New York City police detective Joe Leland is called to the home of a murder victim who has been beaten to death and has had his genitals removed. Puzzled and disgusted, the police on call are left bemused, Leland holding things together with his direct, no-nonsense approach.
The Lion in Winter is set during Christmas 1183, at King Henry II's château and primary residence in Chinon, Anjou, within the Angevin Empire of medieval France. Henry wants his youngest son, the future King John, to inherit his throne, while his estranged and imprisoned wife, Duchess Eleanor of Aquitaine, favours their oldest surviving son, the future King Richard the Lionheart. Meanwhile, King Philip II of France, the son and successor of Louis VII of France, Eleanor's ex-husband, has given his half-sister Alais, who is currently Henry's mistress, to the future heir, and demands either a wedding or the return of her dowry.
Max Bialystock (Zero Mostel) is a washed-up, aging, and also fraud and corruptible greedy Broadway producer who ekes out a living romancing lascivious wealthy elderly women in exchange for money for his next play. Accountant Leopold "Leo" Bloom (Gene Wilder) arrives at Max's office to do his books and discovers there is a $2,000 discrepancy in the accounts of Max's last play. Max persuades Leo to hide the relatively minor fraud, and, while shuffling numbers, Leo has a revelation: a producer could make a lot more money with a flop than a hit, by overselling the shares in the production as no one will audit the books of a play presumed to have lost money. Max immediately puts this scheme into action. They will over-sell shares on a massive scale, and produce a play that will close on opening night, thus avoiding a pay-out and leaving the duo free to flee to Rio de Janeiro with the profits. Leo is afraid such a criminal venture will fail and they will go to prison, but Max eventually convinces him that his drab existence is no better than prison.
Rachel Cameron (Joanne Woodward) is a shy, 35-year-old spinster schoolteacher living with her widowed mother in an apartment above the funeral home once owned by her father in a small town in Connecticut. School is out for summer vacation and Rachel figures it will just be another lonely and boring summer for her. (Its implied that she may even hate summer as her job provided somewhat of an escape from her rather domineering mother who's always trying to compare her to her sister who married a successful man.) Fellow unmarried teacher and best friend Calla Mackie (Estelle Parsons) persuades her to attend a revival meeting, where a visiting preacher encourages Rachel to express her need for the love of Jesus Christ. Rachel is overwhelmed by God's grace, baring so much pent-up emotion, that she is humbled after the service; comforting her, Calla suddenly begins to kiss Rachel passionately. Is Calla a lesbian, or did she merely react to the emotion of the moment? The film does not answer this question, but Rachel's reaction is to withdraw from the friendship for the time being.
A dedicated, decorated war veteran, Sgt. Callan (Rod Steiger), is posted in France at a fuel supply depot in 1952. Finding a lack of discipline under the frequently drunk Capt. Loring, he takes charge in a tough, no-nonsense manner.
As the film begins, Geraldine ejects Joe from their bed and insists he go out on the streets to make some money for her girlfriend's abortion. This leads to Joe's various encounters with clients, including an artist who wishes to draw Joe, played by Maurice Bradell, Louis Waldron as a gymnast, and John Christian.
Vers 1210, un jeune berger, Jacques de Cloys prêche une nouvelle croisade. Des centaines de jeunes gens quittent leurs villages en entendant l’appel et partent sur les routes pour libérer le tombeau du Christ. Un moine, compagnon de route, entend en confession certain des enfants au long du voyage.
Sur le petit écran, June est Sister George, religieuse infiniment vertueuse et loyale. Mais dans le privé, June est une actrice "has been", lesbienne dominatrice (la scène de la poupée et du cigare), toxicomane, grossière, alimentant la presse à scandale à tel point que les autorités religieuses font pression sur la chaîne pour que Sister George soit exécutée. June n'en a pas fini de chuter...
While diving off the Miami coast seeking one of the eleven fabled Spanish Galleons sunk in 1591, private investigator Tony Rome (Frank Sinatra) discovers a dead blonde, her feet encased in cement, at the bottom of the ocean.
One-eyed Mrs. Taggart is an emasculating woman whose husband, a successful building contractor, has been dead for ten years. Joining her for the traditional annual celebration of her wedding anniversary are her three sons: eldest Henry is a transvestite; middle son Terry is planning to emigrate to Canada with his shrewish wife Karen and their five children; and youngest Tom, a promiscuous philanderer whose many past relationships have ended at his mother's insistence, arrives with his pregnant girlfriend Shirley in tow. Throughout the day and evening, the domineering, evil, vindictive, manipulative matriarch does everything in her power to remind her children who controls the family finances and ultimately their futures.
A mysterious figure known only as "The Visitor" appears in the lives of a typical bourgeois Italian family. His arrival is heralded at the gates of the family's Milanese estate by an arm-flapping postman. The enigmatic stranger soon engages in sexual affairs with all members of the household: the devoutly religious maid, the sensitive son, the sexually repressed mother, the timid daughter and, finally, the tormented father. The stranger gives unstintingly of himself, asking nothing in return. He stops the passionate maid from committing suicide with a gas hose and tenderly consoles her; he befriends and sleeps with the frightened son, soothing his doubts and anxiety and endowing him with confidence; he becomes emotionally intimate with the overprotected daughter, removing her childish innocence about men; he seduces the bored and dissatisfied mother, giving her sexual joy and fulfillment; he cares for and comforts the despondent and suffering father, who has fallen ill.
Vingt ans après, Thérèse revient sur les lieux de son adolescence, le collège du Lys, abbaye désaffectée aux environs de Paris, où elle vécut, avec la singulière Isabelle, des amours clandestines et passionnées, pendant une année d'études. Le départ brutal d'Isabelle, rappelée par sa mère qui s'était remariée, mit un terme à cette brève amitié qui se disait éternelle...