The film is set in the heart of Transylvania and the story appears to take place sometime during the mid-19th Century. Professor Abronsius, formerly of the University of Königsberg and his apprentice Alfred are on the hunt for vampires. Abronsius is old and withering and barely able to survive the cold ride through the wintry forests, while Alfred is bumbling and introverted. The two hunters come to a small Eastern European town seemingly at the end of a long search for signs of vampires. The two stay at a local inn full of angst-ridden townspeople who perform strange rituals to fend off an unseen evil.
The film tells of six central characters, their failures, obsessions and darkest desires. Set at a US Army post in the South in the 1930s, it features Major Weldon Penderton (Brando) and his wife Leonora (Taylor). Other central characters are Lieutenant Colonel Morris Langdon (Brian Keith) and his depressed wife Alison (Julie Harris), the Langdons' houseboy Anacleto (Zorro David), and Private Ellgee Williams (Robert Forster).
Jill Banford and Ellen March struggle to support themselves by raising chickens on an isolated farm in rural Canada. Dependent Jill tends to household chores and finances while the self-sufficient Ellen deals with heavier work, such as chopping wood, repairing fences, and stalking the fox that keeps raiding their coops, although she is hesitant about killing it. Jill seems content with their secluded existence, but the frustrated Ellen is less enchanted by the solitude.
A gay African-American hustler and aspiring cabaret performer, Jason is the sole on-screen presence in the film. He narrates his troubled life story to the camera, behind which Clarke and her partner at the time, actor Carl Lee, provoke and berate Jason with increasing hostility as the film progresses. The film employs avant-garde and cinéma vérité techniques to reach the tragedy underlying Jason's theatrical, exaggerated persona.
The story is set at the beginning of the 20th century. When Thomas Törless (Mathieu Carrière) arrives at the academy, he learns how Anselm von Basini (Marian Seidowsky) has been caught stealing by fellow student Reiting (Fred Dietz), and is obliged to become Reiting's "slave," bowing to Reiting's sadistic rituals. Törless follows their relationship with intellectual interest but without emotional involvement.
Set in the mid-1930s, the plot centers on Daisy Clover (Wood), a teenage tomboy who lives in a ramshackle trailer with her eccentric mother (Gordon) on a California beach and dreams of Hollywood stardom. She submits a song recording to the well-known film producer Ray Swan (Plummer), who puts her under contract. Ray and his wife Melora (Katharine Bard) foster Daisy's rise to fame by any means necessary, forcing Daisy to deal with the pressures of stardom and the Swans' manipulation of her life and career. Daisy reluctantly accepts the placement of her mother in a mental institution, to protect Daisy's reputation as "America's valentine", and is told to tell any interviewers that her mother is dead.
The film begins with gruff American gangster Dickey pushing his broken-down car along a causeway through rising seawater while his eccentric companion Albie lies inside, bleeding from a gunshot wound after a bungled robbery. Cut off by the unexpected rising tide, they are on the only road to a bleak and remote tidal island (Lindisfarne in Northumberland), where, in a dark castle on a hilltop, a highly neurotic Englishman named George lives with his pretty and promiscuous young French wife Teresa. Dickey disconnects the phone lines and proceeds to hold the two hostage while awaiting further instructions from his underworld boss, the mysterious Katelbach.
Telle une fugueuse, Tsuyu déménage à Osaka pour travailler comme hôtesse de bar. Elle rencontre la propriétaire d'une école de mannequins, Yoko, et pense sérieusement à devenir modèle. Yoko lui dit qu'elle peut emménager chez elle pour prendre des cours, tout en gagnant sa vie en même temps.
The Nun starts out with a young woman, named Suzanne, in a wedding gown preparing to take her vows of chastity, obedience, and poverty to make herself a nun, but she refuses at the
Kitty and Tigercat are two lesbians and The Girl with the Hungry Eyes tells the tale of one woman's obsession with the other. It features Adele Rein as Kitty, Cathy Crowfoot as Tigercat, an early film appearance by Charlotte Stewart and a dance scene by Pat Barrington.
Persona begins with images of camera equipment and projectors lighting up and projecting dozens of brief cinematic glimpses, including a crucifixion, an erect penis, a tarantula spider, clips from a comedic silent-film reel first seen in Bergman's Prison (depicting a man trapped in a room, being chased by Death and Satan), and the slaughter of a lamb. The last, and longest, glimpse features a boy who wakes up in a hospital next to several corpses, reading Mikhail Lermontov's A Hero of Our Time ("Vår Tids Hjälte" in the film), and caressing a blurry, transient image that shifts between Elisabet and/or Alma's faces.
L'action se passe dans la région des Laurentides et à Montréal au début des années 1960. Deux amants homosexuels dans la trentaine (André et Georges), issus de milieux socioéconomiques différents et dont l’un est bisexuel (Georges), vivent une relation sado-masochiste ponctuée par le chantage, la raillerie, la menace du suicide et le recours à des tueurs à gages. Le titre du film reprend la dernière demande du Notre Père, la prière la plus répandue chez les chrétiens.