrive in Cochabamba, Bolivia, accompanied by a cast and crew, prepared to create a film depicting Columbus's first voyage to the New World, the imposition of Columbus’ will upon the natives, and the subsequent indigenous rebellion. Cognizant of his limited budget, producer Costa elects to film in Bolivia, the poorest country in South America. There, impoverished locals are thrilled to earn just two dollars a day as extras in the film, and willingly engage in physical labor for set preparation. Costa saves many thousands of dollars by having underpaid extras perform tasks meant to be completed by experienced engineers.