Vittorio recherche une femme qui correspond à son idéal. Grâce à une petite annonce, il rencontre Sonia, une jeune fille douce, agréable et intelligente. Cependant, elle pèse 125 livres, ce qui, selon Vittorio, est bien trop. Orfèvre de formation, Vittorio est obsédé par le désir de façonner le corps et l'esprit de Sonia comme le fait un feu avec de l'or. Presque imperceptiblement, Sonia devient une participante passive et la relation se transforme en un jeu masochiste réciproque. Lorsque les deux amoureux s'isolent dans une maison de campagne sur les collines de Vénétie, ils perdent dangereusement contact avec la réalité et avec le reste du monde.
Pearl Jam : Twenty est le portrait ultime de Pearl Jam. Entre concert, coulisses, témoignages sur le pouvoir de la musique et sur un groupe sans compromis...
La vie et l'œuvre de Leni Riefenstahl, qui au contraire de ses homologues qui, tel Fritz Lang, quittèrent l'Allemagne nazie, refusa de partir et devint la cinéaste attitrée du national-socialisme.
Sound City Studios was located in the San Fernando Valley, amidst rows of dilapidated warehouses. The little-known recording studio housed a unique analog Neve recording console and a reputation for recording drums. Artists such as Red Hot Chili Peppers, Fleetwood Mac, Neil Young, Rick Springfield, Tom Petty, Kyuss, Slipknot and Nirvana recorded groundbreaking music at the studio. The film tells the story of the studio from its early days in 1969 until its closing in 2011. It then follows Dave Grohl's purchase of the studio's custom analog Neve console, which he moved to his personal studio, Studio 606. Rupert Neve is an English engineer who founded Neve Electronics in 1961, designed and manufactured the Neve 8028, "one of four in the world", and is interviewed by Grohl in the film. Famous musicians who recorded at Sound City reunite at Studio 606 for a jam session and to make an album of "all-new all-original songs, each one composed and recorded exclusively for the film within its own 24-hour session on that console." It also shows album covers by some bands: Red Hot Chili Peppers's One Hot Minute, Nirvana's Incesticide and Nevermind, Rage Against The Machine's self-titled album and many others.
In the film, South African musicians, playwrights, poets and activists recall the struggle against apartheid from the 1940s to the 1990s that stripped black citizens of South Africa of basic human rights, and the important role that music played in that struggle. The documentary uses a mixture of interviews, musical performances and historical film footage. Among the South Africans who take part are Miriam Makeba, Abdullah Ibrahim, Hugh Masekela, Vusi Mahlasela and others.
Buck explores the life of Buck Brannaman from his childhood living with an abusive father to his successful approach to handling and training horses. Brannaman worked on the Robert Redford film The Horse Whisperer as the lead equine consultant. He teaches people to communicate with their horses through leadership and sensitivity, not punishment.
In 2009 director Alex Gibney set out to film The Road Back, a documentary on cyclist Lance Armstrong's comeback year after a four-year retirement from the sport. Three years later, on October 2012, a doping investigation led to his lifetime ban from competition and the stripping of his seven Tour de France titles, and the documentary was shelved. On January 14, 2013, three hours after his appearance on Oprah, Armstrong went back to Gibney to set the record straight about his career.
The documentary follows the heavy metal scene in Los Angeles, with particular emphasis on the glam metal subgenre. Spheeris explores the more famous musicians, including Alice Cooper, Aerosmith, Ozzy Osbourne, Dave Mustaine and Paul Stanley. She then explores unknown bands, such as London, Odin and Seduce. The film also features interviews with members of Poison, Tuff, Vixen, Faster Pussycat, W.A.S.P. and more. Serious issues such as drug usage, alcohol abuse, and censorship are tackled, as well as vanity issues like celebrity and sales.
First-time filmmaker and former Wall Street Journal reporter Neil Barsky’s 2012 documentary film Koch explores the origins, career, and legacy of Edward Irving “Ed” Koch, who served as Mayor of New York City for three consecutive terms from 1978 to 1989. With candid interviews and rare archival footage, the film offers a close look at a man known for being intensely private in spite of his dynamic public persona, and chronicles the tumultuous events which marked his time in office – a fiercely competitive 1977 election, the 1980 transit strike, the burgeoning AIDS epidemic, landmark housing renewal initiatives, and an irreparable municipal corruption scandal. Poignant and often humorous, Koch is a portrait not only of one of New York’s most iconic political figures, but of New York City itself at a time of radical upheaval and transformation.